Fraser and Monica Greco (eds.). London: Routledge, 2005, 111-124. My Summer of Love. Dir. Pawel Pawlikowski. ContentFilm, 2004. Film. Mulvey, Laura. “Visual Pleasure and Narrative Cinema”. Screen. 16.3 (Autumn 1975): 6-18. Nowlan, Bob. “Queer Theory, Queer Cinema”. In Coming Out to the Mainstream: New Queer Cinema in the 21st Century. JoAnne C. Juett and David M. Jones (eds.). Cambridge: Cambridge Scholar Publisher, 2010, 2-20. Pawlikowski, Pawel. “My Summer of Love”. Interveiw by Jen Foley.
AIDS: Keeping New Queer Cinema Alive “Queer Cinema is Back” – headlines the front page of the 2005 issue of the Advocate, signifying to a new flood of movies making way into theatres. Five years prior to this news release B. Ruby Rich, who coined the art as New Queer Cinema almost a decade earlier, declared that the cinema had co-opted into “just another niche market” dominated by popular culture (Morrison 135 & Rich 24). What had seemed to be a movement, turned out to be only a moment in the brief
Rainer Werner Fassbinder is one of the most prominent Brechtian filmmakers of the New German Cinema Period. His work closely resembled that of Brecht which could be due to that they had similar ideologies and backgrounds in the sense that they both saw problems with the people of their country becoming passive consumers and less becoming active producers. This was achieved by making the audience aware of what they are watching and allowing them to see the political aesthetics. According to Alan Lovell
Digital cinema has quickly created a huge impression in the worlds of film and television. The progression from traditional film to digitized software has brought upon a myriad of new methods and processes to create and transport film more easily than ever before. 2K Resolution is one of many forms of digital cinema that has long been used in the history of film and is still the most popular format to use during screenings of feature films at a movie cinema. The history of 2K Resolution begins from
films ‘reservoir Dogs’ in 1992 as cult cinema and ‘Pulp Fiction’ in 1994 as a neo-noir crime film. Spaghetti western characters like unusual camera placement, playing with light and shadows, conflicted characters and noir themes. Long sequences, scenes and conversations are very prominent in tarantino films. Tarantino’s strong storytelling is one of his most powerful weapons. He owes most of his success to his excellent scriptwriting. His nonlinear story lines is one of the strong characteristics
Direct Cinema in North America and Cinema Vérité in Fance. These two movements brought back the notion of revealing the true through their Films. The new movements encourage Filmmakers to take the position of observers. Direct Cinema and Cinema Vérité are often confused and classify as one movement. This is not a surprise since their principle is to capture the authenticity of life as it is lived, and to break through the veneer between the audience and the subject. But in reality Direct Cinema and
auteur directors. In having their films examined as auteurs of the cinema, both Howard Hawks and Martin Scorsese have been described as great artists whose body of work demonstrates repeated themes and motifs, that put in context reveals a particular belief and world view that is held by the director. In fact, Hawks was among the first directors working in Hollywood who was considered to be a “major artist” by Cahiers du Cinema critic Jacques Rivette in his 1953 essay The genius of Howard Hawks
‘Third Cinema is not a Geographically defined entity it is a cinema of social and cultural emancipation, defined by its politics.’ Comment with reference to at least two films of your choice. Third Cinema was meant as an alternative to Hollywood. It aspires to be the social realistic portrayals of life. Although Third Cinema is defined as exploring social and cultural emancipation defined by its politics how can it be classified as an alternative to Hollywood, if certain Hollywood movies explore
on the aspect of visual storytelling first introduced in 1985 by the Lumiere brothers with their first movie ever made for projection -- Workers Leaving the Lumiere Factory. They (Hollywood), then designed a Studio System called Classic Hollywood Cinema to Finance, Organize, Produce, Market, Distribute, and Exhibit movies for financial gain while entertaining movie goers. This term was coined by David Bordwell, Janet Staiger and Kristin Thompson to define Hollywood’s film making during the period
honour to the original, to our process of transportation, and to cinematic art. One of the most interesting things about the early twentieth century is that the arts of literature, painting and cinema went through the modernist crisis at approximately the same time, despite the fact that the cinema was a fledgling art and the others were well into their maturity.
