Various themes can be found in poetry and stories. “Howl,” is about the world in which Allen Ginsberg is lived in at the time. The poem is about the people and the falling of the world around. Ginsberg holds a disdain for the world he is living in and expresses his point of view in this poem. In “Howl” there are various themes that can be found, from mechanization to religion. Through the use of literary devices such as, imagery, anaphora, and metaphor, Allen Ginsberg uses religion in “Howl” to show the structures of society. He especially uses, Moloch – a false God – in the poem to show what he believed to be the conformity of people. However, he also uses small portions of the poem to show the other religious views there are. In the first section of “Howl,” Ginsberg uses an anaphoric return going with the word “who.” He also does this in second section with “Moloch.” However, in the first section with “who,” raises the question as to why the people the way they are. The poem moves from the first to the second section describing the victims into the second describing the perpetrator. This is essentially Moloch. Ginsberg brings about the idea that they are behaving in this sort of rebellion, because for some unknown reason they have begun to worship Moloch. Moloch has become a symbol for what Ginsberg thinks of America at the time. Ginsberg sees …show more content…
It holds a redemptive quality. Ginsberg uses this as a way to imply that he thinks there is some sort of hope left in this world. He does not believe it has become completely corrupt. He writes “The world is holy! The soul is holy! The skin is holy! The nose is holy!” (lines 3-4). Using the word “Holy,” he uses it as a redemptive connotation in the poem. The people are not the ones to be blamed for their mistakes; he blames the evil corruption that has taken over their society. Ginsberg is using Moloch to describe the evil corruption that has taken
Rosenthal, M.L. "Poet of the New Violence". On the Poetry of Allen Ginsberg. Ed. Lewis Hyde. Ann Arbor: University of Michigan Press, 1984. 29-31.
Kurt Vonnegut’s fictional novel “Cat’s Cradle”, indirectly explores issues that parallels into topics such as religion, scientific/technological advancements, political power and much more. Vonnegut’s novel is narrated by a character named Jonah (John). He, Jonah, sets out to write an anthropological book based off of what key people were doing on the day that the atomic bomb was dropped on Hiroshima. Throughout Vonnegut’s novel it can clearly represents how a writer can become a very destructive person to society. As for this novel, it shows through the uses of parallels that a writer can become a very destructive person to society, these parallels are reflects to real world issues throughout his novel to show this claim, that a writer too can be a destructive person to society.
While the man is thinking about the wolf and the impact it had on its surroundings, he knows that many people would be afraid of the it. Realizing that something can be both “terrible and of great beauty,” the man's sense of awe is heightened. While laying under the moonlight, the man thinks about the wolf both figuratively and literally running through the dew on the grass and how there would be a “rich matrix of creatures [that had] passed in the night before her.” Figuratively, this represents the wolf running into heaven. However, the man imagining the wolf literally running and the beauty of her free movements across the “grassy swale” creates a sense of awe that he has for the wolf. A wolf running towards someone would be terrifying, but a wolf running with freedom is magnificently beautiful. After imagining this, the man knows that even though wolves can be terrifying, “the world cannot lose” their sense of beauty and
Each literary work portrays something different, leaving a unique impression on all who read that piece of writing. Some poems or stories make one feel happy, while others are more solemn. This has very much to do with what the author is talking about in his or her writing, leaving a bit of their heart and soul in the work. F. Scott Fitzgerald, when writing The Great Gatsby, wrote about the real world, yet he didn’t paint a rosy picture for the reader. The same can be said about T.S. Eliot, whose poem “The Lovesong of J. Alfred Prufrock,” presents his interpretation of hell. Both pieces of writing have many similarities, but the most similar of them all is the tone of each one.
The tone is set in this chapter as Krakauer uses words to create an atmosphere of worry, fear, and happiness in McCandless’s mind. “The bush is an unforgiving place, however, that cares nothing for hope or longing”(4). McCandless is on the path of death, which creates worry and fear for the young boy. “He was determined. Real gung ho. The word that comes to mind is excited,” (6). Alex is very excited and care free, which Krakauer used to his advantage in making the tone of Alex’s mind happy. The author creates tones to make the reader feel the moment as if the readers were sitting there themselves. Krakauer uses dialogue and setting to create the mixed tones of this chapter. As one can see from the quotes and scenery the author uses tones that are blunt and are to the point to make the reader feel as though the emotions are their own. Krakauer uses plenty of figurative language in this chapter. He uses figurative language to support his ideas,to express the surroundings, and tone around the character. To start the chapter he uses a simile describing the landscape of the area, “…sprawls across the flats like a rumpled blanket on an unmade bed,” (9). This statement is used to make reader sense the area and set the mood for the chapter. The use of figurative language in this chapter is to make a visual representation in the readers mind. “It’s satellites surrender to the low Kantishna plain” (9).
