Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Theme of love in literature
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Theme of love in literature
Love is the universal principle, or motivation for an individual’s activity. It generates the passions and desires which animate human life. It is a recurrent theme in William Shakespeare’s “My Mistress’ Eyes Are Nothing Like the Sun,” W. H. Auden’s “Funeral Blues,” and Theodore Roethke’s “My Papa’s Waltz.” These three poems present love under three different circumstances. Integrated by the two dimensions, specifically in terms of eros and agape, and using the elements of poetry such as similes, hyperbolic language, personification, and symbolism, “My Mistress’ Eyes Are Nothing Like the Sun” highlights love despite social norms, “Funeral Blues” shows love despite death, whereas “My Papa’s Waltz” emphasizes loving despite both the social norm and the death of his ideal father.
In “My Mistress’ Eyes Are Nothing Like the Sun,” Shakespeare uses negative similes to express the erotic love which is heavily emphasized upon by the society. Human beings are generally attracted to certain physical qualities in a person rather than their character. The term eros is used to describe the nature of love which places high importance on the physical and sexual desires. As Kieran Bonner notes in her article, eros is “the progeny of need and resourcefulness” (Bonner 123). It is egocentric, acquisitive love which focuses on how the lover can fulfil a person’s sexual and physical desires. Similarly, the sonnet indirectly emphasizes how society wants a man to choose his lover based upon how desirable the female is. The poem commences with the lines, “My mistress’ eyes are nothing like the sun / Coral is far more red than her lips’ red” (1-2). This use of negative comparison in the preamble, by indirectly stating what the mistress lacks, draws atte...
... middle of paper ...
...individuals.
Works Cited
Auden, W.H. "Funeral Blues" Literature: Reading Fiction, Poetry, and Drama. Ed. Robert DiYanni. 6th ed. Boston: McGraw-Hill, 2007. 1102-1105. Print.
Bonner, Kieran. "Eros And Ironic Intoxication: Profound Longing, Madness And Discipleship In Plato’S Symposium And In Modern Life." History Of The Human Sciences 26.5 (2013): 114-31. EBSCO Host. Web.
Pope Benedict XVI. "Deus Caritas Est - Encyclical Letter, Benedict XVI." Vatican: the Holy See. Vatican Website. Libreria Editrice Vaticana, 2005. Web.
Roethke, Theodore. "My Papa’s Waltz" Literature: Reading Fiction, Poetry, and Drama. Ed. Robert DiYanni. 6th ed. Boston: McGraw-Hill, 2007. 1102-1105. Print.
Shakespeare, William. "My Mistress’ Eyes Are Nothing Like the Sun" Literature: Reading Fiction, Poetry, and Drama. Ed. Robert DiYanni. 6th ed. Boston: McGraw-Hill, 2007. 1102-1105. Print.
“EΡΩΣ” by Robert Bridges has a contradictory concept of what humans view as love, thus the negative and positive comparisons are between Eros different angles in love and lust. For instance, Eros is described as both having “exuberant flesh so fair” yet “Ere from his chaste marmoreal,” thus stating he has both a sexual, savage appearance, yet a pure and smooth one also. The speaker also states, “Surely thy body is thy mind, for thy face is nought to find…” where Eros is being described as a pretty boy who beyond his looks has no brain. Both these descriptions, of a sexual appearance and having no brains, depict that ...
The most notable qualities of Theodore Roethke’s “My Papa’s Waltz” are the tone and language of the poem which convey the nostalgia adult author feels thinking about the time spent with his father. In the title narrator’s father is affectionately referred to as “Papa” making the impression that the main character and his father are close. The use of possessive pronoun “my” contributes to the overall impression that the father holds special place in the narrator’s heart. As word “waltz” in the title implies the poem gives account of the festive occasion in which the narrator’s father takes part.
Kennedy, X.J.; Gioia, Dana. “My Papa’s Waltz.” Backpack Literature. Fourth Edition. Terry, Joe. 2012. Longman, 2012. 393-394. Print.
Dubus, Andre. "Killings." Meyer, Michael. In The Bedford Introduction to Literature. Ed. 8th ed. Boston: Bedford/St. Martin's, 2008. 107 - 120.
Baldwin, James. “Sonny’s Blues.” Literature: An Introduction to Fiction, Poetry, Drama, and Writing. Ed. X.J. Kennedy and Dana Gioia.12th ed. New York: Pearson, 2013. Print.
A. "My Papa's Waltz". , Literature: An Introduction to Fiction, Poetry And a lot of drama. Ed. X. J. Kennedy and Dana Gioia. 7th Ed. -.
Baldwin, James. “Sonny’s Blues.” Literature: An Introduction to Fiction, Poetry, Drama, and Writing. Ed. X.J. Kennedy and Dana Gioia.12th ed. New York: Pearson, 2013.58-78.Print.
