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Cinderella poem anne sexton analysis
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Cinderella poem anne sexton analysis
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My poetry paper will analyze poet Anne Sexton 's experience of feeling lifeless until being subjected to a sexual touch, as manifested in three of her poems: "The Touch", "The Kiss", and "Mr. Mine". All three poems were originally published in 1969, five years prior to Sexton 's suicide, in her collection known as Love Poems. They are written in the form of confessional poetry, recognizable by the presence of first-person tense. "The Touch" employs imagery of disembodied hand to highlight the speakers vulnerability in its detachability, "just lonely / for something to touch / that touches back" ("Touch" 20-22). The speaker reveals their rejection, disclosing "[their] dog won 't do it / ... [their] sister won 't do it / ... [and their] father won 't do it" ("Touch" 23-30). The speaker uses the illustration of a carpenter to cue a transition from abandonment to attachment, narrating: "Then all this …show more content…
This is the epitome of confessional poetry: unflinchingly raw, shamelessly honest. To me, these three poems display what sets Sexton aside from other poets of her era: bravery. She emotionally undresses herself through each line, exposing her naked mind with each stanza. The poems all include diction that implies an intense tone, and the atmosphere created by the language Sexton chooses is simultaneously grotesque and intriguing. Sexton personifies unique objects: a dismembered limb, a wooden vessels, a metropolitan expanse. By doing this, she highlights the lack of humanity she felt without the existence and affect a lover. I would like to further explore the root of this impression Sexton has–to discover what inspired this outlook on herself–and why it is so prevalent throughout her
Everyone has once been someone that they aren’t necessarily ashamed of, but something they aren’t anymore. When you’re in school, everyone is different; between the popular kids, the jocks, the cheerleader, the dorks, the Goths, and all the other “types” of people. In “Her Kind,” Anne Sexton shows that she has been a lot of different women, and she is not them now. In this paper we will be diving into the meanings behind the displaced “I,” the tone and reparation, and who Anne Sexton really is and how that affects what she is trying to let people see through this poem.
Sharon Olds was born in 1942 in San Francisco. After graduating from Stanford she moved east to earn a Ph.D. in English from Columbia University. Olds describes the completion of her doctorate as a transitional moment in her life: standing on the steps of the library at Columbia University, she vowed to become a poet, even if it meant giving up everything she had learned. The vow she made--to write her own poetry, no matter how bad it might be--freed her to develop her own voice. Olds has published eight volumes of poetry, includes The Dead and the Living (1984), The Wellspring (1996), The Gold Cell, (1987) etc. As in her earlier works, she has been praised for the courage and emotional power of her work which continues to witness pain, love, desire, and grief with persistent courage. "Sex Without Love," by Sharon Olds passionately describes the author's disgust for casual sex and her attitude toward loveless sex as a cold and harmful act. She brilliantly uses various poetic techniques to animate the immortality of loveless sex through her words and her great description evoke clear image in the reader mind.
Ferguson, Margaret W., Salter, Mary J., and Stallworthy, Jon. The Norton Anthology of Poetry. fifth ed. N.p.: W.W. Norton, 2005. 2120-2121. 2 Print.
The third decade of the twentieth century brought on more explicit writers than ever before, but none were as expressive as Anne Sexton. Her style of writing, her works, the image that she created, and the crazy life that she led are all prime examples of this. Known as one of the most “confessional” poets of her time, Anne Sexton was also one of the most criticized. She was known to use images of incest, adultery, and madness to reveal the depths of her deeply troubled life, which often brought on much controversy. Despite this, Anne went on to win many awards and go down as one of the best poets of all time.
Strand, Mark and Evan Boland. The Making of a Poem: A Norton Anthology of Poetic Forms. New
In this paper, I plan to explore and gain some insight on Audre Lorde’s personal background and what motivated her to compose a number of empowering and highly respected literary works such as “Poetry is Not a Luxury”. In “Poetry is Not a Luxury”, Lorde not only gives voice to people especially women who are underrepresented, but also strongly encourages one to step out of their comfort zone and utilize writing or poetry to express and free oneself of repressed emotions. I am greatly interested in broadening my knowledge and understanding of the themes that are most prominent in Lorde’s works such as feminism, sexism and racism. It is my hope that after knowing more about her that I would also be inspired to translate my thoughts and feelings
Philip Larkin’s poem “Talking in Bed” tells the truth about life and how relationships can slowly descend overtime. It explores the idea that no matter how close we are to someone, we can still experience intense depths of loneliness. The language emphasizes the feelings of what an empty marriage may feel like. The poem also gives the impression it is from the male’s perspective. It is written in four stanzas, each with three lines of ten syllables apiece. This makes it a short lyrical ballad. Through the tone, the language, and the imagery, Larkin is able to create a feeling in which he can effectively criticize and deconstruct the subject of innocence in relation to his current life experiences. There are many examples of imagery in this poem, all of which show two people in bed, lying close to each other, but somewhat distant in their relations as they realize how much they have changed. “Talking in Bed” also shows symbolism and lines that express multiple meanings by explaining the ultimate error throughout human history, man and wife living out their days with each other, yet being completely alone. They are not able to find the words that were once there, or knowing that the words that were once there never had true meaning.
