Free First Appearance Essays and Papers

tells the story of the kid and his journey through the harshest of environments, much of the action in the novel centers around Judge Holden. Judge Holden is a mystery from his very first appearance in the novel and remains so until the very end of the novel, when he is one of the few characters surviving. The kid first comes face to face with Holden in a saloon after a riot and eventually joins with Holden and a gang of misfit scalp-hunters to roam the Mexican-American borderlands. Judge Holden has

the description of the general. In William Shakespeare: The Tragedies, Paul A. Jorgensen describes the general in Othello: Though scarcely the “barbarian” (1.3.353) he is called, the Moor is emphatically black, probably rough, even fearsome, in appearance, and a foreign mercenary from Mauritania in refined Venice. Though of royal blood, since the age of seven he had a restrictive, painful life, being sold into slavery and spending most of his life in “the tented field” (1.3.85). His “occupation”

modern director and reader then will find no clear direction to read or not to read from textual scholarship. Instead, would-be travellers to the world of Macbeth had better consider their options and ask specifically: what does Hecate add with her appearance and how do these additions impact the play? Some critics have made the mistake of trying to dismiss Hecate as a fetching song-and-dance girl. In his Introduction to Macbeth, editor Kenneth Muir remarks: "The Hecate passages were clearly invented

The Tempest:  The Heart Of The Savage Caliban the deformed savage on the island from his first appearance in the play is more animal than human. Prospero first refers to Caliban by calling him a, "tortoise" (1.2.318). This sets the tone for Caliban's character in the play as he is labeled as a semi-beast in the play. But interestingly despite Caliban's deformed body and animal like appearance he possess remarkable eloquence that gives him power. Prospero, a renaissance prince even with his velvety

(II, 2, 307) is man described. Shakespeare emphasizes the observation by casting Hamlet as "a man," exposing his strengths and weaknesses through the contrast provided by Fortinbras, Laertes and Horatio, as foils to the tragic hero. At his first appearance, young Fortinbras is shown to be inferior to Hamlet; being "of unimproved metal, hot and full" (I, 1, 96) unreasonably "[sharking] up a list of landless resolutes" (I, 1, 98), he is in sharp contrast to the "sweet and commendable" (I, 2, 87)

“You never get a second chance to make a first impression.” A first impression is a person’s initial mental image of another person. It is formed upon the very first meeting of two people. Everyone makes and receives first impressions. Our physical appearance is the biggest factor that influences others’ first impression toward someone else. Our physical appearance counts all the time. It reflects who we are, how we carry ourselves, and how we represent the company we work for. All employers look

Darcy's arrogance shines through at the beginning of the novel in his first appearance at the Meryton ball.  Speaking of Elizabeth Bennet, he so snobbishly set forth that she was, "...tolerable, but not handsome enough to tempt me" (230).  His feelings of superiority to the people of the town lend Mr. Darcy to be judged as a man with a repulsive and atrocious personality.  The women, who had found him dashingly handsome at first appearance, deemed him a man unworthy of marriage because he offered no positive

The Evolution of Lilith The first appearance of Lilith came in the form of a cameo in a story called the "Prologue of Gilgamesh". In it, a great tree is described, obviously the tree of life. On the top of a tree rests a bird, possibly an eagle, and in the center lives a "dragon[who] had build it's nest there...the demon Lilith..." This can be equated with the Midguard Serpent of Norse mythology and various other chaos creatures who lived and gnawed on the Tree of Life. The purpose these entities

leaves little doubt about their true sentiments. The first appearance of King and nephew together begins with the disingenuous greeting, "But now, my cousin Hamlet, and my son-" (1.2, 64) to which Hamlet sardonically retorts, "A little more than kin, and less than kind!" (1.2, 65). This initial encounter between the two men reveals a sea of mutual hostilities and as a broker of the king's will, Polonius parallels such an antagonism. The advisor's first meeting with Haml... ... middle of paper ...

