However this nonchalant tone changes later on in the poem. The persona shows emotion in the fact that he “gave a ten Guinea ring” to the “friend in specs”who left him. The fact that the persona only focuses on the material aspects of love shows how love has disappointed him. This also shows that his love life has been an annoyance to him, in the fact that he had to give something up (in this case a “ten Guinea ring”) to get something in return that he was displeased with. Consequently, the persona has actually revealed his feeling towards a disappointing love life, even though the persona did not really want to unveil the idea that love has affected him in any
Alfred Prufrock, ample details about the settings are described to reflect the speaker’s emotions. For instance, the first stanza paints the scene that an innocent and unconfident middle age man hesitates to propose to a woman. For one thing, the speaker of the poem is afraid that time will go wasted. On the other side, he feels powerless to the reality. Apparently, Eliot directly tells the reader the internal conflict of the speaker of the poem, who is greedy of love but fears for the responsibility that comes with it.
Prufrock's happiness in another world, un-judged and secure, is then destroyed as he brings the human voice into the poem. Overall, “The Love Song of J.Alfred Prufrock” is multifaceted and can be misunderstood by the author’s choice of words and writing techniques. This complexity is what makes the poem unique and bursting with meaning. It captures an average middle age man who hasn’t found his identity and place in the world. It shows loneliness and the tedious life of someone who hasn’t happiness and true love.
This development of love was not easy for Yeats and neither is the loose of love. He is writing a poem here to express the difficulty he is having losing his first love, Maud. He expresses this in a poem and compares poetry to falling in love. This is a curse from God to all men. He wants it to be told that to write poetry is just as difficult as his attempt to court Maud.
T.S. Eliot’s breakthrough poem “The Love Song of J. Alfred Prufrock” is expertly crafted to have a complex structure with various hidden themes. The poem acts as an inner monologue for the titular character, appearing as lyric-narrative poetry. However, it does appear to lean towards a lyric poem, with the hazy plot consisting of Prufrock describing what his life has been like, in retrospect to speculating on what is to come next. The monologue throughout is melancholy in nature, with Prufrock dwelling on issues such as unrequited love, his frail body, his looming demise, and a dissatisfaction with the modernist world.
There is no question that life presents many disagreeable scenarios. Be it the loss of a friend, a failure to succeed, a dishonor upon the family, the need to escape from despair into bliss is often a sought after means to terminate suffering. In his celebrated and remarkable work "Ode to a Nightingale", John Keats portrays a narrator dissatisfied with his lot in life who seeks to end his suffering. Written to a singing bird in the trees, Keats's poem explores a variety of methods for a man to escape from a life with which he is vehemently discontented. After a catalogue of metaphors during which Keats’s narrator fails escape through each, the miserable man comes to the conclusion that escape from his life is impossible, and transcendence is a horizon reached only by the song of birds.
T.S. Eliot’s “The Love Song of J. Alfred Prufrock” draws attention to the idea that time is of the essence. On the surface, Prufrock is portrayed as a man who is incapable of making decisions and lacks self-confidence. This is evident through his passive nature, where he continuously delays having to talk to women because he believes there is enough time. Written in the era of modernism, the reader is capable of unraveling that the poem’s true purpose was not only to show Prufrock’s inability to make decisions when it comes to love, but to show the desolation that one faces in times of a modernistic transition.
The Work of David St. John David St. John writes of love in a pessimistic way in his collection of poems, The Red Leaves of Night. His writings suggest love is unattainable and his relationships with people (especially with females) are portrayed as negative. St. John creates a fallen man in his text, especially when his poems focus on his dilemmas with women. Psychoanalysis plays a large role in the writings of St. John being that he shows the effects of his downfall and the negativity the downfall incorporates. Lacanian psychoanalysis suggests our language is structured like our subconscious and full of desires.
The narrator goes on to describe ^Araby^ as ^the magical name.^ Throughout the piece, the title-word ^Araby^ displays itself as a guiding metaphor. The name of the poem by T.S. Eliot, ^The Love Song of J. Alfred Prufrock^ is a misdirected concentration that is significant. The title is very ironic. The irony is present with the reader expecting the theme of love, but clashing that idea with the boring and dry name of J. Alfred Prufrock.
Of course, the poem has been written so profoundly that one may not grasp it completely at first glimpse, however John Donne does use explicit strategies to better convey his message to readers of all sorts. John Donne utilizes situation, structure, language, and musical devices to enhance the poem and to aid in delivering his message efficiently. The situation of Meditation 17 has a few parts to it, including where the poem stands as a story, narration, emotion/mood expressed, poetic voice, and tone. In regards to the poem being a story, it seems that it is merely a poem elaborating on the beliefs of the author without telling a chronological story. It is typically a persuasive essay that is not a narrative but a subjective scrutiny on humanity and death.