The Things They Carried by Tim O 'Brien and Balzac and the Little Chinese Seamstress by Dai Sijie are works of metafiction. TTTC is a collection of stories detailing Tim O’Brien’s life changing experiences in Vietnam, during the Vietnam War. Balzac is a three-part book, about two teenaged boys, who are sent by the Chinese Government, to re-educate smaller countryside towns, during the Chinese Cultural Revolution. Sijie’s Balzac, and O’ Brien’s TTTC have three different types of metafiction where the author “comments on the writing;” has come “insolvent with the characters;” and [insert third type of metafiction.] (Orlowski qtd. in Taormina).
Metafiction is a type of fiction in which the author includes him or herself in the story. Dr. Angela
Metafiction allows for O’Brien to give war stories through his eyes, without having to stay all facts. By not stating all of the facts and changing details, it allows for O’Brien to relive his war stories much easier. Similar to TTTC, Sijie’s Balzac, uses metafiction to makes it easier for him to relive his experiences re-educating in Sichuan. Sijie uses this technique to help make life less frightening of the town in the story, and possibly about how he wished his experience went. Metafiction in Balzac also helps to make the love story between Luo and the LCS seem like a fairytale, filled with princess, magic, and love. Both Sijie’s Balzac and O’Brien’s TTTC have a prevalent use of metafiction. Both authors tend to “comment on the writing,” or give different kinds of commentary on characters. Both author’s use this technique to help the readers understand the characters more thoroughly, and have a better description of the characters’ personality, in the stories, through their commentary. This technique also allows for stories to become in-depth and have fuller dimensions.
In Balzac, the narrator or Sijie comment on Luo’s “good” story telling
"I embarked on the strangest performance of my life. In that remote village tucked into a cleft in the mountain where my friend had fallen into a sort of stupor, I sat in the flickering light of an oil lamp and related the North Korean film for the benefit of a pretty girl and four ancient sorceresses" (P. 39).
After this story, the narrator expresses concern for his friend, Luo, and tries to help how ever he could. Through the narrator personal experience, it can make the reader second guess this passage, and wonder if Sijie had experienced this first hand. O’Brien interacts with his fictional character a lot in TTTC, especially in the story “Love” when Jimmy Cross visits Tim O’Brien. O’Brien discusses reminiscing “about everything we had seen and done so long ago.” (p. 27). O’Brien describes the awkwardness about certain topics about the war between the two, and decides they need gin to talk about the more serious
This form of writing appeals to the audience’s emotions by making the connection seem more personal, as if O’Brien is speaking directly to each reader. The constant changing of forms of writing within a single novel is unusual, and sometimes they appear to not make sense. O’Brien uses a variety of writing forms in order to make the novel a “true” war story, rather than a novel for purely entertainment purposes. In this chapter the audience is first told of O’Brien’s purpose within the novel: to feel the way he felt. The sometimes confusing and unexpected changes of forms of writing allows the readers to better relate to O’Brien’s own
Waugh, Patricia. "What is Metafiction and why are they saying Such Horrible Things About It?" Metafiction. Ed. Mark Currie. Harlow: Longman, 1995. 39-54.
Think that O'Brien is still suffering from what he experienced in Vietnam and he uses his writing to help him deal with his conflicts. In order to deal with war or other traumatic experiences, you sometimes just have to relive the experiences over and over. This is what O'Brien does with his writing; he expresses his emotional truths even if it means he has to change the facts of the literal truth. The literal truth, or some of the things that happen during war, are so horrible that you don't want to believe that it could've actually happened. For instance, "[o]ne colonel wanted the hearts cut out of the dead Vietcong to feed to his dog..
...r because it seems impossible to reconstruct an event from this objective point of view. Maybe the point of telling stories is not trying to recreate the reality of a past event, but it is the message that matters because that might be in the end the only thing that does not necessarily depend on single details of the story, but on the overall picture of an event. That is why to O’Brien another important component of a war story is the fact that a war story will never pin down the definite truth and that is why a true war story “never seems to end” (O’Brien, 425). O’Brien moves the reader from the short and simple statement “This is the truth” to the conclusion that, “In war you lose your sense of the definite, hence your sense of truth itself and therefore it’s safe to say that in a true war story nohting much is ever very true” (O’Brien, 428). These two statements frame the entire irony of the story, from its beginning to its end. Almost like the popular saying “A wise man admits that he knows nothing.”
"Unit 2: Reading & Writing About Short Fiction." ENGL200: Composition and Literature. New York: McGraw-Hill, 2011. 49-219. Web. 19 Apr. 2014.