little later, in his sincere regret about the loss of his reputation after he has partaken of the wine which Iago has forced upon him. (85-86) Cassio makes his first appearance in the play in Act 1 Scene 2, when he is conducting the official business of the duke of Venice, namely the request of the “haste-post-haste appearance / Even on the instant” of the general because of the Ottoman threat on Cyprus. Brabantio’s mob briefly delays matters, and then Cassio disappears from the stage until

his loved one, Guercio's strong character and goodness allow him to go on and love again. This time the object of his affection is Captain Corelli, for whom he eventually sacrifices his life. Captain Corelli's goodness is evident from his first appearance despite the fact that he is a captain of the occupying force. As he marches his troops through the streets of Cephallonia, he breaks the tension by... ... middle of paper ... ...elagia lives to the end of the novel, surviving the war and

literary criticism, Shakespearean Tragedy, A. C. Bradley rejects the ancient’s accusation that Cassio is an inexperienced soldier: That Cassio, again, was an interloper and a mere closet-student without experience of war is incredible, considering first that Othello chose him for lieutenant, and secondly that the Senate appointed him to succeed Othello in command at Cyprus; and we have direct evidence that part of Iago’s statement is a lie, for Desdemona happens to mention that Cassio was a man who

Katherine of Aragon - Tragic Heroine of Henry VIII Among the bevy of female characters to grace the Shakespearean stage, Katherine of Aragon in Henry VIII is perhaps the most enigmatic. Despite the range of possibilities in other female roles-such as Cordelia and Desdemona, in whom one certainly finds desirable traits-Katherine stands out as a tragic heroine: a secure, strong-willed woman who is articulate, passionate, charismatic, and altruistic. The unique qualities of Katherine are achieved

rebellion also initiates the next phase of her journey. Lowood Institution represents the next step in Jane's progression. Her obstacle here appears in the form of Mr. Brocklehurst, the operator of the "respectable" institution. He made his first appearance at Gateshead Hall in order to examine Jane and verify her evil qualities (according to Mrs. Reed). At Lowood, Mr. Brocklehurst exemplifies the perfect hypocrite. He constantly preached for the denial of "luxury and indulgence" (p.95), though

and the Green Knight, one can discover a variety of reasons why the Green Knight is indeed green.  Some can be found in open text while others one has to search for.  There is possibly another aspect involved in the holly leaf he carries in his first appearance.  The deeper aspect of the Green Knight is how he ties into the beliefs and culture of the Celts. The most obvious reason why the green knight is green are stated throughout his introduction.  "Fellow, and his hands were green, and his

“Hello little man”, his deep, slithering voice rattled off the walls of the main control area. “First of all I am not little and second I just want to leave this place with my Dad”, I said trying to sound brave Before the man could respond a reassuring hand grasped my shoulder. I turned around to see my Dad standing beside me. He glanced at my arm and gave me a worried look before staring at the man in red. “You shall never escape my lair for you have already seen too much, instead you shall

Your first TV appearance will be a very exciting experience, and you�ll probably spend hours carefully preparing what you want to say. You�ll also very likely spend much time preparing what to wear. This is a vital part of the process because TV is primarily a visual medium and how you look is an important part of the package. So, to save you some time, here are the rules: � Don�t wear all black. You�ll look as though you�re disappearing into a hole. This often throws women into a panic, as we love

"The Plot, then, is the first principle, and, as it were, the soul of a tragedy," then the Tutor can truly be considered one of the most significant characters in the entire drama. The relationship between the Tutor and Aristotle's conception of tragedy can be carried further, for in his Poetics Aristotle claims, "Tragedy is an imitation of an action that is complete and whole...A whole that has a beginning, a middle, and an end." If this is believed, the Tutor's appearances become an even better

Appearance and Acceptance in Frankenstein and the Modern World One of the main themes in Mary Shelley's Frankenstein is the importance of appearance and acceptance in modern society. In today's society, and also in the society of Frankenstein, people judge one often solely on their looks. Social prejudice is often based on looks, whether it be the color of someone's skin, the clothes that a person wears, the facial features that one has and even the way one stands. People make snap judgments

Reality and Illusion in Hamlet Shakespeare’s play, Hamlet, begins with the appearance of a ghost, an apparition, possibly a hallucination. Thus, from the beginning, Shakespeare presents the air of uncertainty, of the unnatural, which drives the action of the play and develops in the protagonist as a struggle to clarify what only seems to be absolute and what is actually reality. Hamlet's mind, therefore, becomes the central force of the play, choosing the direction of the conflict by his decisions