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Fate in shakespearean tragedy
Fate in shakespearean tragedy
Fate in shakespearean tragedy
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Many people go through their lives questioning what would have happened if some aspects had been different. What if a person’s worst enemy had been his/her best friend? Would he/she be a different person if he/she had grown up in a different town? Such questions as these can puzzle a person in reality, as well as in literature. In Shakespeare’s tragedy, Hamlet, the protagonist raises the question of fate in the second scene of the fifth act, “There’s a divinity that shapes our ends.” Through the actions of the characters, a disastrous outcome is unfolded. Claudius’s designs to kill Hamlet ultimately kill Laertes and Gertrude. Polonius finds his death by spying on Hamlet’s conversation with his mother. Finally, many of the tragic elements stem from the ghost of Hamlet’s father speaking to Hamlet about his murder. Hamlet’s quote shows that fate is a divine force at work to create an outcome. Each character’s decision marks the curves that fate pitches into their lives.
In the seventh scene of the fourth act of Hamlet, Laertes joins Claudius in order to kill Hamlet. They devise a plan to have Hamlet and Laertes participate in a fencing match, in which Laertes used a pointed blade tipped with poison. Claudius intends to infect a glass of wine with poison in the case that Laertes fails (4.7.133-162). “And for his death no wind of blame shall breathe, but even his mother shall uncharged the practice and call it and accident” (4.7.66-69). These are Claudius’ words concerning Gertrude’s knowledge of his plan. Such a phrase is foreshadowing of fate. During the match, Gertrude drinks from the poisoned cup (5.2.295-296). Laertes is also victim to fate when he and Hamlet trade swords. “Why, as a woodcock to mine own springe, Osric. I am justly killed with mine own treachery” (5.2.311-312). Neither Laertes nor Gertrude would have suffered their poisonous fate had Claudius not devised this plan to kill Hamlet.
Furthermore, Claudius would not have had this plan if Polonius had never been killed. “And so have I a noble father lost” (4.7.25). The death of Polonius is the incident that prompted Laertes to visit Denmark in search of vengeance. However, the death of Polonius would not be a factor in this fate if he had not been conspiring against Hamlet. “My lord, he’s going to his mother’s closet. Behind the arras I’ll convey myself to hear the process” (3.
In Hamlet, The new king Claudius is able to gain respect from the kingdom. He even steals the love of Hamlet’s mother Gertrude. The old king’s councilor, Polonius, becomes Claudius’s councilor and his best friend. He helps Claudius keep an eye on Hamlet and tries to keep him from finding out anything about his father’s death. Polonius believes that if he helps Claudius that he can make life better for himself and for his daughter and son. But in the end, his actions get him slayed, drive his daughter to insanity, and eventually set...
...m to put his life in danger to find out more information about Hamlet, which ultimately leads to his death. Claudius also planted the idea of murdering Hamlet into Laertes’ mind, and this became the main goal of Laertes towards the end, which leads him to his death. Hamlet has hurt the women that he loves, both Ophelia and Gertrude die. Claudius and Hamlet also die, which is ultimately how the corruption of the nation of Denmark ends, through this it can once again be the great nation that it once was.
