How does Kafka use “The Great Wall” to question the purpose of Christianity and demonstrate Nihilism’s role in its destruction.

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During Kafka’s writing career he was likely heavily influenced by the philosophies of his day. As the Great War raged in Western Europe, many lost their belief in Christianity and God. Nihilist belief in the purposelessness of life further eroded popular belief in Christianity. Nihilists saw religion as providing a false purpose in life and ideologically condemned religion, believing it should be destroyed (Pratt). In 1917, toward the War’s end, Kafka wrote “The Great Wall.” He uses the story to allegorically question the purpose of Christianity and demonstrates Nihilism’s role in its destruction.

Kafka uses the process of building the wall as a symbol for Christianity and enforces religion’s importance to society with the amount of celebration and praise for builders of the wall. According to the speaker’s narrative, for him and the people of China, the wall is the most important task. Like how religion was stressed to young Christians in Europe the speaker had the importance of the wall enforced throughout his childhood. As he recalls, “as small children [we were] ordered to build a sort of wall out of pebbles; and then the teacher… ran full tilt into the wall, of course knocking it down” (Kafka 236). This focus on the wall is felt as “significant of the spirit of the time” (Kafka 236) according to the speaker, something that many in Europe would have said about their faith. Most people identified with Christianity and society approved of religion. For European society, Christianity was a uniting part of their identity as people. Similarly the speaker sees the building of the wall as an action of unification for China. According to him it is a project to unify, “a ring of brothers, a current of blood no longer conf...

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...ickly away from religion and neither did most Europeans. The speaker’s slow progressions through his understanding of the imperfections of building the wall are symbolic of this. For Kafka the evils of hell and the rewards of heaven could not have been further removed from reality. Hell represented the everyday pains suffered by people including the pains of tuberculosis that Kafka himself was beginning to suffer from and heaven was a fairy tale. Religion was nothing more to him than a time consuming building of a wall for a God that did not exist, a needless burden in an already painful world.

Works Cited

Kafka, Franz. “The Great Wall.” New York: Schocken Books Inc., 1971. Print

Pratt, Alan. "Nihilism [Internet Encyclopedia of Philosophy]." Internet Encyclopedia of Philosophy. 23 Apr. 2001. Web. 20 Jan. 2011. .

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