meaning making, that are humanism and post-structuralism, have competing perspectives of the way ideals, beliefs and practises are produced and constructed and arguments are made in support for and against these notions. Humanism is the belief in universal principles and that the meaning of objects, persons or texts is inherent in the thing itself. Humanism is founded on dichotomous logic and rationality, their reasoning is objective. Contrastingly post-structuralism is more concerned with meaning making
intellect, a more ambitious form of critical approach seemed demanded which was the structural one. Undoubtedly, ‘new’ ideas often provoke anti-intellectual reactions and this has been especially true of the reception of the theories of ‘structuralism’ (Selden 51). Structuralism has had a profound impact on disciplines ranging from literary theory to sociology; from history to psychoanalysis. Structuralist approaches to literature challenge some of the most cherished beliefs and assumptions of the ordinary
Lacan’s theory is a form of structuralism because it expansively talks about the tenets of human culture. As advanced by the structuralism theory, human culture is understood from the idea that, there is a larger relationship between structures of human existence. Lacan posits that human culture stems from its relationship with overarching systems. Lacan’s theory argues that human phenomena do not have value without the relationship that ensues with other structures. In other words, Lacan is candid
side of the binary is considered to be self-evident — to be made up of its own identity rather than through differences against others — and is established as the “truth” to which all else follows. Post-structuralism, the topic at hand in Julie Rivkin and Michael Ryan’s “The Class of 1968 — Post-Structuralism par lui-même,” focuses on dismantling the seemingly stable binaries through close scrutiny of language, therefore disrupting the hierarchies created through socially constructed categories. Additionally
sociological approaches to mental health work. The assorted qualities reflects more extensive uncertain inside the fields of the humanism of the callings. Thus, these debates inside the field are joined with divisions inside social hypothesis, with post-structuralism speaking to the latest member in verbal confrontations about how well-being experts are to be seen in the public eye. Later in the section, sociological streams outside chip away at the callings have additionally been powerful in a few examinations
pregnant state, life in Jig’s womb. Works Cited Hemingway, Ernest. “Hills Like White Elephants.” Literature Approaches to Fiction, Poetry, and Drama. Ed. DiYanni, Robert. 2nd ed. New York. Mc Grew Hill. 2008. 400-03. Print. Smithson, Isaiah. “Structuralism as a Method of Literary Criticism.” College English. Vol. 37, No. 2. National Council of Teacher of English. 1975. 145-59. Web. Webster, Richard. Structuralist Theology. Texas. Suffolk cards. 2002. Web.
Binary Oppositions in Leda and the Swan Yeats' "Leda and the Swan" uses the binary oppositions of the beauty and viciousness of Zeus as a swan and the helplessness and eventual strength of Leda, Yeats reveals that even the mightiest entities may suffer the consequences of their misuse of power. In "Leda and the Swan," the beauty of the swan is contrasted with the physical attributes of a swan who acts out his male animalistic power over his female prey, demonstrating the raw male and female
The Self and Society in Stopping by Woods on a Snowy Evening For the speaker of Robert Frost's poem, "Stopping by Woods on a Snowy Evening," the time that he takes to stop and view the woods is unusual; his duties and responsibilities don't allow for him to linger. Even so, the speaker finds great pleasure in this unexpected pause in his journey. The binary oppositions present in the poem indicate that, regardless of his responsibilities, the speaker would like to remain in the woods and take
Pop Art, Postmodernism, and World War II Pop Art, a form of Postmodernism, describes the genre of art during and after WW2. The question I am exploring within this topic is why did the influence of the time period of World War II create such sexual and abstract works of art ? The points of view I encountered delivered two basic positions on the same issue. I studied a web site as well that offered graphics to support and explain it’s position (http://www.azstarnet.com/~nik/AME/time/popart/index
are many different views as to the complexity of change. Some may believe change is an illusion and nothing ever really changes. However, the majority, such as the post structuralism theorists, believe that change is inevitable. Change can be viewed in society but also in texts, which is where the theories of post structuralism are put in place. Change in society is seen as inevitable as well as beneficial. Without change technology would not have advanced as greatly as it has and we would
