Antihero Essays

  • Essay In Praise Of Antihero

    2440 Words  | 5 Pages

    does not have an airtight definition, Victor Brombert, in his book ‘In Praise of Antiheroes’ writes, "The term 'antihero' as it has come to be used, is indeed linked to a paradoxical, at times provocative stance. Dostoevsky gave that term currency in the final section of Notes from Underground, a seminal work that questions the idea of the hero in life as well as in art." The antihero has forever been an object of reflection, judgment and desire. He defies, amongst other things, being neatly compartmentalized

  • Antiheroes

    841 Words  | 2 Pages

    Fitzgerald, Milton, Rowling, and Shakespeare. Homer, Mitchell, Cervantes, and Byron. Though the word was only coined in 1714, the use of the antihero spans millennia, and it never really went out of fashion. Perhaps the reason for this can be found its definition: the antihero can be defined as any character having opposing ideals to those of the hero. While typical villains are usually excluded from this definition, it's a very broad definition, and it seems like it would be applicable to most stories;

  • Exploring Why We Enjoy the Anti-Hero

    1664 Words  | 4 Pages

    “Sympathy for the Devil, What to Do About Difficult Characters”. Creating Fiction (1999): Edited by Julie Checkoway. Story Press. Jonason, P. “The Antihero in Popular Culture: Life History Theory and the Dark Triad Personality Traits”. Review of general psychology 16.2 (2012): 192-199. Web. Shafer, D. and Raney, A. “Exploring How We Enjoy Antihero Narratives”. Journal of Communications 62 (2012): 1028-1046. Web.

  • The Antiheroes

    876 Words  | 2 Pages

    Among the more prevalent trends in film, television, and literature is that of the antihero. While good guys used to be good guys and bad guys used to be bad guys, now the good guy can also be somewhat of a bad guy, and the bad guy can have some redeeming qualities. Much has been made to how and why antiheroes have become more common. As for the how – popularity leads to followers, so if something works it is going to be copied. The why is more difficult, but in simplest terms – antiheroes are both

  • The Anti-Hero

    2063 Words  | 5 Pages

    resourceful” (Cuddon and Preston 1998, pp. 42-43). The antihero turns this protagonist around to such an extent that he manifests what appears to be “failure” (Cuddon and Preston 1998, p. 43). In other words, the antihero, unlike the hero is not known for his successes but rather for his negative traits (Matz 2004, p. 46). Grabes, Diller and Isernhagen (1983) point out that during much of the second half of the 1800s, a number of antiheros characterized by inactivity and withdrawal in either a

  • Attributes of Heroes and Antiheroes

    1269 Words  | 3 Pages

    take to develop their hero-like personas. The perception as well of what a hero truly is, could be very extensive to grasp. An antihero is defined by Dictionary.reference.com as, “a protagonist who lacks the attributes that make a heroic figure, as nobility of mind and spirit, a life or attitude marked by action or purpose, and the like”. The way a person perceives an antihero is dependent on what the character does and how he does it. Walter White for example experiences hardships within his family

  • The Hero and Anti-Hero in Joseph Conrad?s Heart of Darkness

    1377 Words  | 3 Pages

    middle of paper ... ...s to look at Kurtz as a hero for all that he had accomplished, no matter how evil. Marlow?s obstacles as the hero are not the overcoming of a dragon or evil villain. It is the eternal battle of the story of a Hero versus Antihero. Marlow?s blindness to Kurtz?s impurities are both his strength and weakness. His ignorance to the greatness of his own qualities can best be stated one way: ?The Horror.? Works Cited page Conrad, Joseph ?The Heart Of Darkness? Schwarz

  • Primary Anti-Heroism In Dostoevsky's Notes From Underground

    714 Words  | 2 Pages

    Notes from Underground is a standout and one of the most influential pieces of fiction in Western European history. It depicts one of the primary anti-heroes in fiction, a protagonist lacking every trait of the Romantic hero and experienced a useless life on the edges of society. Notes from Underground was initially distributed in January and February of 1864. The novel was written at one of the lowest points of Dostoevsky 's career. His journal was undermined with disappointment, his wife was dying

  • Self Discovery In Invisible Man

    1230 Words  | 3 Pages

    Institutionalized racism in the early 1940s, New York society took a major role in the Invisible Man, where the lack of acknowledgment towards identity and the complete cycle of the archetypical journey relate to the process of the invisible man’s departure into self-discovery. The author, Ralph Ellison, addresses how naturally racism is implemented in this era and how it often went unnoticed. Ellison stipulated the archetypical cycle through the main character and expressed how it has affected his

  • Odysseus: The Antihero

    725 Words  | 2 Pages

    the journey of one man’s journey home from the Trojan War. The protagonist of the epic poem Odysseus is often regarded as a great hero. However, Odysseus is not quite the glorious soldier that people often see him as. Odysseus shows that he is an antihero through his pride, disloyalty, and bloodthirstiness. Odysseus returns from a great victory of the Trojan War and the enormous amount of pride he gains gets him into a lot of trouble. As he returns home, he lands on the island of the Kyklopes. He

