The author I choose for my first journal entry is Joyce Carol Oates. After the several short stories and poems I have read over the last couple of weeks, Oates’s work has stood out and stuck with me. Oates biography connects to her work in several ways. She has published more than one hundred works, and her stories cover a multitude of topics such as domestic violence and daily life. ( 792-793; vol 2) After numerous inquiries as to why Oates’s work is so violent, Oates’s published an article in The New York Times in 1981 stating, “When I point out that, in fact, my writing isn’t usually explicitly violent but deals, most of the time, with the phenomenon of violence and its aftermath, in ways not unlike those of the Greek Dramatists; when I point out that, in any case, writing is language and, in a very important sense, is more “about” language than “about” a subject- the interviewer will not nod, and take notes, and inquire about my childhood: Was it tragic? Have you been frightened by life?” (Oates, “Why Is Your Writing So Violent). …show more content…
In 6:27, the story begins with a single mom, Glenda, and her son Bobby. This story walks to reader through one day in Glenda’s life. Glenda is a single mother who is struggling to support Bobby and herself. Glenda lives in fear because of her ex-husband, Guy. Bobby doesn’t quite understand why his dad is no longer around and asks,” Is Daddy coming back tonight?” (Oates, 793) While at work, Glenda receives several calls and answers them, only the other person on the line never responds. Through-out the day, Glenda becomes nervous and answers the last phones saying,” Listen, Guy, if this is you you’d better cut it out. I’m going to call the police.” (Oates 799) This story clearly depicts the life of a woman who has been abused by her
Believers of the Old and New Testaments claim that violence is a sin and can only lead to more brutality and death; poet Tony Barnstone firmly agrees. In his poem “Parable in Praise of Violence” Barnstone lambastes the American obsession with violence-- that it is often triggered by inevitable events which could be handled in different manners. The speaker in “Parable in Praise of Violence” reflects on all parts of his “sinful” culture and comes to the realization that people often use violence as a way to deal with emotions of grief and anger caused by events and concepts they cannot explain.
In the story, “The Killing Game”, Joy Williams, uses several diffenent types of writing skills to presuade the reader to see her views.
Narrative is a form of writing used by writers to convey their experiences to an audience. James Baldwin is a renowned author for bringing his experience to literature. He grew up Harlem in the 1940’s and 1950’s, a crucial point in history for America due to the escalading conflict between people of different races marked by the race riots of Harlem and Detroit. This environment that Baldwin grew up in inspires and influences him to write the narrative “Notes of a Native Son,” which is based on his experience with racism and the Jim-Crow Laws. The narrative is about his father and his influence on Baldwin’s life, which he analyzes and compares to his own experiences. When Baldwin comes into contact with the harshness of America, he realizes the problems and conflicts he runs into are the same his father faced, and that they will have the same affect on him as they did his father.
Words can have a profound, meaningful impact that may alter, shift, and even end lives. In “Create Dangerously”, Edwidge Danticat reveals how words crafted her reality and identity as a woman who lived through a dictatorship. “Create Dangerously” is a nonfiction essay and memoir that focuses on the impact of literature not only in dire times, but in everyday life. Through the use of detail, allusions, and vivid recounting of the past in her writing, Danticat reveals importance and valor of creating art in times where art is a death sentence, and how this belief shaped her identity.
Secondly, “A Place to Stand On” an essay of assimilation and connection to the past. And finally, “Why I Write” a composition on how writing grows along side the author. Each of these essays relays the proposition of writing being more than an escape, but less than an accustomed piece of work. Barbara Kingsolver, author of “Not So Deadly Sin” allows herself to
To read the Civil War diary of Alice Williamson, a 16 year old girl, is to meander through the personal, cultural and political experience of both the author and one's self. Her writing feels like a bullet ricocheted through war, time, death, literary form, femininity, youth, state, freedom and obligation. This investigation attempts to do the same; to touch on the many issues that arise in the mind of the reader when becoming part of the text through the act of reading. This paper will lay no definitive claims to the absolute meaning of the diary, for it has many possible interpretations, for the journey is the ultimate answer. I seek to acknowledge the fluidity of thought when reading, a fluidity which incorporates personal experience with the content of Williamson's journal. I read the journal personally- as a woman, a peer in age to Alice Williamson, a surrogate experiencialist, a writer, an academic and most of all, a modern reader unaccustomed to the personal experience of war. I read the text within a context- as a researcher versed on the period, genre, aesthetics, and to some degree the writer herself. The molding of the personal and contextual create a rich personalized textual meaning .
Narratives such as Rowlandson’s gave a voice to women in the realm of written words, but at the cost of the Native voice. According to the website www.maryrowlandson.com,
Being able to overcome anything in life is a great feeling. There is a special feeling in the body and the mind when the body achieves a goal, and the mind gets a feeling of satisfaction. Since, the mind chooses to go against the body's will to quit, you have to be mentally strong. In Richard Connell's short story “The Most Dangerous Game,” large game hunter Sanger Rainsford is tested in the following ways: strong versus the weak, the value of life, and becoming what he fears. To begin with, Rainsford has to pose as the weak against the strong, General Zaroff.
Allison has had a bitter past full of moments which have scarred her personality. She uses these and writes about the world that few are willing to admit exists. Many find refuge behind their gregarious nature and take comfort in religion or other bodies. However, that does not change the facts of what the world is and how it got there. Allison exposes her audience to these facts, and in the process, she shares her own view.
In the article Threshold of Violence published by The New Yorker Magazine, author Malcolm Gladwell alludes to the cause of school shootings and why they transpire. Gladwell tries to make sense of the epidemic by consulting a study of riots by stanford sociologist Mark Granovetter. Granovetter sought to understand “why people do things that go against who they are or what they think is right, for instance, why typically non-violent, law-abiding people join a riot”(Granovetter). He concluded that people’s likelihood of joining a riot is determined by the number of people already involved. The ones who start a riot don’t need anyone else to model this behavior for them that they have a “threshold” of zero. But others will riot only if someone
While other, less accomplished writers use violence to shock or provoke, Joyce Carol Oates is usually more subtle and inventive. Such is the case in "Naked," the story of a forty-six year old woman whose placid outer identity is ripped away by a brutal assault while out hiking not far from her fashionable, University Heights neighborhood. Like many of Oates' stories—and in this regard she probably owes something to Flannery O'Connor—"Naked" focuses on a woman so entrenched in her rigid self-image that nothing short of violence could make her vulnerable to a humbling, though redemptive, self knowledge.
Orenstein, Peggy. “What’s Wrong with Cinderella?” The New York Times Magazine. 4 Dec. 2006. Rpt. in Writing Communities and Identities. Ed. Cynthia Debes et al. 6th ed. Plymouth, MI: Hayden-McNeil Publishing, 2009. 50-54.
As every well-read person knows, the background in which you grow up plays a huge role in how you write and your opinions. Fuller grew up with a very strict education, learning multiple classic languages before she was eight years old. Fern grew up with writers all throughout her family and had a traditional education and saw first hand the iniquities of what hard-working had to contend with. Through close analysis of their work, a reader can quickly find the connections between their tone, style, content, and purpose and their history of their lives and their educational upbringing.
The Stranger written by Albert Camus is an absurdist novel revolving around the protagonist, Meursault. A major motif in the novel is violence. There are various places where violence takes place and they lead to the major violent act, which relates directly to the theme of the book. The major violent act of killing an Arab committed by Meursault leads to the complete metamorphosis of his character and he realizes the absurdity of life.
Treichler, Paula A. "Escaping the Sentence." The Captive Imagination.Ed. Cathrine Golden. New York: The Feminist Press, 1992. 191-210