The Art of a Good Story from Aristotle's Five Elements

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“In his poetics, Aristotle declared that the hierarchy of dramatic effects was in descending order as follows: plot, character, dialogue…” (Watts, 56). A good story is one that utilizes five elements of craft in coherence with one another to further the reader’s understanding of the narrative.

In accordance with Aristotle, plot is the most crucial to building a successful story and should be examined first. As stated by Nigel Watts, author of over ten books, “A classical plot is a narrative of causality which results in a completed process of significant change, giving the reader emotional satisfaction” (Watts, 28). The plot is simply the action of the story and a character’s journey or quest to accomplish a goal. The “causality” that Watts refers to, is the link between one event and the next in the hero’s journey. Every event needs to be connected to the previous one in order to create a smooth flowing story that not only makes sense but captures the reader’s attention. “A plot is like a knitted sweater-only as good as the stitches. Without the links we have a tangle of wool, chaotic and uninteresting (27). The next part of this definition is significant change. The point of plot is to do something, anything, with the characters involved. If the action is stagnant and there is no journey, there is in fact no plot, and as a result no story that anyone would take the time to read. The key is change. The protagonist needs to undergo change between the beginning and conclusion of a story. That change can be physical, emotional, spiritual, or any other type that the character can realistically have (in terms of believability for the reader). Finally, this sequence of events must at some point end in such a way that the ...

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...nce the reader can see only what the character sees while second is mainly used for dialogue purposes. The third is the one most frequently used in short stories and fiction since it gives the greatest range (coming from a narrator who knows everything). The distance between the character and reader is affected by the author’s choice of which one of these to choose. A reader has a greater chance of becoming emotionally attached if the story is told from the perspective of a protagonist because the reader is placed in the protagonists own shoes. However, then the reader cannot see if this is a reliable narrator or not. Point of view is solely up to the author and each of them can be manipulated to suit the needs of the story.

While all five can be used to create a great work of literature, some would argue that not all five are necessary to write a great work.

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