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Modernist writing in joseph Conrad heart and darkness
Modernist writing in joseph Conrad heart and darkness
Modernist writing in joseph Conrad heart and darkness
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In Heart of Darkness and The Stranger Joseph Conrad and Albert Camus manipulate different styles of language and structure, yet both emphasize the isolation of the protagonists from society. In Heart of Darkness Conrad employs descriptive language and metaphors about society while using minor roles in order to display Marlow’s isolation. Meanwhile in The Stranger Camus structures the story in two parts to capture both sides of Meursault yet still develops a simple and direct writing style throughout the story to keep the theme of isolation. Through the theme of isolation both Conrad and Camus present the idea that life can be meaningless if not shared with the company of others.
Joseph Conrad creates a motif of light and darkness within society, never quite placing Marlow on either side, and thus isolating him from everyone else. When first getting to shore, Marlow refers to the natives as criminals, creatures, and savages. This immediately gives the reader the idea that Marlow thinks himself different than them. One of the first things he notices when seeing them is their midnight black skin and that “each had an iron collar on his neck, and all were connected together with a chain” (Conrad 70). By describing the dark skin of the natives, Conrad manipulates Marlow to think of them as the dark part of society. The chain ties the natives together literally but also figuratively. This metaphor is created to show the unity between the natives and that, whether by force or by choice, they stick together. Although the natives may not have much else, they have each other’s company which is later used to juxtapose the isolation in Marlow. When meeting the white men in the Congo, his reaction is quite different. After taking in the acco...
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...ents that set them apart from the other characters. However, they both seem to have a self-prescribed isolation because, in a way, they separate themselves from the rest of society. Towards the end of both novels they each have a significant change of character. Meursault realizes he could have been happier in life if he had not isolated himself. Marlow changes in the way that he cares more about other people feelings. This is shown when he goes and talks to Kurtz’ wife after his death. This small action demonstrates his attempt to be more social and less isolated. Both realizations come with the idea that the company of others is needed for happiness in life.
Works Cited
-Conrad, Joseph. Heart of Darkness. New York: New American Library, 1997. Print.
-Camus, Albert. The Stranger. Trans. Matthew Ward. New York: Vintage International, 1989. Print
The Stranger by Albert Camus is a story of a sequence of events in one man's life that cause him to question the nature of the universe and his position in it. The book is written in two parts and each part seems to reflect in large degree the actions occurring in the other. There are curious parallels throughout the two parts that seem to indicate the emotional state of Meursault, the protagonist, and his view of the world.
...o, while the novella’s archetypal structure glorifies Marlow’s domination of Kurtz. These two analyses taken together provide a much fuller and more comprehensive interpretation of the work. Conrad presents the idea that there is some darkness within each person. The darkness is is inherited and instinctual, but because it is natural does not make it right. He celebrates – and thereby almost advises – the turn from instinct. By telling Marlow’s tale, Joseph Conrad stresses to his audience the importance of self-knowledge and the unnecessity of instinct in civilization.
This is where the relation takes place. Once one section of the body, as in the mind or physical aspect, is affected by the darkness, it’s easy to dominate the other section. Through Marlow, Conrad gives his readers a visualization of the beginning stages of someone evolving into a local in this type of environment, “And this also… has been one of the darkest places on earth”(Conrad). Conrad shows the relation between insanity and physical illness by forcing Marlow to experience both. Among the Congo, Marlow encounters true darkness for the first time.
The novel merely portrays a fictional account of British imperialism in the African jungle, where fiction offers maximum entertainment it lacks in focus. The novel is not a critique of European colonialism and imperialism, but rather a presentation of colonialism and the theme of darkness throughout the novel sheds a negative light on the selfishness of humanity and the system that was taking advantage of the native peoples. In Joseph Conrad’s novel, Heart of Darkness, Conrad presents a criticism of British imperial colonization not for the purpose of taking sides, but with aims of bettering the system that was in place during Conrad’s experience in the African Congo. Conrad uses the character of Marlow and his original justification of imperialism so long as it was efficient and unselfish that was later transformed when the reality of colonialism displayed the selfishness of man, to show that colonialism throughout history displaces the needs of the mother country over the colonized peoples and is thus always selfish. Understanding the ideology, practices, and repercussions of imperialism is paramount to interpreting Conrad’s’ viewpoint of imperialism and the colonial experience.... ...