...uty which is impossible for any woman or man to match. Campion's poem reflects this impossible ideal that society inflicts on us. This woman in There is a Garden in Her Face could never really live up to the image that the speaker has created of her. The image is false, and so is his love because he is only focusing on her outward appearance. The speaker in Shakespeare's sonnet clearly is not in love with his mistress' looks. Everything about her is contrary to society's standards, but he understands the absurdity of these standards and rejects them. There is more to his mistress than meets the eye, and that is why he truly loves her.
Roethke's "My Papa's Waltz" is about a relationship between a father and his son. Beginning with the title, the author's meticulous choice of voca...
Shakespeare's My Mistress' Eyes Are Nothing Like the Sun Many authors compose sonnets about women whom they loved. Most of these authors embellish their women's physical characteristics by comparing them to natural wonders that we, as humans, find beautiful. Shakespeare's "My Mistress' Eyes Are Nothing Like the Sun" contradicts this idea, by stating that his mistress lacks most of the qualities other men wrongly praise their women for possessing. Shakespeare presents to one that true love recognizes imperfections and feels devotion regardless of flaws, while satirically expressing his personal thoughts on Petrarchan sonnets. Through the use of comparisons, the English sonnet and an anti-Petrarchan approach, he creatively gets his point across.
Sonnet 130 openly mocks the traditional love sonnets of the time. This is, perhaps, made most apparent through the use of subversive comparisons and exaggerated similes. The intention of a subversive comparison is to mimic a traditional comparison yet highlight the opposite purpose. Whereas his contemporaries would compare their love’s beauty to alabaster or pearls, Shakespeare notes, “If snow be white, why then her breasts are dun” (3), therefore intentionally downplaying the beauty of his mistress. Later he states, “...in some perfumes there is more delight / than in the breath that from my mistress reeks” (7-8). Both of these exemplify that Shakespeare ridicules the traditional love sonnet by employing the same imagery to convey opposite intentions.
The speaker uses metaphors to describe his mistress’ eyes to being like the sun; her lips being red as coral; cheeks like roses; breast white as snow; and her voices sounding like music. In the first few lines of the sonnet, the speaker view and tells of his mistress as being ugly, as if he was not attracted to her. He give...
Funeral Blues by W. H. Auden is a short poem that illustrates the emotions that he is dealing with after the love of his life passes away. The tone of this piece evokes feelings that will differ depending on the reader; therefore, the meaning of this poem is not in any way one-dimensional, resulting in inevitable ambiguity . In order to evoke emotion from his audience, Auden uses a series of different poetic devices to express the sadness and despair of losing a loved one. This poem isn’t necessarily about finding meaning or coming to some overwhelming realization, but rather about feeling emotions and understanding the pain that the speaker is experiencing. Through the use of poetic devices such as an elegy, hyperboles, imagery, metaphors, and alliterations as well as end-rhyme, Auden has created a powerful poem that accurately depicts the emotions a person will often feel when the love of their live has passed away.
This poem speaks of a love that is truer than denoting a woman's physical perfection or her "angelic voice." As those traits are all ones that will fade with time, Shakespeare exclaims his true love by revealing her personality traits that caused his love. Shakespeare suggests that the eyes of the woman he loves are not twinkling like the sun: "My mistress' eyes are nothing like the sun" (1). Her hair is compared to a wire: "If hairs be wires, black wires grow on her head" (3). These negative comparisons may sound almost unloving, however, Shakespeare proves that the mistress outdistances any goddess. This shows that the poet appreciates her human beauties unlike a Petrarchan sonnet that stresses a woman's cheek as red a rose or her face white as snow. Straying away from the dazzling rhetoric, this Shakespearean poem projects a humane and friendly impression and elicits laughter while expressing a truer love. A Petrarchan sonnet states that love must never change; this poem offers a more genuine expression of love by describing a natural woman.
Through the form of sonnet, Shakespeare and Petrarch both address the subject of love, yet there are key contrasts in their style, structure, and in the manner, each approaches their subjects. Moreover, in "Sonnet 130," Shakespeare, in fact, parodies Petrarch's style and thoughts as his storyteller describes his mistress, whose "eyes are in no way as the sun" (Shakespeare 1918). Through his English poem, Shakespeare seems to mock the exaggerated descriptions expanded throughout Petrarch’s work by portraying the speaker’s love in terms that are characteristic of a flawed woman not a goddess. On the other hand, upon a review of "Sonnet 292" from the Canzoniere, through “Introduction to Literature and Arts,” one quickly perceives that Petrarch's work is full of symbolism. However, Petrarch’s utilization of resemblance and the romanticizing of Petrarch's female subject are normal for the Petrarchan style.