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Analysis of psycho hitchcock
Analysis of psycho hitchcock
Hitchcock psycho film techniques
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Throughout the years, many directors have been making movies that seem to "scare the hell out of people". From thrilling to just suspenseful scenes, Alfred Hitchcock explores different techniques to ensure that he captures the audience's attention.
The characters in Hitchcock's films play a very important role in creating the tensions and twists, causing that heart stopping moment where you just want to yell at the TV.
He uses the characters like strategically placed chess pieces, knowing exactly when to make his move. Alfred Hitchcock was a very scared person in life, which ironically led him to be one of the greatest directors for thrillers and perhaps horrors. ?I?m not against the police, I?m just afraid of them? is a quote from Hitchcock that leads you to believe the characters in the movies he directed, were what he would be afraid of in real life. Alfred Hitchcock expresses his fear of the police in Psycho when a police officer finds Marion Crane sleeping in her car. The officer looks extremely intimidating and you start to think that maybe he is the psycho. This thought is soon juxtaposed when Marion is at the car yard and the same police officer who had spoken to her earlier, stops his car across the road, gets out and just stands there watching her. We later find out that he is not the psycho and Marion finds herself sheltered by the lonely and secluded Bates Hotel. Here we are introduced to Norman Bates, a shy, nervous but very friendly young man. You would never guess, and end up shocked when you realise that he is the psycho.
The sounds and camera angles of this film are the key to the feeling of suspense. The sounds of the violin make up most of the soundtrack for Psycho. Although the soundtrack is very repetitive and slightly annoying, it gives you a sense of anticipation when it played throughout the movie. The screeching violins are always played when you least expect them to, catching you off guard. As said by Alfred Hitchcock, ?There is no terror in the bang, only the anticipation of it.? The camera angles also play an important role in this movie. When Lila, Marion?s sister, goes to find Mrs Bates and talk to her, it seems to take Lila forever just to reach the house, with the camera switching back and forth from her face, then to the door.
{ Hitchcock never explicitly referred to or mentioned developments of the period or the ongoing political machinations that made daily news; and while he hardly stove to substantiate David Lehman’s claim for the overriding theme in Hitchcock’s America, that “paranoia is sometimes a reasonable response to events in a world of menace” (qtd in Pomerance 12). As pointed out by Marshall Deutelbaum Hitchcock’s films were diligently faithful in their representation of the look and style of American everyday reality and it repeatedly focused on the
Eventually word got out he was in fact lying. so Alfred Hitchcock had to give another descirption of the movie Quote"Story of a young man whose mother is a homicidal maniac". The word psycho also means split personality. Alfred Hitchcock gives clues for this. e.g the word "Psycho" which is featured on the promoting poster has been completly shattered, which makes you think that the film is about split personalities.
Alfred William Hitchcock, the ‘master of suspense’ was a talented and remarkable director.Hitchocks extended family was known to be a jolly group specifially his parents he acquired an interest and fondness for the theater. Three years after his strict fathers death, Hitchcock began to path his own future in the film Industry. After attending the at Goldsmiths college, London university, allowed him to start from the adverstisment department to writing and drawing titles cards for film and then to designing sets.
Part of what makes Cooper’s unreliable narration work is the narrative expectations for suspense. Often called “The Master of Suspense,” Hitchcock was known for letting his viewers “play god” by giving them privileged information that the characters on screen don’t have in order to harness the audience's expectations and anticipation. Casetti described this as providing the audience with suspicion, the tools needed to construct a narrative and the motivations of characters (70). Since Cooper and Hitchcock withhold the correct information until near the end of the film they intentionally let viewer build the wrong story and experience a surprise deception. Surprise deceptions, such as the one found in Stage Fright, were not done in the Classic Hollywood Cinema and when paired with traditional models of trust in film open up many layers of exploration into the reaction of the
Finally, I watch North by Northwest. In this film as with many of his others including Vertigo and Rear Window, Hitchcock sets up his hero as being the only one who knows the truth, that way he is the sane one and the audience sympathizes. Also very Hitchcockian is that the main character becomes the detective. Stylistically, the audience stays with the main character, only knowing as much as he does. As with both Frederico Fellini and Satyajit Ray, there is no denying Hitchcock's autuerism. When a movie of his begins, there is no doubt from the very beginning as to who may have directed it.
