Beginning the first stanza with a faux-romantic invitation to explore the contemporary imagination, T. S. Eliot compares the evening sky to “a patient etherized upon a table;” (Line 3) creating an oddly malcontented atmosphere right from the start. In the spirit of isolated self-expressionism, the speaker appears imprisoned in an impenetrable bubble – as “if each consciousness is an opaque sphere, [and] Prufrock has no hope of being understood by others” (Miller). Subsequently, Prufrock’s hesitant and indecisive nature emerge as...
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...arns Eliot’s first modern essay not only revolutionized the world of poetry, but also introduced a new and timeless protagonist whose “voice is the outcome of voices—echoes, allusions taken from the past, other literary texts” (Manda). Prufrock, in his solitude, presents two different people: a romantic dreamer that remains in a trance-like state during short-lived moments of an idealistic reality, moments of reminiscence and recollections; and a foolish panic-struck, and timid self that shies away from human contact in fear of consequences. Prufrock’s two selves, however, are both powerless in escaping reality for “[they] have heard the mermaids singing, each to each. [Though they] do not think that they will sing to [him]" (Lines 124-125). Hence Prufrock will drown whilst indulging his dreams, or he will be awoken from his bliss, only to be drowned by human voices.
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