What the author is doing is letting the reader foreshadow. A technique which creates suspense, a vital element in any action story. The author then explained what was being hinted at;
Tim O'Brien's The Things They Carried is not a novel about the Vietnam War. “It is a story about the soldiers and their experiences and emotions that are brought about from the war” (King 182). O'Brien makes several statements about war through these dynamic characters. He shows the violent nature of soldiers under the pressures of war, he makes an effective antiwar statement, and he comments on the reversal of a social deviation into the norm. By skillfully employing the stylistic technique of specific, conscious detail selection and utilizing connotative diction, O'Brien thoroughly and convincingly makes each point.
Written by author Tim O’Brien after his own experience in Vietnam, “The Things They Carried” is a short story that introduces the reader to the experiences of soldiers away at war. O’Brien uses potent metaphors with a third person narrator to shape each character. In doing so, the reader is able to sympathize with the internal and external struggles the men endure. These symbolic comparisons often give even the smallest details great literary weight, due to their dual meanings. The symbolism in “The Things They Carried” guides the reader through the complex development of characters by establishing their humanity during the inhumane circumstance of war, articulating what the men need for emotional and spiritual survival, and by revealing the character’s psychological burdens.
The Things They Carry: Character Changes. One of the main points in The Things They Carry, by Tim O’Brien, is that war changes people. This is evident in the behavior of Norman Bowker, Bob “Rat” Kiley, and the character Tim O’Brien. They each started out as kind young men, but near the end had become very distraught.
Tim O’Brien’s The Things They Carried has readers and critics alike scratching their heads with wonder about the meaning of “story-truth” and “happening-truth.” Although, he served in the Vietnam War from 1968 until 1970, he fabricates the events of the war throughout The Things They Carried. At the same time, he insists that the truth lies at the heart of the emotion in the story, an idea that many readers question. Furthermore, it is pointless for the reader to attempt to sort through the stories and differentiate between the “story-truth” and “happening-truth,” because it is nearly impossible. This tactic is one of O’Brien’s more ingenious writing methods. He does not want the reader to know the difference between the two because in his opinion that fact is irrelevant. O’Brien obviously thinks outside the box and has everyone questioning reality. However, this fact is truly ironic, because the point is not to care what type of “truth” it is, but to instead feel the raw beauty of the emotion and to accept it as the truth. While trying to define “story-truth” and “happening-truth,” a couple chapters in particular focus on the idea of truth, “How to Tell a True War Story,” “The Man I Killed” and “Good Form.” O’Brien believes that the most important thing for a reader is to experience the emotion of the story, be it “story-truth” or “happening-truth,” as long as the real emotion is conveyed and understood by the reader, then it is as true as it could possibly be.
In The Things They Carried, an engaging novel of war, author Tim O’Brien shares the unique warfare experience of the Alpha Company, an assembly of American military men that set off to fight for their country in the gruesome Vietnam War. Within the novel, the author O’Brien uses the character Tim O’Brien to narrate and remark on his own experience as well as the experiences of his fellow soldiers in the Alpha Company. Throughout the story, O’Brien gives the reader a raw perspective of the Alpha Company’s military life in Vietnam. He sheds light on both the tangible and intangible things a soldier must bear as he trudges along the battlefield in hope for freedom from war and bloodshed. As the narrator, O’Brien displayed a broad imagination, retentive memory, and detailed descriptions of his past as well as present situations. 5. The author successfully uses rhetoric devices such as imagery, personification, and repetition of O’Brien to provoke deep thought and allow the reader to see and understand the burden of the war through the eyes of Tim O’Brien and his soldiers.
The novel, “The Things They Carried”, is about the experiences of Tim O’Brian and his fellow platoon members during their time fighting in the Vietnam War. They face much adversity that can only be encountered in the horrors of fighting a war. The men experience death of friends, civilians, enemies and at points loss of their rationale. In turn, the soldiers use a spectrum of methods to cope with the hardships of war, dark humor, daydreaming, and violent actions all allow an escape from the horrors of Vietnam that they experience most days.
Imagination helped him escape the reality. Imagination has the job of finding the real truth, attempting reconciliation and creating reality. O’Brien shows that imagination can help us do things that could not be done in real life. According to Tobey Herzog, “O’Brien invents a soldier-author narrator, also named Tim O’Brien, to tell stories of his life and Vietnam War experiences, to relate war stories told to him by other soldiers, and to comment on the art of storytelling.” (104).
Various authors. Critical Survey of Long Fiction. Volume 5. Salem Press. Englewood Cliffs, NJ. 1983.
Tim O’Brien, author of The Things They Carried, expresses his journey throughout the Vietnam War via a series of short stories. The novel uses storytelling to express the emotional toll the men encountered, as well as elucidate their intense experiences faced during the war. The literary theory, postmodernism, looks at these war experiences and questions their subjectivity, objectivity, and truth in a literary setting. It allows the reader to look through a lens that deepens the meaning of a work by looking past what is written and discovering the various truths. O’Brien used the storytelling process to illustrate the bleeding frame of truth. Through his unique writing style, he articulates the central idea of postmodernism to demonstrate the