Because Alfred Hitchcock implied a great deal in his films, his films may have implied a great deal about himself. If this is true, Alfred Hitchcock had a cryptic way of expressing who he
One major attribute in Hitchcock films is how creatively Hitchcock tricks the audience about the fate of the characters and the sequence of events. Many people argue that it is a tactic by Hitchcock to surprise his audience in order to increase the suspense of the movie. For example, in Shadow of a Doubt, the audience assumes that young Charlie is an innocent young girl who loves her uncle dearly. However as the movie progresses, Young Charlie is not as innocent as the audience suspects. Young Charlie, once a guiltless child, ends up killing her evil uncle. In Vertigo, the same Hitchcock trickery takes place. In the beginning, the audience has the impression that the Blond women is possessed by another woman who is trying to kill her. The audience also has the notion that the detective is a happy man who will solve the murder case correctly. Just before the movie ends, the audience realizes that the detective was specifically hired by a man to kill his wife. The detective, in the end, seems to be the hopeless, sad victim.
Norman Bates is arguably the most unforgettable character in the horror genre. His movements, voice and aura at first radiate a shy young man but transform into something more sinister as the movie Psycho (Hitchcock, USA, 1960) progresses. How has the director, Alfred Hitchcock, achieved this? Norman Bates was a careful construct: the casting, body language, lighting and even the subtle use of sound and mise-en-scène created the character.
Psycho is a suspense-horror film written by Joseph Stefano and directed by Alfred Hitchcock. This film was loosely adapted from Robert Bloch’s 1959 suspense novel, Psycho. A majority of the movie was filmed in 1960 at Universal Studios in Los Angeles. Psycho is about Marion Crane (Janet Leigh), a secretary from Arizona who steals $40,000 from her employer’s client. She takes that money and drives off to California to meet her lover Sam Loomis (John Gavin) in order to start a new life. After a long drive, she pulls off the main highway and ends up taking refuge at an isolated motel owned and managed by a deranged Norman Bates (Anthony Perkins). In Alfred Hitchcock’s film, Psycho, symbols, character and point of view are three literary aspects used in the film to manipulate the audience’s emotions and to build suspense in the film.
In Hitchcock’s narrative structure, he focuses on relationships. The relationship between society and their thoughts of morality, guilt and innocence. In the film, we never witness a murder, only the outcome of them. What we do see are the reactions to the killings. Every single week, the newspapers write
Hitchcock has characteristics as an auteur that is apparent in most of his films, as well as this one.
Alfred Hitchcock’s unique sense of filmmaking and directing has allowed him to become a very famous and well known film maker of his time. He uses similar recurring themes, elements, and techniques in many of his films to engage the viewers in more than just the film, but the meaning and focus behind the story.
In the hundred or so years of cinema, there have been many significant figures behind the camera of the films audiences have enjoyed, though there has been a select few that are considered “auteurs.” One of the most famous of auteurs in film history is the great Alfred Hitchcock, who is most identified with the use of suspense in his films, while also being notorious for the themes of voyeurism, the banality of evil, and obsession. In both the films we watched in class, Psycho and Rear Window, these three themes were somehow a part of the deeper meaning Hitchcock wanted to convey to the audience.
These insinuations hold the public’s attention. and it means that they have to focus on the film in order to understand what is happening, and use their imagination. This has lead to many interpretations of his film and has sparked great interest in his films, especially amongst many of the French film critics. Thus I conclude that Hitchcock uses the camera, the characters. personalities and situations, and often only shows us what is.
Frist Alfred Hitchcock, he is the master of suspense. He imposed a new style with his films.