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    does not have an airtight definition, Victor Brombert, in his book ‘In Praise of Antiheroes’ writes, "The term 'antihero' as it has come to be used, is indeed linked to a paradoxical, at times provocative stance. Dostoevsky gave that term currency in the final section of Notes from Underground, a seminal work that questions the idea of the hero in life as well as in art." The antihero has forever been an object of reflection, judgment and desire. He defies, amongst other things, being neatly compartmentalized

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    Why Is Kaalia Play

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    he is handed, drive him towards revenge and amassing ... ... middle of paper ... ... strays from his path becomes an antihero. This has, however, confounded solution, as we are presented with two possibilities. ⁃ such behaviour is presupposed when titling someone an anti-‘hero’. ⁃ a true antihero cannot return to become a hero. Otherwise, he was never an antihero. The antihero is dark and mysterious. And that is what makes him work. Unravelling him has been a challenge. One sinks deeper and deeper

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    The Antiheroes

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    Among the more prevalent trends in film, television, and literature is that of the antihero. While good guys used to be good guys and bad guys used to be bad guys, now the good guy can also be somewhat of a bad guy, and the bad guy can have some redeeming qualities. Much has been made to how and why antiheroes have become more common. As for the how – popularity leads to followers, so if something works it is going to be copied. The why is more difficult, but in simplest terms – antiheroes are both

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    The Anti-Hero

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    resourceful” (Cuddon and Preston 1998, pp. 42-43). The antihero turns this protagonist around to such an extent that he manifests what appears to be “failure” (Cuddon and Preston 1998, p. 43). In other words, the antihero, unlike the hero is not known for his successes but rather for his negative traits (Matz 2004, p. 46). Grabes, Diller and Isernhagen (1983) point out that during much of the second half of the 1800s, a number of antiheros characterized by inactivity and withdrawal in either a

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    Antiheroes

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    Fitzgerald, Milton, Rowling, and Shakespeare. Homer, Mitchell, Cervantes, and Byron. Though the word was only coined in 1714, the use of the antihero spans millennia, and it never really went out of fashion. Perhaps the reason for this can be found its definition: the antihero can be defined as any character having opposing ideals to those of the hero. While typical villains are usually excluded from this definition, it's a very broad definition, and it seems like it would be applicable to most stories;

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    Exploring Why We Enjoy the Anti-Hero

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    “Sympathy for the Devil, What to Do About Difficult Characters”. Creating Fiction (1999): Edited by Julie Checkoway. Story Press. Jonason, P. “The Antihero in Popular Culture: Life History Theory and the Dark Triad Personality Traits”. Review of general psychology 16.2 (2012): 192-199. Web. Shafer, D. and Raney, A. “Exploring How We Enjoy Antihero Narratives”. Journal of Communications 62 (2012): 1028-1046. Web.

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    take to develop their hero-like personas. The perception as well of what a hero truly is, could be very extensive to grasp. An antihero is defined by Dictionary.reference.com as, “a protagonist who lacks the attributes that make a heroic figure, as nobility of mind and spirit, a life or attitude marked by action or purpose, and the like”. The way a person perceives an antihero is dependent on what the character does and how he does it. Walter White for example experiences hardships within his family

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    middle of paper ... ...s to look at Kurtz as a hero for all that he had accomplished, no matter how evil. Marlow?s obstacles as the hero are not the overcoming of a dragon or evil villain. It is the eternal battle of the story of a Hero versus Antihero. Marlow?s blindness to Kurtz?s impurities are both his strength and weakness. His ignorance to the greatness of his own qualities can best be stated one way: ?The Horror.? Works Cited page Conrad, Joseph ?The Heart Of Darkness? Schwarz

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    Notes from Underground is a standout and one of the most influential pieces of fiction in Western European history. It depicts one of the primary anti-heroes in fiction, a protagonist lacking every trait of the Romantic hero and experienced a useless life on the edges of society. Notes from Underground was initially distributed in January and February of 1864. The novel was written at one of the lowest points of Dostoevsky 's career. His journal was undermined with disappointment, his wife was dying

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    Some decades ago, America’s Hollywood film industry heavily relied on the influence and popularity of stereotypical heroes and villains for their movies. Following the traditional qualities and traits of good versus evil, the films resonated with Americans who could look up to their favorite heroes or villains. However, since the turn of the 21st century, there has been a surge of anti-heroes within Hollywood films and TV. Characters such as Breaking Bad’s Walter White, Dexter’s Dexter Morgan

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