...ghout the novella is that even though we are humans and not animals, if we continue to repress each and every aspect of our own primitive needs and instincts, we will completely lose them. We will not be able to function in any world except the one we live in, making us extremely and very dangerously vulnerable. We need to, instead, embrace these instincts as our ancestors did to help them survive in their own unique, yet brutal environments. We can never revert fully back to Primitivity as Buck did, that would cause absolute chaos. We do however, need to utilize certain aspects of these natures, the ones that can help us survive, give us special intuition, and allow us to come closer to ourselves and understand what it means to be a truly free and independent human being in a world that is entirely too dependent on altering everything that humans need to embrace.
There is an undeniable intertextuality between Bob Dylan’s compositions and Edgar Allan Poe’s Literature. Christopher Rollason, author of Tell-Tale Signs - Edgar Allan Poe and Bob Dylan has written an article on this matter of intertextuality between the latter artists. This paper will endeavor on Rollason’s credentials, the disciplines used, the techniques used by Rollason to persuade the audience of this intertextuality, beginning with a brief summary of the article.
In the poem Dirge, Fearing uses devices such as sarcasm, repetition, and alliteration to make a social commentary on the American Dream. I think the repetition is used as a way to symbolize how every day repeats the same until we retire or die, the so-called never-ending hamster wheel of life. The best example of this is in stanza five: And wow he died as wow he lived,/Going whop to the office and blooie home to sleep and biff got married and bam had children and oof got fired,/Zowie did he live and zowie did he die. He uses sarcasm to poke fun, in a way, at how obsessed people are with money and material goods. The parts where he says, O executive type, O fellow with a will who won’t take no, and O democratic voter in the second stanza, are
As the first poem in the book it sums up the primary focus of the works in its exploration of loss, grieving, and recovery. The questions posed about the nature of God become recurring themes in the following sections, especially One and Four. The symbolism includes the image of earthly possessions sprawled out like gangly dolls, a reference possibly meant to bring about a sense of nostalgia which this poem does quite well. The final lines cement the message that this is about loss and life, the idea that once something is lost, it can no longer belong to anyone anymore brings a sense...
The poem begins with the speaker addressing God as “Our Father who art in heaven” (1.1). If this prayer is a metaphor for writing, it would seem that the he is actually speaking to the audience, the group of people who will ultimately judge his writing and his ideas. The casual nature of the prayer is partly based on the fact that the speaker is admittedly drunk on red wine, but also because the writer is trying to establish a relationship with his audience: A rapport with his readers is important to a writer’s success. He thanks his readers for the red wine, because it is they who have made it possible for him to maintain a lifestyle wherein he can afford the wine, and this wine acts as the liquid courage he needs to write in the first place.
...g with many individuals, are alienated and in turn, wish for extreme change and even another life. Ginsberg conveys a vital message that carries through to the year 2010 even more. Materialism does not make a person, it is insignificant. What is imperative is the natural world; beauty, individuality, and real human interactions as these are concepts that make an individual.
The theme of this story is actually stated in the story if it is read carefully and Crane reinforces it innumerable times. The theme of the story is man’s role in nature and is related to the reader through the use of color imagery, cynicism, human brotherhood, and the terrible beauty and savagery of nature. The story presents the idea that every human faces a voyage throughout life and must transition from ignorance to comprehension of mankind’s place in the universe and among other humans.
In “A Rainy Morning” by Ted Kooser, we get a lot of imagery, as well as figures of speech, specifically metaphors. This poem through the use of an extended metaphor helps us to see life and our everyday actions into a new perspective. Here we will examine the poem’s language and imagery to help understand what the theme of “A Rainy Morning” is.
Throughout Dune there is a clear emphasis on the power of religion in society. Frank Herbert explores just how prominent religion is when it comes to control again and again in this book with the idea of prophecy and messianic suggestion. The main character, Paul, is often looked upon as some sort of supernatural human being and is in turn glorified and protected. After having been crowned the messiah of multiple prophecies Paul becomes referred to as Muad’Dib, which means “mouse”. Herbert uses this name to exemplify Paul as resilient and admirable; however, the more he is picked apart, the more deceit and trickery is revealed. Paul is no more a messiah than he is an honest man.
Ginsberg says that Moloch is a “sphinx of cement and aluminum”, a “heavy judger of men”, and “whose soul is electricity and banks” (line 79-85). All these can point towards higher powers such as the Government. Such things like government buildings, the law makers, and the banks that control all the money in our cities and states. This means that our government can be the Moloch in our lives just like how they were to Ginsberg. Ginsberg says that it is “Moloch who frightened me out of my natural ecstasy” and that it is Moloch in which he “wakes up in”. The word play used confirms that he is suffering by the hands of “Moloch”, the ridged and unchangeable false god that we sacrifice our very lives