History of Feminist theory in films
Feminist theory was derived from the social movement of feminism where political women fight for the right of females in general and argue in depth about the unequality we face today. In the aspect of cinema, feminists notice the fictitious representations of females and also, machismo. In 1974, a book written by Molly Haskell "From Reverence to Rape: The treatment of Women in Movies" argues about how women almost always play only passive roles while men are always awarded with active, heroic roles. Moreover, how women are portrayed in movies are very important as it plays a big role to the audience on how to look at a woman and how to treat her in real life due to the illusionism that cinema offers. These images of women created in the cinema shapes what an ideal woman is. This can be further explained through an article 'Visual Pleasure and Narrative Cinema' written by a feminist named Laura Mulvey in 1975. She uses psychoanalysis theories by Sigmund Freud to analyze 'Scopophilia' which is the desire to see. This explains how the audience is hooked to the screen when a sexy woman is present. In a bigger picture, where Scopophilia derives from, 'Voyeurism' is also known as feeling visual pleasure when looking at another. Narcissism on the other hand means identifying one's self with the role played. It is not hard to notice that in classical cinema, men often play the active role while the women are always the object of desire for the male leads, displayed as a sexual object and frequently the damsels in distress. Therefore, the obvious imbalance of power in classical cinema shows how men are accountable to moving the narratives along. Subconsciously, narcissism occurs in the audience as they ...
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... for women to do the same. The gender inequality in Malaysia is far worse than Western countries. This is proven through the comparison of both films.
Comparisons
In western films such as Juno, feminism is more positive as female characters are made to be stronger and more career driven than female characters in Malaysian films. In Juno, the female lead has a mind of her own, makes her own decisions which is the total opposite of the female lead in Ombak Rindu. Feminist culture in Western countries are more forward and are growing stronger as compared to times of classical Hollywood cinema. However, Malaysian films still try to keep the tradition alive even in modern films by reinforcing partriarchy and never forgetting to remind women not to stray from their traditional roles. These two films are very different in terms of feminist culture as they are tradition.
An example of the media degrading and objectifying women is Laura Mulvey’s ‘Male Gaze’ theory. In Laura Mulvey’s essay ‘visual pleasure and narrative cinema’; she discusses the term ‘Male gaze’. In film, the male gaze occurs when the audience is put into the perspective of a heterosexual man, for example, a scene may focus with specific conventions such as slow motion or deliberate camera movements on a sexual aspect of a woman’s body, forcibly putting you as the viewer in the eyes of a male. This theory suggests that the male gaze denies women human identity, manipulating them to the standard of manifest objects to be appreciated solely for their physical appearance. The theory implies women can more often than not only watch a film from
Students of feminisms and masculinities can benefit from this article and general people can also enjoy reading it. I could relate this article to the concept of movies today, how we as an audience perceive it, also various aspects the actor’s role (acting), the use of sound, lighting, camera movement, all plays a major role in explaining what exactly the movie is about. And the author in his article speaks about various types of movies and the role of male heroes and the changes that occur later on. Overall the article is useful and interesting as the increasing focus is on masculinity,
Even in modern media today, strong examples of gender role expectations, gender role socialization, gender inequality, and heteronormativity are expressed. Movies are a prime example of where they can be found. Even though times have changed and gender role expectations have faded slightly from the traditional ones, they are still expressed in media which we surround ourselves with every day. Due to the amount of examples found in films we are subconsciously being socialized without knowing it. Gender roles and expectations will always exist and even if they are hard to notice, they will always be present.
The American black comedy The Wolf of Wall Street directed by Martin Scorsese was released December 25, 2013 and stars the likes of Leonardo DiCaprio, Jonah Hill and Margot Robbie. While on face value The Wolf of Wall Street looks like a film about excessive cocaine binges, long evenings filled with men with cigarettes, large portions of alcoholic consumption, having many sexual escapades with various women and even dwarf tossing from time to time, the film is deeply rooted in perception gender within the genre of The Wolf of Wall Street. The word ‘genre’ is rooted into a similar category as
Feminism has tackled gender inequality in the workforce, within politics, education and various institutes. Within the 20th century some of these issues faced in western culture have been completely reformed due to certain feminist movements that have encouraged women to fight for equal rights. (Crofton: 2011: 272-273) The first and second waves of feminism have proven to be successful by increasing equal rights between men and women. (Kaplan: 1992: 7) Despite these successes which include allowing there is still the fact of the matter remains that women are still objectified by their gender. ()The generalization of gender roles, have proven to be challenging within the feminist movement, this is often due to the objectification of women in the media. Also as feminism, is an ideology it has various schools of which have conflicting ideas of the ‘empowerment of women’ making it difficult to clarify on what is not acceptable in establishing women’s rights. (Fraser: 2014)
Led by Laura Mulvey, feminist film critics have discussed the difficulty presented to female spectators by the controlling male gaze and narrative generally found in mainstream film, creating for female spectators a position that forces them into limited choices: "bisexual" identification with active male characters; identification with the passive, often victimized, female characters; or on occasion, identification with a "masculinized" active female character, who is generally punished for her unhealthy behavior. Before discussing recent improvements, it is important to note that a group of Classic Hollywood films regularly offered female spectators positive, female characters who were active in controlling narrative, gazing and desiring: the screwball comedy.
