Top Academy Awards And Winner Of Best Original Song ( Imdb ), Monsters, Inc.

Top Academy Awards And Winner Of Best Original Song ( Imdb ), Monsters, Inc.

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Nominated for three Academy Awards and winner of Best Original Song (IMDb, n.d), Monsters, Inc. is “well-liked by many” thus qualifying as an example of popular cinema (Storey, 2001). Produced by Pete Doctor and David Silverman, Monsters, Inc. tells the tale of two monsters, Mike and Sully, who both work at a utility company called Monsters, Inc(operated), where children’s screams are harvested as power. One night, Sully stayed late as a favor to Mike to finish his paperwork and noticed a door left on the scare floor. The door was left by Randal- a very competitive co-worker, who planned to kidnap the child to test his ‘scream machine’ that sucks the screams out of children at a much more efficient rate than scaring them. Just as Sully was about to leave work he noticed Boo, a human child, crawling on his back. The rest of the story follows Boo, Sully, and Mike as they try to return her back to her door. Just as they are about to return her they run into Mr. Waternoose (the owner of Monsters, Inc.) and Randal whom are both revealed to be working together. Roz (an administrator) then bursts through the door and reveals that she has been undercover for some time to bust the corrupt Mr. Waternoose, and that she is actually the head of the CDA (child detection agency), and together they return Boo to her door. The story ends with Monsters, Inc. harvesting laughter rather than screams because along their journey Mike and Sully discovered that they are ten times more powerful than screams.
Ideology what is “perceived as normal by individuals, groups, or society where these normalities are imbedded into something” (Wheaton, 2016). In other words it is what we perceive as common sense (Sturken & Cartwright, 2001). In order to do an ideol...


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... appears to be. It is; however, important to note that although the film does not forwardly include different sexual orientations it does not mean the film is homophobic, it is just non-inclusive. In order to be homophobic the film has to discriminate against homosexuals and given that we are unsure if there are any homosexuals in the film it would be unjust to conclude this.
Through analysing the structures of identity in Monsters, Inc. such as race, gender, and sexual orientation the film shows that diversity is more of an afterthought by including minorities and women who hold power positions in only the last scene of the film. In 2001 it may have been normal for movies to show such uniformity but now we live in a more accepting society, especially in regards to the LGBTQ+ community, and although Monsters, Inc. is on the right track, it still has a long way to go.

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