Albert Camus used The Stranger to develop the idea of a singular, solely physical life. This development was established through the protagonist, Meursault, and his thoughts. To some, Meursault’s philosophy may seem to some extent, a madness. Needless to say, Meursault is a sociopath, incapable of understanding the how and why of what he does. His mental defect contributed to the story’s plot as a whole and also encouraged the reader to reevaluate or reinforce their personal beliefs.
Marlow, the main character in Heart of Darkness, often recognizes the Europeans' dehumanization of the Africans. As Marlow approaches the company offices at the Outer Station he sees "a scene of inhabited devastation" (Conrad 24). He catches sight of a chain gang of half starved, animal-like Africans. Trying to rationalize the situation, Marlow tells himself that these Africans are criminals, and somehow deserve their ...
In book one of Heart of Darkness, Conrad describes a mass of black bodies clinging to life in order to show the “horror” of colonialism in Africa. Conrad describes a scene of “black shapes crouched . . clinging to the earth . . . in all the attitudes of pain, abandonment, and despair.” Conrad uses the language of “pain, abandonment, and despair” to show the unjustifiable acts committed by the Europeans against the native Africans. The bodies “cling” to life because of the lack of empathy exhibited by the colonists. In addition, Conrad describes a man with a thread around his neck: “it looked startling round his black neck, this bit of white thread from beyond the seas.” The white thread symbolizes the act of white colonialism strangling the resources and life out of Africa. Furthermore, Conrad depicts the body’s “black neck” to emphasize the injustice the natives receive from the Europeans. Additionally, Conrad uses the mass of abandoned bodies to argue against any sympathy for colonialism. Moreover, Conrad uses the criticism of colonialism to explain the European attitude towards native Africans. Conrad uses imagery to describe the natives as animals in order to demonstrate the European perception of Africa. Conrad compares Marlow’s companions as a “hyena.” The animal imagery is used to compare the physical and mental bodies of the native Africans as less than “white people.”
Conrad’s main character Marlow is the narrator for most of the story in Heart of Darkness. He is presented as a well-intentioned person, and along his travels he is shocked by the cruelties that he sees inflicted on the native people. Though he is seemingly benevolent and kindly, Marlow shows the racism and ignorance of Conrad and in fact of the majority of white people in his era, in a more subtle way. Marlow uses words to describe the blacks that, though generally accepted in his time, were slanderous and crude. He recalls that some of the first natives he saw in the Congo looked at him “with that complete, deathlike indifference of unhappy savages” (80; part 1). Marlow casually refers to the Africans with the most offensive of language: “Strings of dusty niggers arrived and departed…” (83; part 1). To Marlow, and thus to Conrad, the Africans are savages, dogs, devils, and criminals. Even the stories that Conrad creates for Marlow to narrate are twisted and false. The natives that Marlow deals with in the book are described as cannibals, and they are even given dialogue that affirms th...
Throughout its entirety, Joseph Conrad’s Heart of Darkness utilizes many contrasts and paradoxes in an attempt to teach readers about the complexities of both human nature and the world. Some are more easily distinguishable, such as the comparison between civilized and uncivilized people, and some are more difficult to identify, like the usage of vagueness and clarity to contrast each other. One of the most prominent inversions contradicts the typical views of light and dark. While typically light is imagined to expose the truth and darkness to conceal it, Conrad creates a paradox in which darkness displays the truth and light blinds us from it.
