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essay on donatello
donatello compared to other renaissance artists
donatello's innovations in sculpture
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Donatello was born in 1386, Florence, Italy, Donato di Niccolò di Betto Bardi, he was also better known as Donatello, was an Italian Renaissance sculptor from Florence. He studied classical sculpture and used this to develop a complete Renaissance style in sculpture, whose periods in Rome, Padua and Siena introduced to other parts of Italy a long and productive career. He worked with stone, bronze, wood, clay, stucco and wax, and had several assistants, with four perhaps being a typical number. Though his best-known works were mostly statues in the round, he developed a new, very shallow, type of bas-relief for small works, and a good deal of his output was larger architectural reliefs.
Early life, Donatello was the son of Niccolò di Betto Bardi, who was a member of the Florentine Arte della Lana, and was born in Florence, most likely in the year 1386. Donatello was educated in the house of the Martelli family. He apparently received his early artistic training in a goldsmith's workshop, and then worked briefly in the studio of Lorenzo Ghiberti.
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Their Roman sojourn was decisive for the entire development of Italian art in the 15th century, for it was during this period that Brunelleschi undertook his measurements of the Pantheon dome and of other Roman buildings. Brunelleschi's buildings and Donatello's sculptures are both considered supreme expressions of the spirit of this era in architecture and sculpture, and they exercised a potent influence upon the artists of the
Filippo Brunelleschi gained much of his architectural signature from his studies in Rome. He was already making a name for himself in Florence before he started working on a design for the Baptistery doors. “After Lorenzo Ghiberti had won the competition (1401) for the Baptistery doors, the runners-up, Donatello and Brunelleschi, both left for Rome to study sculpture and architecture respectively” (Meek np). It was actually a blessing in disguise that Brunelleschi lost the bid for the doors because it led him to move to Rome for a period of time. This exposed him first hand to the ancient Roman buildings and the specific architecture in their designs. According to PBS, “Brunelleschi spent the next 10-years living rough in Rome with his good friend, the sculptor Donatello, studying the ruins of the great city” (“Filippo Brunelleschi” np). A decade is a long time to absorb a narrow field of architecture. It is inevitable that he picked up on the design elements and incorporated them into his own. Through independent study, Brunelleschi could truly focus on what interested him and thus making it a passion of his. After his time spent in Rome, Brunelleschi moved back to Florence where he was “responsible for initiating the rediscovery of ancient Roman architecture” because he “understood its inherent principles and he employed them in an original manner” (Meek np). As a result it is indisputable that Brunelleschi’s ...
Michelangelo Buonarroti was a man who desired to create. His art is impactful, reflects the time of the renaissance, and his growth as an artist. Michelangelo Buonarroti was born March 6,1475 in Caprese, Italy. His father was a government agent in Caprese and his mother died when he was six years old ("Michelangelo Buonarroti"). When Michelangelo was 13 he was an apprentice to a painter named Domenico Ghirlandaio. In addition to being an apprentice, he also studied sculpture with Bertoldodi Giovanni ("Michelangelo Buonarroti"); at 17 he created his earliest sculpture. Michelangelo was an ambitious artist who took on big projects. He was interested in human anatomy, engineering, painting, sculpture, architecture, and poetry (Bleiberg et al. 386-398). “Michelangelo was intensely religious and received inspiration from a deep sense of his own personal unworthiness and of his sinful nature”
Brunelleschi 's Dome: How a Renaissance Genius Reinvented Architecture, written by Ross King, describes the history of the city of Florence and life at the end of the Middle Ages through the genius of Filippo Brunelleschi. The book begins by giving information about the historic competition that led to the impressive dome that sits atop Santa Maria del Fiore. It then gives an account of the history of Florence in the late 1300s and early 1400s and the building of the cathedral and the initial competition for the dome 's design. After providing information about Florence and the cathedral, Ross King gives background information about Filippo Brunelleschi, his experiences as an artist and scientist in both Florence and Rome, and insight into
Pope Julius was in fact the one to make a great and visionary choice of contracting the future renowned artist Michelangelo.” At thirty-three years of age Michelangelo was the most gifted and sought after sculptor in all of Europe. It was Julius II… early in 1505, ordered that the young sculptor come to Rome”(Rome.info,2012). Michelangelo Di Lodoivico Buonarroti Simoni born in March 6 1475. Being one of the first names you think of when you here renaissance Michelangelo was born Caprese near Arezzo, Tuscany.
