Analysis Of Letters To Her Sister

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Especially in the letters to her sister she addresses the life that the women of the Orient lead. She criticizes the representation of women regarding sexuality, marriage, customs and liberty. By doing so she sets her travel account apart from the ones of other writers at that time, such as Jean Dumont, Aaron Hill, Robert Withers, George Sandys and John Covel (cf. Lowe, pg.1). She often remarks how male travelers have given wrong descriptions and depiction of the Orient. Jean Dumont is one of the travelers she criticizes: “[…] that worthy author Dumont, who ‘has writ with equal ignorance and confidence’”. She later adds that male authors ‘never fail giving you an Account of the Women, which ’tis certain they never saw, and talking very wisely …show more content…

It must be under a very particular character or on some Extraordinary Occasion when a Christian is admitted into the House of a Man of Quality and their Harems are always forbidden Ground.” (pg.)
In this paragraph she once more states that the common, lower class travelers do not really know what they are talking about as they have little chance to meet with higher class people of the Orient. She thinks it very unlikely that they will be invited by them to talk about their culture. She also once more makes clear that the harem, which is a women’s quarter that cannot be visited by males, is inaccessible to …show more content…

She asserts the Turkish society’s heterogeneity and makes class and gender discourse a primary decisive factor in constructing her travel narrative. In a letter to her sister she writes: “Thus you see, dear sister, the manners of mankind do not differ so widely as our voyage writers would make us believe.” (pg.) Considering the way in which she claims authority, through class and especially through gender, she legitimates her travel narrative. Her main use for this authority is in the description of the Oriental women and the harem which were engaging topics for the writers as they were both exotic, sensual, mysterious and unfamiliar concepts for the European world. Writers like Covel, Dumont and the others created the common knowledge that the Oriental women were enslaved by the men and suffered. Jean Dumont, the author of “A new voyage to the Levant” (1696) explicitly wrote about the women’s enslavement: ““The Sultan’s wives are lodg’d in a Third Seraglio…. I need not to tell you with what severity they are guarded by the white and black Eunuchs, who never permit’em to enjoy the least Shadow of Liberty” (pg.). Women apparently were under the strict control of the men. Thus, the fantasy of freeing them was ignited in the Western men and intensified the eroticism of the Orient. The non-existing freedom of the female sex was also used to create a difference between

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