Although both Joseph Conrad and Franz Kafka distance their protagonists from conventional society to represent the shallowness of mankind, Kafka does so through internal changes whereas Conrad creates external changes. In Heart of Darkness, Conrad removes Marlow from accepted society to show how challenges man suffers through to survive on their own with the superficiality surrounding them. Kafka exiles Gregor in Metamorphosis to demonstrate the ignorance people have for others physically and mentally different from themselves through Gregor’s transformation and the isolation he endures. Both authors transition their main character into a new environment, and combine the new environments with different behaviors to live with.
In the 1900s novella Heart of Darkness by Joseph Conrad, the protagonist often encounters women at landmarks of his life. Charlie Marlow is a sailor and imperialist who sets out along the Congo River to “civilize” the “savages.” The novella begins with a crew on the Thames waiting for the tides to change. During their wait, a character named Marlow tells of his exploits on the African continent. In his recounted travels, Marlow meets other imperialists such as Mr. Kurtz, a man who is obsessed with the pursuit of ivory and riches. Like Mr. Kurtz, Marlow embarks across the African continent in hopes of earning both money and respect. One early critic of the novel, Edward Garnett, wrote in his review that “[Heart of Darkness] is simply a piece of art…the artist is intent on presenting his sensations in that sequence and arrangements whereby the meaning or meaninglessness of the white man in uncivilized Africa can be felt in its really significant aspects,” (Garnett). What Garnett fails to observe is that Heart of Darkness is not only an observation of “the white man,” but the white woman as well.
From the very moment Marlow speaks the reader is presented with light and dark imagery. It should be noted, however, that darkness seems to dominate. The light and dark, being binary oppositions, come to represent other binary oppositions, such as civilized and uncivilized, and of course good and evil. The primitive 'savages' are described as dark, both literally in regards to skin tone, but also in attitude and inwardly. Marlow calls the natives at the first station "black shadows of disease and starvation" (Conrad 20). A little further into the text, Marlow is horrified by what he is seeing, by the darkness he and the reader are being presented with. These are both excellent examples of the negativity towards the natives throughout the book. So, the darkness of the natives is a metaphor for their supposed incivility, evilness and primitiveness. However, if the reader looks a little deeper, they can see that this darkness also ...
Through several examples, Conrad often shows the pointlessness and savagery of the English colonization in Africa. Probably the first instance of this is when Marlow comes up to the French-man who is "shelling the bush". In this scene, the French see something move and so they start shelling it for that reason. The shelling really does no good; if fact, it probably does not even kill what is out there. This represents what the English are doing in a way -- they are trying to conquer a land by shelling it to death and by trying to kill all the people who live there. The next example that Conrad gives is when he sees the black guard, who is leading the black slaves in a chain gang, straighten up when he sees a white man. What this shows is how everyone tries to look better than they are when they are in front of a supposed superior person. Also it shows that if a person can suck up enough -- and sometimes betray their own people -- they can move up in the world.
One interpretation of Marlow's relationship to colonialism is that he does not support it. Conrad writes, "They were not enemies, they were not criminals, they were nothing earthly now,-nothing but black shadows of disease and starvation, lying confusedly in the greenish gloom" (p. 27-28). Marlow says this and is stressing that the so-called "savages", or Africans, are being treated and punished like they are criminals or enemies when in fact they never did anything. He observes the slow torture of these people and is disgusted with it. Marlow feels sympathy for the black people being slaved around by the Europeans but doesn't do anything to change it because that is the way things are. One can see the sympathy by the way that he gives a starving black man one of his biscuits. "To tear treasure out of the bowels of the land was their desire, with no moral purpose at the back of it than there is in burglars breaking into a safe" (p. 54). This statement by Marlow conveys that he doesn't believe that the Europeans have a right to be stripping Africa of its riches. He views the Jungles of Africa as almost it's own living, breathing monster.
Conrad uses the character of Marlow to make use of his own thoughts and views about the people in the Congo. He feels pity for them as he sees them falling down carrying heavy packages and Kurtz commanding them like a batallion of troups. This sight angers Marlow and when he gets to Kurtz, it’s too late. Even he has been pulled in by the darkness. Conrad makes an effective distinction between Marlow and Kurtz.