His father was killed by Hamlet and his sister was driven insane due to the series of events that took place because of Hamlet. Like Hamlet, Laertes wants to avenge his father by killing the man who killed Polonius. As described earlier, Hamlet is slow to act. Laertes, on the other hand, acts quickly and with precision, wasting no time in acquiring his target and formulating a plan. Robert Palfrey Utter, Jr., puts it best, Hamlet and Laertes both come to the same conclusion that murder must be carried out, but Hamlet reaches that conclusion only “after he has had a few minutes to think it over.” (140) Once Laertes finds out that the man who killed his father was Hamlet he is ready to charge in and kill him as soon as possible. He is only stopped by Claudius, who advises him on a more subtle approach. Straight off the bat it is clear how efficient Laertes is compared to Hamlet. Hamlet wastes a large amount of time scheming up complex ideas on how to get a confession out of Claudius and how to kill him. Laertes on the other hand wastes no time in getting a straight and to the point plan that he can execute immediately. After spending more than half the play watching Hamlet squirm around on the stage getting almost nothing accomplished, the audience would be acutely aware of the stark difference between Hamlet and Laertes even though they share the same motivations. Laertes has his speed but he shares in Hamlets lack of critical thinking when he gets hot headed. He is in such a blind rage that he doesn’t think on what he is agreeing to do with Claudius. Just like Hamlet, his brash actions cost those around him his life. In carrying out the plan, the King, the Queen, Hamlet, and he all die to the poison that was used in the duel. Hamlet was slow and reckless while Laertes was quick and reckless. Wilds sums up the relationship between Hamlet and Laertes perfectly, “Laertes and Hamlet have been foils to each other
In society, people have varying opinions on fate. Many question whether life’s events are pre-determined by fate or whether people have a destiny to serve a greater purpose. Fate versus free will is an archaic topic among philosophers that is ultimately up for interpretation.The question on whether or not something else is controlling life’s events or if they are simply a coincidence faces us in some point of our lives. In Shakespeare’s Romeo and Juliet, Shakespeare plays with the idea of fate and its control on the events in the play. He forces us to realize the destiny between Romeo and Juliet involves the fate between the two opposing households as well. Shakespeare blurs the line between fate and free will in his play Romeo and Juliet to show that the outstanding cause of Romeo and Juliet’s tragedy was not something decided- it was fate. It is evident by the events in Shakespeare’s Romeo and Juliet that fate was the main cause of the tragedy in the play, and that Romeo and Juliet held the destiny to finally end the feud between the Capulets and the Montagues.
...ia goes mad because of her father’s murder, and consequently ends up drowning to her death. Laertes also comes back to Denmark from France to seek revenge for his father’s murder. It is arguable that had Hamlet not murdered Polonius, none of these events would have occurred, including the deaths of virtually all the characters as well as Hamlet.
One single moment or event during the course of an individual’s life can effectively alter their priorities and transform their identity drastically. In The play Hamlet, by William Shakespeare, Shakespeare introduces the readers to the protagonist Hamlet who is draped in anger and emotions and has a new-found mission in life. Initially, Hamlet is portrayed as an individual in mourning over his father's death and his mother's haste in remarrying to her brother-in-law and Hamlet's uncle, Claudius. However, Hamlet’s character and personality were drastically altered after meeting the Ghost and discovering the true nature of his Father’s death. Hamlet is now a man with a lust for revenge and a willingness to do anything that will enable him to accomplish this goal. When burdened with the task of killing Claudius, Hamlet chooses to sacrifice all he holds dear by transforming his identity in a noble effort to avenge his father’s death.
Finally we arrive at the sword match between Hamlet and Laertes. Hamlet is unaware of Claudius’ poisoned goblet and the poisoned tip of Laertes’ sword. When Laertes cuts Hamlet, he makes the choice to stab Laertes, who would see him dead as well.
In Hamlet, the protagonist Hamlet faced many dilemmas that led to his transformation throughout the play. The people around him and the ghost of his father dramatically affect him. Seeing his father’s ghost had changed his fate and the person he had become. The path he chose after his encounter with his father’s ghost led to his death.
... the only way to honour his father Polonius is by killing Hamlet. In addition, as Claudius reads the letter from Hamlet to Laertes he says “'Tis Hamlet’s character. “Naked” And in a postscript here, he says “alone.” Can you advise me?” (IV, VII, 52-53). This shows that Claudius takes advantage of Hamlet’s return alone as an opportunity for Laertes to kill him. Through Claudius’s actions the readers observe how he deceives Laertes into killing Hamlet for his own benefit without getting blood on his hands. Furthermore, Claudius’ desperation to kill Hamlet leads to him losing sight of what is important, which is being the king of Denmark, what he originally wanted, instead the lies he told and the manipulation he spread is now taking over. To conclude, it is evident through the play that the words and actions of Claudius have only lead to the spread of deception.
In Shakespeare’s Hamlet, the influence of Hamlet’s psychological and social states display his dread of death as well as his need to avenge his father’s death. In turn, these influences illuminate the meaning of the play by revealing Hamlet’s innermost thoughts on life, death and the effect of religion. Despite the fact that Hamlet’s first instincts were reluctance and hesitation, he knows that he must avenge his father’s death. While Hamlet is conscious of avenging his father’s death, he is contemplating all the aspects of death itself. Hamlet’s decision to avenge his father is affected by social, psychological and religious influences.