A good deal is known about Donatello's life and career, but little is known about his character. Donatello was born in Florence, Italy in 1386 and died in 1466; he was never married and had no children. He was a master of sculpture in bronze and marble and is considered to be one of the greatest Italian Renaissance artists of his time. The first sculpture is of Donatello?s David, 1425-1430. Its material is bronze and stands 5? 2 ¼? and is currently located at Museo Nazionale del Bargello, Florence. The sculpture is a nude and is contrapposto. The scene being depicted is after the clash with Goliath. Donatello?s statue of David was the first large scale, free-standing nude statue of the Renaissance. The sculpture helps to strike a balance between classicism and the realism by presenting a very real image of a boy in the form of a classical nude figure. Although Donatello was inspir...
In no other time was Roman influence in architecture more profound than in 15th century Florence. Filippo Brunelleschi's Pazzi Chapel revived interests for Roman architecture. Like Masaccio's The Holy Trinity, the Pazzi Chapel implemented numerous classical architectural elements. Like Masaccio's frescoe, the chapel is a highlight of the Renaissance. The chapel, however, was a Roman avatar. It is for this reason that Brunelleschi's is considered as an important example of the influence of Roman architecture in the Renaissance; Roman influence is most visible in the chapel's hemispherical dome, Corinthian columns, pilasters, and pedimented entrance.
Donatello was the son of Niccolo di Betto Bardi, a Florentine wool carder. It is not known how he started his career but probably learned stone carving from one of the sculptors working for the cathedral of Florence about 1400. Sometime between 1404 and 1407 he became a member of the workshop of Lorenzo Ghiberti who was a sculptor in bronze. Donatello’s earliest work was a marble statue of David. The “David” was originally made for the cathedral but was moved in 1416 to the Palazzo Vecchio which is a city hall where it long stood as a civic patriotic symbol. From the sixteenth century on it was eclipsed by the gigantic “David” of Michelangelo which served the same purpose. Other of Donatello’s early works which were still partly gothic are the impressive seated marble figure of St. John the Evangelist for the cathedral and a wooden crucifix in the church of Sta. Croce.
Donatello was born in Florence, Italy in1386. The full name of Donatello is Donato di Niccolo di Belto Bardi (“Donatello” par 1, 2, 3). His dad was a wool comber (“Donatello” par 1, 2). There was not much information found on his mom. He had a first job and that in the workshop of Lerenzo Ghilberti, a gothic sculptor, between 1404 and 1407(“Donatello” par 1, 2, 3). After that job he worked at a Florence Cathedral in 1407. At the Cathedral he decorated tombs and pulpits and made portrait busts and monuments (“Donatello” par 1, 2). An inspiration for his work was by ancient visual examples (“Donatello” par 1). He achieved his full intensity in the beginning of the 15th century (“Donatello” par 1, 2, and 3). In the later part of his life he studied Roman Ruins and became a Humanist (Blood par 1).
He born as Raffaello on April 6th, 1483, but for those that do not draw their roots from Italy, he is commonly known as Raphael. His future began with his father, a man who had a vision for his only surviving son. Giovanni saw the inherent skill and talent of Raphael at a very young age. Although he himself was not fortunate enough to see his work bear much fruit, he knew his son would carry the flickering torch that would someday burst into a magnificent flame of masterpiece. Little Raphael developed a passion for art and had a great understanding of it. As he grew, Raphael began to grow out of the teachings of his father. Seeing this, Giovanni took his son to Perugia to study under the influence of Pietro Perugino, a famous painter in the early 1500s. Raphael never saw his mother or father again. His parents had died by the time he was eight. Fortunately, Raphael spent the rest of his childhood acquiring wisdom from other artists and painters instead of focusing on his past (...
