Feminism In The Film 'Rear Window' By Alfred William Hitchcock

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Alfred William Hitchcock, the ‘master of suspense’ was a talented and remarkable director.Hitchocks extended family was known to be a jolly group specifially his parents he acquired an interest and fondness for the theater. Three years after his strict fathers death, Hitchcock began to path his own future in the film Industry. After attending the at Goldsmiths college, London university, allowed him to start from the adverstisment department to writing and drawing titles cards for film and then to designing sets. When analysing Rear Window (1954), it is one of the most popular and classic ‘tales of suspense and mystery’ movie by Hitchcock. The single set movie is Vertigo (1957) based on a novel by Pierre Boileau is a symbolist materpiece. …show more content…

Stated by Lacan, women are not able to enter the world of symbolic and language. This is because women lack the phallus; the symbol that sets language to recognition. “ In patriarchal structures, thus, women is located as other (enigma, mystery), and is thereby viewed as outside (male) language. The implication of this message is severe because it becomes dominant in the hollywood cinema. The film is a form of narrating and sending a message to the public. In this case ‘real women’ are rarely shown and …show more content…

Freud states that women feminism are similar to the male that both causes a problem between language and the boundaries in expression. According to these problems it heavily reflects womens position in the patriarchal society. Freud is able to discuss many different varieties of the male and female role. He begins with the female infatuation to be masculine is ego-syntonic. This phase is called ‘phallic’. The clash between both female and male wanting to gain the upper hand. The motive source of sexual life is called the

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