Button Button Sparknotes

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Richard Matheson’s famed short story ‘Button, Button’ is often alluded to as a simplistic representation of drone policy. Imagine a man offered you a box with a big red button on it. He tells you if you press it, you will receive a hefty sum of money, no questions asked. There is only one consequence: someone you don’t know will be killed. It’s an interesting dilemma – would you press it, knowing some nameless person’s life rests in your hands?

Captain America: The Winter Soldier paints a similar scenario as a hypothetical. The primary villain, Alexander Pierce (played by a somewhat hollow Robert Redford), is justifying his nefarious purpose with Project Insight, an extreme version of NSA’s surveillance strategy combined with drone technology. “What if Pakistan marched into Mumbai tomorrow, and you knew they were going to drag your daughters into a soccer stadium and shoot them… and you could just stop it, with the flip of a switch,” he says. “Wouldn’t you?” One of the council leaders being addressed pipes up indignantly: “Not if it was your switch.”

Political allegory lies at the root of most such narratives, made just fantastical enough to offer recognizable relevance, albeit with plausible deniability.
It’s a telling sign that the movie never outright rejects the concept of mass surveillance or target killing. S.H.I.E.L.D. director Nick Fury spends a lot of time explaining and praising the intricacy of Project Insight, with its ability to track down potential terrorists by their DNA using a system of three armed helicarriers linked by satellite. Having already seen the corruption of absolute power up close on multiple occasions, and still reluctant to join S.H.I.E.L.D., Steve Rogers is understandably horrified. As the represe...

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...n shows up to a hearing at the Capitol defiantly claiming that none of them will be penalized, because the world needs heroes more than ever, as I’m sure we’ll see.

Like the country westerns of the ‘70s and ‘80s, comic books (and by extension, their cinematic adaptations) are never far from the historical context they are conceived in. Political allegory lies at the root of most such narratives, made just fantastical enough to offer recognizable relevance, albeit with plausible deniability.This new era seems to signal a change in tone, entering a much darker phase with greater stakes. And it seems to be stepping into the territory of criticizing modern governmental policies, both domestic and foreign. What this means for individual characters remains to be seen, but with at least a decade and a half’s worth of narrative to go, we might as well strap in for the ride.

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