The artist was born March 6th, 1475 in the city of Caprese, which is located near Arezzo, Tuscany. His father, Lodovico di Leonardo di Buonarroti di Simoni was mayor of Caprese at the time of his birth, and his mother was Francesca di Neri del Miniato di Siena. His mother got sick not long after his birth and in combination of his father being called back to Florence he was taken under the arms of a foster family in the city of Settignano. The family lived on a stonecutters yard, which is where the sounds and sights of stonecutting were engraved into the mind of Michelanglo leading him to become one of the greatest sculptors in history. According to Marcel Brion, author of Michelangelo, “All day long he heard the sound of the saw biting into the stone, the blows of the mallet, the grinding of the chisel” (7). As you can see, Michelangelo was brought up in the atmosphere of stonecutting so he was almost destined to be one himself. Michelangelo later returned to his family in Florence ...
Brunelleschi, an Italian architect, was one of the first of his time. Brunelleschi’s work was highly inspired by Roman architecture. He constructed and engineered the Church of San Lorenzo in 1428. Both the interior and exterior of the church seemingly emerged directly from a roman era. This church is proportional and full of Roman creations, such as domes, columns and arches. The floor of the church is extremely proportional, representing idealism: the aisles and the nave of the church were set up in a proportional manner. The interior of the church is decorated with arches and columns, even the ceiling of the churched is carefully adorned and crafted. The attention to detail in the building mirrors the attention to detail in the sculptures and
Michelangelo di Lodovico Buonarroti was born on March 6, 1475 in Caprese, Tuscany. His dad was Lodovico di Buonarrotto and his mother was Fracessca Neri. Michelangelo was also the second of five brothers. His mother was not capable of raising Michelangelo so his dad let a stonecutter’s wife raise him. Sadly, Michelangelo’s mom died when he was six (Bonner Par. 1-13).
One of the ways he did this was by crafting a lot of works: “The world remained so full of his works, that it may be affirmed right truly that no craftsmen ever worked more than he did.” (377) Vasari praises Donatello’s various works throughout the biography. The collection of works that Vasari mentions, suggests that Donatello was more than just a sculptor because he produced and sold many designs. This was similar to a baker or merchant in Renaissance Florence that was constantly selling his or her own product to others. Furthermore, Donatello’s many works were studied and praised by future Renaissance artists. One of the most influential and well known is Michelangelo Buonarroti. At the end of the biography, Vasari leaves the reader with an intriguing quote by Don Vincenzo Borghini that Borghini stated in a book where he collected drawings from esteemed artists. Borghini states that “Either the spirit of Donato works in Buonarroto, or that of Buonarotto began by working in Donato.” (378). Donatello also had other students such as Bertoldo who “he left all his work to be completed by” (377). Donatello inspired and had other students work under him and taught them his craft. Therefore, Donatello inspired Michelangelo and other artists that became famous and excellent artists in their own right. This shows that Donatello left a lasting
Michelangelo di Lodovico Buonarroti Simoni was born on March 6, 1475 in Caprese, Italy to Leonardo di Buonarrota Simoni and Francesca Neri, but just a few months after his birth, the family moved
In Florence, Italy a cathedral stands over the grave of its architect, Filippo Brunelleschi. The Cathedral of Florence that now serves as his monument was one of his largest architectural developments. Little is known about Filippo’s childhood because he was not very famous; however, later in life he made huge accomplishments in the field of architecture. Filippo Brunelleschi’s structures were considered glorious at the time and are still standing today.