  • A Character Comparison of Macbeth and Prospero from Shakespeare's Macbeth and The Tempest

    692 Words  | 2 Pages

    These two Shakespearean characters, Macbeth and Prospero, from Macbeth and The Tempest can greatly compare to one another. From the very beginning, these two men are hard to understand and seem like your average warrior and ruler. Both of these characters are dealing with struggle of power; however, they both deal with this issue in different, interesting ways with different results. At the end of these two plays, we meet two entirely different characters than the ones that we were introduced to

  • Odysseus: The Antihero

    673 Words  | 2 Pages

    Odysseus: The Antihero Often through great literature, there is an epic hero. In the Odyssey, Homer tells the journey of one man’s journey home from the Trojan War. The protagonist of the epic poem Odysseus is often regarded as a great hero. However, Odysseus is not quite the glorious soldier that people often see him as. Odysseus disproves his title of a hero through his pride, his disloyalty, and his bloodthirstiness. Odysseus’s hubris leads him into many troubles and contrasts with all of the

  • Iris And Laura Chase In The Blind Assassin By Margaret Atwood

    1865 Words  | 4 Pages

    In her novel, The Blind Assassin, Margaret Atwood leads us into the lives of Iris and Laura Chase, who are the descendants of a rich and influential Ontario family. The story is told through Iris’ perspective and as it goes on, we are introduced to all of the Chase family including Iris and Laura’s parents, Mr. and Mrs. Norval Chase. The novel focuses primarily on the relationship dynamics among the Chase family and specifically emphasizes on Laura and Iris’s relationship. Almost immediately, the

  • Hero in One Flew Over The Cuckoo’s Nest by Ken Kesey

    710 Words  | 2 Pages

    Hero in One Flew Over The Cuckoo’s Nest by Ken Kesey Randle Patrick McMurphy, the main character in “One Flew Over the Cuckoo’s Nest”, is the perfect example of a hero. He is committed to a mental institution after faking insanity to get out of a work camp. From the beginning of his presence on the ward, things start to change. He brings in laughter, gambling, profanity and he begins to get the other patients to open up. All of this, however, clashes with the head nurse, Nurse Ratched, who is

  • Thelma And Louise And Easy Rider Comparison

    625 Words  | 2 Pages

    INTERTEXTUAL ANALYSIS OF EASY RIDER AND THELMA & LOUISE: COUNTERCULTURE IN ROAD MOVIES The road movie embodies the human desire for travel and progression. The vehicle of journey is a contemporary metaphor of personal transformation that oftentimes mirrors socio-cultural desires and fears. Thomas Schatz believes that one “cannot consider either the filmmaking process or films themselves in isolation from their economic, technological, and industrial context.” This statement is especially applicable

  • Dexter Compare And Contrast Essay

    743 Words  | 2 Pages

    Everybody has a favorite character on TV shows like Walter White from Breaking Bad, or Homer Simpson from The Simpson. Sometimes there are characters from TV that are very due to the fact that they neither abide with or against the law. Jax Teller from Sons of Anarchy, and Dexter Morgan from Dexter are probably two of America’s favorite anti-heroes on television. They may seem very different since Jax is an outlaw biker, and Dexter is a serial killer, but they do have some surprising similarities

  • Antihero Research Paper

    1637 Words  | 4 Pages

    An antihero is something that a lot of people tend to think about it in a fairly one dimensional facet. They imagine an antihero as a clear-cut contrast to the main hero, but that’s just not what an antihero is. An antihero is a literary device that can be used in many different ways. Some antiheroes are just clear cut contrasts, but most are not. There are some antiheroes, mostly seen in modern movies and TV, that are the actual hero, but they are fundamentally flawed. There are other antiheroes

  • Aristotle's Concept Of Tragedy In Death Of A Salesman By Arthur Miller

    1461 Words  | 3 Pages

    The phrase “The American Dream” is a motivation for people to come and live here in America. For the 21st century generation it has come to mean to live a successful life for themselves but back in the 1940’s-1950’s the dream is to have a house, family, and a stable job. In the play Death of a Salesman by Arthur Miller the main character, Willy Loman, wants the same for him and his family but he also wants something much more. He wants to be well liked by everyone and that is why he became a salesman

  • A Western Hero in Shane

    835 Words  | 2 Pages

    A Western Hero in Shane The western genre plays an important part in the mythologising of American history. The way the western genre and particularly the western hero are put across in such films as Shane, are most likely not how real life in the 1880s was. In Shane the hero arrived on horseback, he was confident, handsome and managed to charm the female character, Marion, almost immediately. Typically, throughout the film the mysterious gunslinger was wearing a cowboy hat and a holster

  • Comparing the Tragic Heroes in Medea by Euripides

    1325 Words  | 3 Pages

    The play Medea is written by Euripides, and it mainly centers on the action of tragic heroes and their lives as they unfold into a state of conflict. The main beginning of the play starts with conflict itself, where the main character Jason, has abandoned his wife Medea, as well as the two children. He basically wants to marry the daughter of Creon, who is the king of Corinth. Her name is Glauce. These are the parties who are the central characters of the play and the plan unfolds into their lives