Moreover he talks about action that is from two natural causes – character and thought (Butcher 1961). It is the changing circumstances of life that the character response in such a way to use his thoughts to seek or avoid situations. Aristotle emphasis action (praxis) is not a deed, event or physical activity rather the motivation that arouse from the deed - the thought and character that makes the action.
Tragedy depends on the dramatic performance (enactment) and not on the author telling the story (narrative). According to Aristotle tragedy stimulates the emotions and then purifies or purges it down, it is never created. On the other hand the tragic hero ...
... middle of paper ...
... pathos –the suffering is seen in both the plays where destruction is shown through the deaths, a painful act that grabs the audience attention and classifies the character as the tragic hero. As in Aristotle’s poetics it is deep nature and imitation is an instinct of nature. Poetry imitates life in a number of ways, through the character, emotions, actions and everyday objects (Butcher 1961).
Butcher, S.H. Aristotle 's Poetic. New York: Hill and Wang, 1961.
Bywater, Ingram. Aristotle on the art of Poetics. Great Britain: Oxford Clarendon Press, 1962.
Garrick, David. Literature: Structure, Sound, and Sense. 6th ed. Fort Worth: Harcourt Brace College Publications, 1991.
Willams, Simon. "The Tragic actor and Shakespeare." In The Cambridge Companion to Shakespeare on Stage, by Stanely Wells & Sarah Stanton, 118-136. Cambridge: University Press, 2002.
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