Guy de Maupassant’s “The Necklace” and the Characteristics of Fairy Tales

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Guy de Maupassant’s “The Necklace” is a twisted and broken fairytale.* Although this short story does embody some elements of fantasy, there is not merely enough evidence to support the claim that it is in fact a “ modern fairytale.” Fairytales often include themes such as enchantment, which is shown when the main character dreams, but is this really such an enchanting thing? Another theme found in fairytales is an encounter with the main struggle, in “The Necklace,” the main character also comes to face with a challenge, but this challenge does not accurately fit the characteristics of an encounter. A third example of an element of a fairytale is the presence of a weak male figure. In this case, there is a weak man but he does not remain weak throughout the story. One final characteristic of a fairytale is the journey that is taken, in “The Necklace,” the main character does take certain steps, but are these steps really considered a ‘journey’? As will be learned, none of these elements found in fairytales truly conform to “The Necklace,” therefore not making it a “modern fairytale.”+ Enchantment, this element is present in almost all fairytales. In fact, it is the very thing that adds fantasy to the story itself. In “The Necklace,” the main character, Madame Mathilde Loisel dreams daily about ...great reception halls hung with old silks, of fine furniture filled with priceless curios, and of small, stylish, scented sitting rooms just right for the four o’clock chat with intimate friends, with distinguished and sought-after men whose attention every woman envies and longs to attract (Maupassant 28). One could say that this is in fact enchanting enough, but if one were to analyze exactly what Mathilde is so infatu... ... middle of paper ... ...” does not fully include any fairytale elements, so there is no possible way for it to even be considered as a modern ‘fairytale’. Though the story does hint at a few rudiments of fantasy, there is not nearly enough proof, or even suggestive implications of such to allow anyone to feel that this is a fairytale. Overall, all the evidence (or lack thereof), supports the conclusion that “The Necklace” by Guy de Maupassant was not intended to be a modern fairytale, but instead a twisted and broken version of one. Works Cited de Maupassant, Guy. “The Necklace.” Applebee, Arthur N. ed. The Language of Literature Boston: McDougal Littell, 2001. Fairy Tale Text & Motif. Prod. Distribution Access. Distribution Access, 2001.Discovery Education. Web. 1 December 2001. .

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