Napoleon used classic Roman architecture as a symbol of his dictatorship. La Madeleine is a prime example of Napoleon’s taste for Roman architecture. Napoleon had this massive temple constructed in the honor of his soldiers that fought and won his battles, and helped forge his empire. The desire to rule the largest empire ever known to man is not the only thing that Napoleon strove for—he had to have the largest scale of monuments as well. It is almost as if he was compensating for something.
Arc de Triomphe de I’Etoile is another example of Napoleon’s desire for massive monuments. Like La Madeleine, the arch was a memorial to honor French soldiers and their victories on the battlefield. There are several engravings honoring specific military leaders from the Napoleonic era, as well as some key battles. Unfortunately for Napoleon he did not get to see the completion of the great arch. The arch is still a scared place to the French people today.
Column of the Grande Armee is yet another monument that began construction under the rule of Napoleon. The column was modeled after the Column of Trajan, but surpassed its in size by 20 meters. Unfortunately Napoleon would not get to see...
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...balconies on either side, the action that is taking place center stage. The way the angle ever so delicately holds the arrow of “divine love” demonstrates the precision that he using to place it exactly where it needs to be. The love the angle has can be seen in the gazing of his eyes as he stares Teresa.
The motion and action that can be seen in stationary objects is one of the differences that can be seen in the Baroque era’s artwork. The motion used in the artwork of the Baroque’s era can also be seen in the design of the buildings of that time. The Enlightenment era artists do not place focus on making motion within their work. Many of the enlightenment pieces are portraits of individuals. However, the paintings that do tell a story, use detailed expressions rather that the techniques employed by the Baroque era artist to bring the painting to life.
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