“Film has shaped the new media to accommodate it” -David Bordwell, Kirsten Thompson, p.730. Since the introduction of Digital Cinema in the late 90’s, it is fair to say that we are well and truly immersed in a new digital age for film. Despite some filmmaker’s objection to the introduction of digital cinema, and an overall wariness of the conversion from traditional films to digital, nowadays, the majority of films that we see in the cinema are digitally made. “The next ten years may witness the
specific media. Introduction The media issue I decided to research is movie industry, more specifically cinemas (or
is a movie for everyone, but the medium in which we view these movie are always changing. The cinema has held its title as the go-to for watching the latest flicks, but with the exponential strides, we have made in entertainment technology it seems as if this era is coming to an end. From laptops to tablets you can view a new movie with the push of a button while in the comfort of your own home. This new medium for viewing has divided the population, as we compare and contrast the differences between
initially began in silence. Filmmakers did not have the technology to synchronise sound with moving images for the first thirty years of cinema. The final introduction of synchronised sound was a change that altered the history of cinema forever. Of course, it’s impossible to discuss the arrival of synchronised sound in film without first acknowledging the era of Silent Cinema and everything that preceded it. Since the 1880’s, inventors worked to develop movie cameras. Eadweard Muybridge’s Zoopraxiscope
theory defines the director of a film the author of their work (Sinha, “Auteur Theory (Filmmaking)”). Ozu is a true auteur of the Japanese post-war cinema. His crown jewel film, Tokyo Story (Ozu, 1953) rejects the tropes of the Hollywood system and instead works within the confines of Japanese re-growth. It is truly unique to Japanese national cinema as it responds to the depression and sorrow felt in post-war Japan. The image of Noriko (Setsuko Hara) and Shukishi (Chishu Ryu) looking off into Onomichi
European cinema can be made by pointing out how persistently the different national cinemas have positioned themselves in opposition to Hollywood, at least since the end of the First World War, and increasingly after the Second World War... In the set of binary oppositions that usually constitute the field of academic film studies, the American cinema is invariably the significant (Bad) Other, around which both the national and “art/auteur” cinemas are defined... -Thomas Elsaesser, European Cinema: Face
Many cinematic experts, such as the famous director, Martin Scorsese in his essay, “The Persisting Vision: Reading the Language of Cinema,” stressed on the importance of being a visual literate to fully understand and truly experience the story being told on a screen through an intricately designed film. Not only does understanding the cultural, historical, and technical significance of film language help one enhance their visual experience when watching a movie, but also helps in understanding how
ASSIGNMENT #5 – NEW WAVE CINEMA I’m Summiting the assignment late due to my father's death, I was not here, and which I wasn’t able to Turn It in on time. This assignment is worth 15 points. There will be three parts for this assignment. Part 1, write the name of your group film and your group thesis for your presentation (5 pts) – easy! The Name of Our Group: Mohuya, Raven, Rebekah, Karla The purpose of this investigation is to discuss Peter Pan’s isolation of the real world. I. Peter pan syndrome
movie file, video projector, and haze machine. The piece consists of a simple, non narrative movie being beamed onto the screen. Through this work, McCall was attempting to create sculptural cinema, and involve the audience in the film. Formal analysis: The composition of this piece consists of choreographed lines projected through smoke in a dark room. The solid, moving beams of light, shining through the smokey-mist, create a moving and interactive sculpture. This sculpture can change as viewers
see that there is a definitive influence of style. For example the French New Wave or commonly known as La Nouvelle Vague, was created post world war II and although the main movement died out before the 70s, it still has an important place in the industry to this day. Its characteristics and techniques are unlike many seen before its time. The style motivated numerous directors throughout its wake as well as other cinema movements following its time in the spotlight. The originality of the wave