He has the ability to perform tasks that may be unpleasant or dangerous. Laertes does not simply try to kill someone by thinking cautiously the whole time, but by directly confronting them and facing them head-on. When Laertes returns home to Denmark he even confronts Claudius about the death of his father. Swearing Laertes says “I dare damnation. To this point I stand,/That both the worlds I give to negligence,/Let come what comes, only I’ll be reveng’d/Most throughly for my father.” (IV. v. 133-136). With this declaration Laertes plots with Claudius to kill Hamlet and they construct a plan to have Laertes fence with Hamlet and for him to kill him. They instrument a plot of revenge for the death of Polonius, quickly coming up with three ways to kill Hamlet: stabbing him with an unblunted sword, placing poison on the sword, and poisoning Hamlet’s drink (IV. vii.). After they construct this plan they swiftly utilize the plan. Laertes did not wait for the perfect moment, at the perfect time, and at the perfect place. He created the place, time, and moment to carry out the dangerous task. Hamlet, however, waited and waited for what he thought one day would be the perfect moment in which he could kill his uncle. Even when Hamlet had an opportunity to kill Claudius, he talked himself out of it. When compared to Laertes, Hamlet is a coward because of his inability to
Claudius is one of the main characters responsible for his own death in the play because he portrays himself to be untouchable; not thinking clearly of the consequences to his actions. He starts off by killing his own brother and marrying his queen, Gertrude, only because he lust power and sex. His cold-hearted actions make him the antagonist of Hamlet and most deserving of death. Through all of his malicious actions, he plans a duel between Laertes and Hamlet assuring Hamlet’s death as well by poisoning a drink and the end of Laertes’ sword. He definitely got a taste of his own medicine because he died a rightful death by the sa...
From this play we learn of the difficulty associated with taking a life as Hamlet agonises as to how and when he should kill Claudius and furthermore whether he should take his own life. Hamlet being a logical thinker undergoes major moral dilemma as he struggles to make accurate choices. From the internal conflict that the playwright expresses to us it is evident that it can kill someone, firstly mentally then physically. The idea of tragedy is explored in great detail through conflict where the playwright’s main message is brought across to the audience; Shakespeare stresses to his audience the point that conflict be it internal or external it can bring upon the downfall of great people and in turn have them suffer a tragic fate. It is Shakespeare’s aim to show us the complexity of man and that moral decisions are not easily made.
Hamlet is one of the most often-performed and studied plays in the English language. The story might have been merely a melodramatic play about murder and revenge, butWilliam Shakespeare imbued his drama with a sensitivity and reflectivity that still fascinates audiences four hundred years after it was first performed. Hamlet is no ordinary young man, raging at the death of his father and the hasty marriage of his mother and his uncle. Hamlet is cursed with an introspective nature; he cannot decide whether to turn his anger outward or in on himself. The audience sees a young man who would be happiest back at his university, contemplating remote philosophical matters of life and death. Instead, Hamlet is forced to engage death on a visceral level, as an unwelcome and unfathomable figure in his life. He cannot ignore thoughts of death, nor can he grieve and get on with his life, as most people do. He is a melancholy man, and he can see only darkness in his future—if, indeed, he is to have a future at all. Throughout the play, and particularly in his two most famous soliloquies, Hamlet struggles with the competing compulsions to avenge his father’s death or to embrace his own. Hamlet is a man caught in a moral dilemma, and his inability to reach a resolution condemns himself and nearly everyone close to him.
Once Hamlet learned or even suspected that Claudius murdered his father, he should have prepared for anything. Instead, Hamlet enters a deep personal reflection on morals and what is right and wrong. This gives an opening for Claudius, who says”And for his death no wind of blame shall breathe/ but even his mother shall cunchange the practice/ and call it an accident”. Despite the rather clear evidence Hamlet has gathered of Claudius’ corruption, Hamlet’s lack of action and emotional breakdown opens himself up to easy manipulation. As his madness becomes apparent to all those around him, he allows himself to be sent to England despite the obvious that Claudius is plotting something. He should have known that his enemy knows the truth and fortunately, barely escapes death. As time passes, it’s clear that Hamlet is losing all sense of caution in rationality when he decides to have a fencing match with the man who already tried to kill him. All of the actions taken by both Claudius and Laertes clearly show there intent to kill, but Hamlet becomes obnoxiously trusting. Although being trusting of others isn’t a bad quality, it is definitely not something you want to take up with your enemies. Hamlet’s overall lack of motivation to defend himself becomes too apparent, he had many opportunities to win this war of deception, but caused his own