In what ways has structuralism impacted on literary criticism? Since the mid twentieth century, the rise of structuralist methodology in literary theory has created seismic shifts opening up the study of text to cultural study and assisting in the development of other theories such as poststructuralism, feminism and postcolonialism. Structuralism challenged the idea of a politically detached study of text, epitomised in the then dominant new/practical criticism approaches. It reinforced the challenge
least important one. Another theory that is considered while interrogating the natural practice of society is the post structuralism view. It is not an important topic to be discussed as it relates to Cultural Studies. The post structuralism view questions the natural belief and makes it a bigger issue to be discussed and arises many questions for people. The post structuralism view tries to undo all we know and confuse us and fill out head with questions about what we already know from belief
When discussing structuralism, I find that it takes a realistic viewpoint of how the world is represented, as we essentially are awash in concepts and signs via the structures of communication and language. In this week's readings I found more depth to the ideas behind structuralism that my previous exposures, especially when looking to Roland Barthes' "The World of Wrestling" from his collection Mythologies. "The World of Wrestling" provided ample insight into how the structuralist idea of difference
Law and Emotion and Lacan Should we let our emotions control us? Should we base our decisions on how we are feeling at a specific time? Perhaps emotion shouldn’t factor at all into our decisions. Some of the characters we have studied exhibit both sides of this question. Luther and Alice from the show Luther fall on opposite sides of the spectrum while Billy Budd takes a hybrid approach. Immanuel Kant, a German philosopher who is considered to be a major figure of modern philosophy, developed
with uncovering genetic and teleological content in the transformations of history. The event which the essay documents is that of a definitive epistemological break with structuralist thought, of the ushering in of post-structuralism as a movement critically engaging with structuralism, but also traditional humanism and empiricism – here it becomes the “structurality of structure” (278) itself which begins to be thought. Immediately however, Derrida notes that he is not presuming to place himself
Structuralism as a literary movement first emerged in the 1960s in the field of linguistics. It expanded to other areas of studies as well by philosophers such as Louis Althusser in Marxist theory, Roland Barthes in literary studies, Jacques Lacan in psychoanalysis, Gerard Genette in narratology, and Claude Levi-Strauss in anthropology. This paper focuses on Strauss’s Structure and Dialectics, Genette’s Five Types of Transtextuality, and Barthes’s The Death of the Author. Also, Mary
'the struggle of thought against ideocracy.' I then suggest a classification of main trends in Russian thought of this period: (1) Dialectical materialism in its evolution from late Stalinism to neo-communist mysticism; (2) Neorationalism and Structuralism; (3) Neo-Slavophilism, or the Philosophy of National Spirit; (4) Personalism and Liberalism; (5) Religious Philosophy and Mysticism, both Christian Orthodox and Non-Traditional; (6) Culturology or the Philosophy of Culture; (7) Conceptualism or
Peter Barry is a book that presents literary and cultural theory in a systematic, simple and coherent way. The book provides clear explanations and demonstrations of 12 important critical and cultural theories, the main ones include: Structuralism, Post Structuralism, Post Modernism, Psychoanalytic Criticism, Feminism, Lesbian/gay criticism, Marxist criticism, New historicism, Postcolonial Criticism, Stylistics, Narratology and Ecocriticism. Each theory has been explained in a separate chapter and
assumption of post-structuralism holds that “persons are culturally and discursively structured, created in interaction as situated, symbolic beings.” In accordance with this idea that people are created by their culture and in their interactions, both Lolita and Humbert have different personalities in different situations and circumstances. However, they ultimately show a more continuous and profound self-existence than just as faces created in their various interactions. Post-structuralism is a theory
poems are caught in a web of historical conditions, relationships, and influences."[1] Such an introspective framework ultimately contributes to a wide variety of conceptualizations in literary analysis; such as Marxism, Feminist criticism, and post-structuralism. This attempt to contextualize literary works in a historical manner is also supplemental to more conventional types of literary analysis such as deconstructionism. New historicism, however, tends to be representative of a postmodern project