Liberal versus Marxist Feminism and Women in Corporate America Liberal feminists believe that oppression and inequality must be justified. In other words, any inequality between genders must be explained and justified, in order for it to be accepted by the liberal feminists. According to our textbook, the liberal feminism originated from the social contract theories. Such theories state that all forms of social domination or authority must be justified, according to the textbook. Liberal feminists
Marxist Feminism Theory Marxist theory has different points which are gender, class, labor and housework wages, and lastly capitalists. First of all, Marxist has different meanings which Bryson explains, “. . . With the young Marx’s claim that ‘The philosophers have only interpreted the world, in various ways; the point, however, is to change it” (Bryson 13). I believe the Marxist theory for feminism have a good and bad problems. The reasons are trying get a word out to help the women by explaining
Marxist Feminism theory A contemporary theory that can be applied to sex trafficking and prostitution is Marxist Feminism. Marxist Feminism is a sociology theory that follows the beliefs of Karl Marx. The theory can be applied to prostitution in a useful way by exposing the power structures that support sex work. Marxist feminists claim the source of the oppression of women is capitalism (Tong, 1998). Capitalism is, “an economic and political system in which a country's trade and industry are controlled
Marxist Criticism Introduction Marxist literary criticism is based upon the political and economic theories of the German philosopher Karl Marx. In works like The German Ideology and The Communist Manifesto, written with Frederick Engels , Marx proposes a model of history in which economic and political conditions determine social conditions. Marx and Engels were responding to social hardships stemming from the rise of capitalism. Appropriately, their theories are formulated specifically
scientific advancement, good health, social mobility). Therefore formal ideologies can be easily understood as recognized religions, political leanings, or established philosophies like Christianity, Islam, capitalism, socialism, Darwinism, and feminism to name a few – while informal ideologies are more context specific and not as universally applicable or established as formal ideologies like the American Dream, No Child Left Behind, or “first come, first serve” (Foss, 2009, p. 209). Foss goes
Feminist Criticism: You Dropped the Bomb on Me, Baby Feminism and gender studies have been described as having the ability to “challenge literary and culture theory to confront the difficult task of assimilating the findings of an expanding sphere of inquiry” (Contemporary Literary Criticism 567). This area of study has taken center stage during the last fifty years, not only in our society, but also in literary criticism. Although the terrain Feminism traverses can hardly be narrowed down to one single
then back to issues such as conflicts between social classes, the oppression of working classes, and the support for those in positions of power. A Marxist approach to Act Two Scene Two of ‘Romeo and Juliet’ may involve taking the ‘overt’ action of Juliet rebelling against her father to marry Romeo and investigating the ‘covert’ content. Thus, a Marxist critic may find Juliet represents the working classes of Verona, while her father represents the ruling class. In that case, Juliet’s rebellion would
Feminine Representation in Shakespeare's Hamlet Abstract: This essay employs Feminist Criticism, New Historicism, and Marxist Criticism, to analyze the portrayal of Queen Gertrude and Ophelia. Because Shakespeare's Hamlet centers on the internal struggle of the Prince of Denmark, the reader focuses primarily on his words and actions. An often overlooked or under appreciated aspect of the play is the portrayal of the female characters, particularly Queen Gertrude and Ophelia. There are
A Marxist Reading of Native Son In the Communist Manifesto Karl Marx states clearly that history is a series of class struggles over the means of production. Whoever controls the means of production also controls society and is able to force their set of ideas and beliefs onto the lower class. The present dominant class ideology is, as it has been since the writing of the United States Constitution, the ideology of the upper-class, Anglo-Saxon male. Obviously, when the framers spoke of equality
empathetically from players of the game and instead focusing attention upon the game itself. Bertolt Brecht, whose final work, Galileo, was last revised three years before Beckett published Endgame, was personally and professionally influenced by Marxist theory and the political events which plagued the middle of this century. According to drama anthologist Oscar G. Brockett, Brecht asserted that theatre must do more than simply entertain the passive spectator; theatre must recognize and incite