The passage of time allows for great change in the world. Given enough time, a desert can become a sea and a plain can become a mountain if the conditions are right. Human society can be compared to these natural phenomenon in the idea that society can have radical changes given the right forces and allowed enough time. This can be seen in the great revolutions of the world such as the Industrial Revolution, an economic boom, the American Revolution, a political movement, and the Civil Rights Movement, a social revolution. The focus of this research is how the feminist movement has been and is viewed but the American public and how it has affected the economic and social standing of women in the past three generations. Through the interviews of Patricia Santangelo, Barbara Santangelo, and Larissa DePamphilis, this investigation hopes to analysis the differing views on feminism, gender roles, and educational and economic opportunities for women in the generations of the Baby Boomers, Generation X, and Generation Y.
Some people might say that these movies provide entertainment and transport families into the lives of princes and princesses. Many critics have said that the films have amazing soundtracks and have detailed and interesting plots. Still, however entertaining the films may be, the way women are viewed and treated outweigh any enjoyment that a viewer could have. The subliminal lessons young women learn from these films have lifelong repercussions and negatively affect the female
The feminist movement in the United States and abroad was a political and social movement that pursued the establishment of equality for women. The movement changed the lives of many women and created a profound effect on American society during the twentieth century. Throughout the first two decades of the century, women 's groups in the United States operated together to win women 's suffrage, concluding in the approval of a constitutional amendment in 1920 that guaranteed women the right to vote. During the late twentieth century, women 's organizations would once again group together, this time to verbalize and advocate for the Equal Rights Amendment (ERA). Feminists also influenced literature during this time period. Novels regarding feminist beliefs started to appear, such as Betty Freidan’s “The Feminine Mystique” (1963), which is considered to impact the start of the second wave of feminism. Other forms of literature were starting to express these opinions as well. Lorraine Hansberry’s play, “A Raisin in the Sun” is a key example of sexual and political inequality shown in literature, and depicts a mother
In Brenda Cooper’s article “Chick Flicks,” she argues, the film, Thelma and Louise employs mockery as a narrative tool, and functions to produce a defiant narrative which fiercely confronts and denounces patriarchy. Societal norms are able to create a kind unconscious compliance, resulting in self-imposed coercion and oppression. A film like Thelma and Louise brings consciousness to women’s own complicity in social norms like patriarchy, so they can no longer blindly follow these norms. This leaves women in either a state of denial and resistance or a state of evolution and change. Through mockery this film sheds light on accepted norms, and in some, causes a defensive response, as it
Also, the film revealed women empowerment and how superior they can be compared to men. While demonstrating sexual objectification, empowerment, there was also sexual exploitation of the women, shown through the film. Throughout this essay, gender based issues that were associated with the film character will be demonstrated while connecting to the real world and popular culture.
The films message to viewers about gender and power is that women are meant to take care of the home and play the supportive role, while men go out to their jobs and provide. Men are strong and burly and women are naïve and domesticated. Women need men and men always come to the rescue to save women and give them a happy ending. Power is portrayed in the film both visually and through the film’s script and dialogue. The common idea that women are inferior to men is placed subtly in this movie throughout the plot and how these charac...
Feminism is a movement that supports women equality within society. In relation to film, feminism is what pushes the equal representation of females in mainstream films. Laura Mulvey is a feminist theorist that is famous for touching on this particular issue of how men and women are represented in movies. Through her studies, she discovered that many films were portraying men and women very differently from reality. She came up with a theory that best described why there is such as huge misrepresentation of the social status quos of male and female characters. She believed that mainstream film is used to maintain the status quo and prevent the realization of gender equality. This is why films are continuously following the old tradition that males are dominant and females are submissive. This is the ideology that is always present when we watch a movie. This is evident in the films from the past but also currently. It is as if the film industry is still catering to the male viewers of each generation in the same way. Laura Mulvey points out that women are constantly being seen as sexual objects, whether it is the outfits they wear or do not wear or the way they behave, or secondary characters with no symbolic cause. She states that, “in traditional exhibitionist role women are simultaneously looked at and displayed, with their appearance coded for strong visual and erotic impact so that they can be said to connote it-be-looked-at-ness.”(Mulvey pg. 715). Thus, women are nevertheless displayed as nothing more than passive objects for the viewing pleasure of the audience. Mulvey also points out through her research that in every mainstream movie, there is ...
Feminism fundamentally is a critical approach towards gender bias and social campaign for equal rights of all, irrespective of their gender. Feminist point of view in films came into existence due the inadequate and incorrect representation of women. (Shodhganga inflibnet) The concepts like femininity and masculinity are often misrepresented in films. (Smelik, 1999)
One can hardly talk of a single united feminism, but rather, manifold feminisms. The US feminist movement ‘s main global struggle has been to enable ‘womankind’ to fully lead her existence and live her humanity by standing against the injustices of the dominant patriarchy and sexist discrimination . Throughout history, the dominant mainstream Feminism ( with capital F) tends to have been related to conform to the aspiration of the educated middle-class heterosexual white women who have traditionally been given unequal power to widen their significance--but the movement has lately had more ramifications. Currently, there are different kinds of feminism whose disagreements stem from fundamental intrinsic understanding of what feminism, sexism or phallocentrism mean. Each trend views it from a different perspective as in accordance with its motives or concerns. Nonetheless, they share common claims as to “the body, class and work, disability, the family, globalization, human rights, popular culture, race and racism, reproduction, science, the self, sex work, and sexuality.”