On the surface, the poems “Goblin Market” by Christina Rossetti and “The Thorn” by William Wordsworth appear to be very different literary works. “Goblin Market” was written by a young woman in the Victorian period about two sisters who develop a special bond through the rescue of one sister by the other. “The Thorn” was written by the Romantic poet William Wordsworth about a middle-aged man and his experience overlooking a woman’s emotional breakdown. Material to understanding the works “Goblin Market” and “The Thorn” is recognizing the common underlying themes of sex and gender and how these themes affect perspective in both poems.
..., the content and form has self-deconstructed, resulting in a meaningless reduction/manifestation of repetition. The primary focus of the poem on the death and memory of a man has been sacrificed, leaving only the skeletal membrane of any sort of focus in the poem. The “Dirge” which initially was meant to reflect on the life of the individual has been completely abstracted. The “Dirge” the reader is left with at the end of the poem is one meant for anyone and no one. Just as the internal contradictions in Kenneth Fearing’s poem have eliminated the substantial significance of each isolated concern, the reader is left without not only a resolution, but any particular tangible meaning at all. The form and content of this poem have quite effectively established a powerful modernist statement, ironically contingent on the absence and not the presence of meaning in life.
At a glance, the poem seems simplistic – a detailed observance of nature followed by an invitation to wash a “dear friend’s” hair. Yet this short poem highlights Bishop’s best poetic qualities, including her deliberate choice in diction, and her emotional restraint. Bishop progresses along with the reader to unfold the feelings of both sadness and joy involved in loving a person that will eventually age and pass away. The poem focuses on the intersection of love and death, an intersection that goes beyond gender and sexuality to make a far-reaching statement about the nature of being
Kasdano, Michelle. "Poetry: The Legacy of Anne Sexton." Helium (2007). Web. 31 Aug 2011. .
She was not understood for her behavior as a woman because society's image of a woman is severely different. Sexton conveys that although she was often an outcast and judged for her actions none of that has bothered her personally. She shows this within her poem by repeating, "I have been her kind" after every stanza; this phrase shows that Sexton sees herself as one of a kind. She sees herself differently from the way society portrays women but she sees herself different in a good way. She believes standing out and doing what makes you happy is the right way to live. Sexton was treated unfairly but she did not mind standing out, which truly made me admire the poem "Her Kind". I agree that everyone should do what makes them happy, no one should be scared to act a certain way because of their sexual identity instead everyone should be confident in who they are and be comfortable in making their own decisions.
At a glance, the poem seems simplistic – a detailed observance of nature followed by an invitation to wash a “dear friend’s” hair. Yet this short poem highlights Bishop’s best poetic qualities, including her deliberate choice in diction, and her emotional restraint. Bishop progresses along with the reader to unfold the feelings of both sadness and joy involved in loving a person that will eventually age and pass away. The poem focuses on the intersection of love and death, an intersection that goes beyond gender and sexuality to make a far-reaching statement about the nature of being
Sexton compares Plath’s suicide to an old belonging in the couplet, “what is your death but an old belonging” (54-55). The couplet serves to convey that the speaker is moving past the initial shock of her friend’s death. The comparison of Plath’s death to an old belonging implies that the speaker used to have a strong emotional attachment and understanding of Plath’s suicide, but now, it is more of a memory that lingers than something that consumes her mind every day. Even so, the death of Plath still impacted the speaker on a deep level because Plath’s death involuntarily forced her to contemplate and to reflect on her own emotions and thoughts on suicide. She experiences an emotional journey that places her on the other end of the death in which she once fantasized. The term “old belonging” illustrates how the speaker previously dreamed and longed for death. However, after experiencing the emotional toll of being on the other side of the death that she once coveted, she reconsiders her desires. The tone has shifted from one of mourning and envy to something that she used to desire, an “old belonging” (55). The sharp left turn that is transmitted in the speaker’s tone articulates the emotional journey she has endured. Therefore, the relation of Plath’s death to an old belonging displays how the speaker no longer wants that death, but she still remembers what it feels like to be the person with thoughts of
Confessional poetry of women poets of the then 1950s and 1960s opens a new vista for them to express their ‘self’ and to foreground their identity. These poets feel the need for self-affirmation because of their experience of marginalization in society. They found all the experiences are gendered in the 1950s and 1960s patriarchal society and so they also develop a gendered image of their ‘self’ in their confessional poetry. At the time when Sexton and Plath were children, the authoritarian figure within the nuclear family was the father and so he was the representative of society’s rule. Hence, the delineation of the Electra complex in their confessional poetry is one of the approaches of scratching their gendered ‘self’ because through the Electra complex the poets inscribe the female sexuality into the text. So, “with their autobiographical works, they write themselves into the canon and represent and deconstruct cultural images and linguistic codes of ‘woman’ and suggest alternative modes of self and identity” (Carmen