will be an attempt to bring together the ideas from our class readings about the Marxist sociological perspective as well as insight from other readings to further my understanding of Marxism and its applications to sport. I will lay the groundwork for the theory then proceed with how his theory is applied to accessibility issues in sport, distribution of power in sport and commercialization of sport. Basics of Marxist Theory The most widely used political and ideological system of thought is that
realized, was to write "an Opera with definitely separated numbers connected by spoken (not sung) words of the text, [...] to avoid the customary operatic recitative" (Griffiths 10). Brecht's libretto reads like a Marxist manifesto, and although The Rake's Progress is by no means overtly Marxist, Auden's "most serious objection to Hogarth's Rake's Progress was based on his reading it as 'a bourgeois parable' [...] he approached Hogarth's pr... ... middle of paper ... .... Eighteenth-Centruy Plays
The Marxist Perspective on Education Marxists such as Louis Althusser, Samuel Bowles and Herbert Gintis refute the Functionalist view that industrial capitalist societies are meritocracies and that every ones' position in society is based on talent and hard work. They suggest ideas for why this is the case. Althusser bases his theory around the idea of education being an ideological state apparatus. Bowles and Gintis' theory is based on the 'long shadow of work' and the legitimation of inequality
Marxist views can be frequently spotted within William Blake’s works. The argument that “human interactions are economically driven and are based on a struggle for power between different social classes” is deeply rooted within the lines of Blake’s work. (Gardner, Pg. 146). In fact, “The Chimney Sweeper,” which was first published in 1789, a full half a century before Karl Marx first publicized his Marxist theory in 1848, has several instances of Marxist tones. Critic, Janet E. Gardner, argues that
The Marxist Hamlet In his article "'Funeral Bak'd Meats:' Carnival and the Carnivalesque in Hamlet," Michael D. Bristol mingles Marxism and Bakhtin's notion of double discoursed textuality into an unique reading of Shakespeare's drama as a struggle between opposing economic classes. Bristol opens with a two paragraph preface on Marxism, highlighting Marx's own abnegation of Marxism: "Marx is famous for the paradoxical claim that he was not a Marxist" (Bristol 348). While he acknowledges
equated with justice, however Brecht seeks to highlight that within Grusinia this is not the case and it takes a greedy Azdak who despises the upper classes to give a just verdict. The class justice presented in the novel has close links to the Marxist view of the law, with the law serving all, but in reality it protects and secures the interests of the ruling classes. The play seeks to emphasise that within this class justice the poor can only gain justice under exceptional circumstances. Azdak
placed on the inherent value of an object rather than its market value. In a late collection of notes, Fitzgerald himself proclaims that he is "essentially Marxist." [i] Marxism is a specific branch of Socialist theory. Fitzgerald makes Gatsby a novel that is not inherently Marxist or even Socialist, but one that is imbued with Marxist theory. He does this by denouncing nonhumanitarianism, reification, and market value. Fitzgerald implies that the Capitalist system does not work because
myself in my emotional defense. What I want to do is pull two separate and different works together and focus on the impact of gender in media and film. First I will summarize my position then address the two selected works. One work is from noted Marxist Louis Althusser where he points out eight different Ideological State Apparatus (ISA) of which I will focus on two for this writing, the family ISA and the culture ISA. The second is from noted Canadian activist and trans-gender celebrity Holy Devore
Marxist Perspective on Franz Kafka's The Metamorphosis On the surface, Franz Kafka's 1916 novella, The Metamorphosis, seems to be just a tale of a man who woke up one morning to find himself transformed into an insect. But, a closer reading with Marx and Engel's economic theories in mind reveals an overarching metaphor that gives the improbable story a great deal of relevance to the structure of society. Gregor Samsa, the protagonist, signifies the proletariat, or the working class, and his
express underlying themes and ideas. Reading Death of a Salesman from the starting point of a Marxist results in the perception that miller uses his play as a means to demonstrate the effects of a changing capitalist society. On the other hand, a psychological reading of Death of a Salesman allows the play to be seen as one mans flight from shame and his own weakened self image. The Marxist perspective is a viable reading of this drama but it does not truly define it as a tragedy