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Patriarchy and "The Yellow Wallpaper" "The Yellow Wallpaper" motivated the female mind of creativity and mental strength through a patriarchal order of created gender roles and male power during the nineteenth century and into the twentieth century. While John represented characteristics of a typical male of his time, the yellow wallpaper represented a controlling patriarchal society; a sin of inequality that a righteous traitor needed to challenge and win. As the wallpaper deteriorates, so does the suppressing effect that male hierarchy imposed on women. Male belief in their own hierarchy was not deteriorating. Females began to think out of line, be aware of their suppression, and fight patriarchal rule. The progression of the yellow wallpaper and the narrator, through out the story, leads to a small win over John. This clearly represents and motivates the first steps of a feminist movement into the twentieth century. The nineteenth century was a time of male domination and female suppression. Women faced economic social and freedom of rights barricades. Men's interests and efforts were towards the important people; themselves. We see this when the narrator is genuinely concerned about something strange in the house. John shows no empathy or support towards his own wife. Alternatively john responds by telling her it "was a draught, and shut the window" (Gilman 904). Perhaps this carelessness for women contributed to the mistreatment of the female illness by just giving them drugs to cope with sickness. The narrator continuously reminds us of the social expectations of the male in relation to females. The narrator uses phrases like "one expects that" and "John says..." to reinforce male's normal actions and treatment ... ... middle of paper ... ... "The Yellow Wallpaper." If that is fact, than I have not lived in vain."(Gilman 317). Fortunately, in reality, a major feminist movement has occurred, but to what extent has the yellow wall paper been removed? Unfortunately, John and his yellow wallpaper still linger today. Gilman, Charlotte Perkins. "The Yellow Wallpaper" The Harbrace Anthology of Literature. Ed. Jon C. Scott, Raymond E. Jones, and Rick Bowers. Canada: Nelson Thomas Learning, 2002. 902-913. Treichler, Paula A. "Escaping the Sentence." The Captive Imagination.Ed. Cathrine Golden. New York: The Feminist Press, 1992. 191-210 Kendal, Diana. "Sex and Gender." Sociology in Our Times 3.Ed. Joanna Cotton. Scarborough: Nelson Thomson, 2004. 339-367 Gilman, Charlotte Perkins. "Essay date 1935." Twentieth-Century Litirary Criticism 9. Ed. Dennis Poupond. Detroit: Gale Research, 1983. 316-317
Gilman, Charlotte Perkins. “The Yellow Wallpaper.” 1892. Ed. Dale M. Bauer. Boston: Bedford/St. Martin’s, 1998.
“There are things in that paper which nobody knows but me, or ever will. Behind that outside pattern the dim shapes get clearer every day. It is always the same shape, only very numerous. And it is like a woman stooping down and creeping about behind that pattern. I don’t like it a bit. I wonder—I begin to think—I wish John would take me away from here!” The late 19th century hosted a hardship for women in our society. “The Yellow Wallpaper” by Charlotte Perkins Gilman expressed a form of patriarchy within the story. Gilman never addressed the woman in the “The Yellow Wallpaper” by a name, demonstrating her deficiency of individual identity. The author crafted for the narrator to hold an insignificant role in civilization and to live by the direction of man. Representing a hierarchy between men and women in the 19th century, the wallpaper submerged the concentration of the woman and began compelling her into a more profound insanity.
During this time period women did not encompass the same rights as their male counterparts, nor where they encouraged to participate in the same activities as they. Gillman describes the yellow wallpaper to the readers as a rationalization of what it means to be a woman during this time period. Women were expected to be child-like and fragile as noted, within the text, “What is it child(Gilman, 1998)?” The color yellow is often associated with sickness; in Gilman’s case her sudden illness refers to oppression. She notes as the story, progresses the wallpaper makes her feel sick. Gilman notes, “I never saw a worse paper in my life,” as a symbol in which refers to the restrictions and norms society places on women. Within her literature she addresses restrictions placed on women. Gilman states, “The color is hideous enough, and unreliable enough, and infuriating enough, but the pattern is torturing.” Meaning, she believed men denying women the right to equality was absurd, and when they did grant women’s freedom it was not equivalent rather a “slap in the face [it knocks] you down and tramples you (Gilman, 1998).” Through her essay she consistently refers to a figure behind the wallpaper. “The faint figure behind seemed to shake the pattern, just as if she wanted to get out (Gilman, 1998).” Meaning, women during this time period seek to feel free from oppression. The women behind the wallpaper represents the need to speak out, “you have to creep on the ground, and everything is green instead of yellow (Gilman,1998).” Creeping placed significance on the experience of being a woman in regards to, how they should think, feel, act, dress, and express themselves. Gilman notes, “And I 've pulled off most of the paper, so you can 't put me back! " The author used this quote to signify, the woman realized she was
Throughout the nineteenth century the roles played in culture and society by men and women started to change. Women began achieving rights that allowed them to further their education and careers outside of the home. Even though these rights began to form, men were still considered superior to women. In Charlotte Perkins Gilman’s “The Yellow Wallpaper,” there is a prominent theme of men controlling women. The two most active characters, John and his wife, demonstrate the relationship between a man and a woman in this time period.
Gilman, Charlotte Perkins. "The Yellow Wallpaper." The Norton Introduction To Literature. Eds. Jerome Beaty and J. Paul Hunter. 7th Ed. New York, Norton, 1998. 2: 630-642.
Women have always struggled to gain attention from men as well as equality with them. Charlotte Perkins Gilman 's "The Yellow Wallpaper" has a theme of feminine oppression. It is a work of literature that shows many of us how women were treated because women in the era in which this story was published were treated in much the same way as the narrator was on a daily basis. Male dictatorship over women is rampant within the illness and treatment of Jane the characters in the story, and the many symbols that serve to confine the main character. A stand had to be made in order for women to achieve equality with men. Standing up to a man, however, was not permissible in nineteenth century America. This story epitomizes
Gilman, Charlotte Perkins. “The Yellow Wallpaper.” Booth, Alison and Kelly J. Mays, eds. The Norton Introduction to Literature. 10th ed. New York: Norton, 2010. 354-65. Print.
Gilbert, Sandra M. and Susan Gubar. “A Feminist Reading of ‘The Yellow Wallpaper’.” The Story and Its Writer. Ann Charters. Boston: Bedford/St. Martin’s, 2011. 1629-1631. Print.
Gilbert, Sandra M. and Susan Gubar. “A Feminist Reading of ‘The Yellow Wallpaper’.” The Story and Its Writer. Ann Charters. Boston: Bedford/St. Martin’s, 2011. Print.
John, the narrator's husband, represents society at large. Like society, John controls and determines much of what his wife should or should not do, leaving his wife incapable of making her own decisions. John's domineering nature can be accredited to the fact that John is male and also a "physician of high standing" (1). John is "practical in the extreme. He has no patience with faith, an intense horror of superstition, and he scoffs openly at any talk of thi...
Shumaker, Conrad. "Too Terribly Good to Be Printed: Charlotte Gilman's 'The Yellow Wallpaper'." reprinted in Twentieth-Century Literary Criticism Vol. 37. Ed. Paula Kepos. Detroit: Gale Research Inc., 1991. 194-198.
Over the years, the roles of women have drastically changed. They have been trapped, dominated, and enslaved by their marriage. Women have slowly evolved into individuals that have rights and can stand on their own. They myth that women are only meant to be housewives has been changed. However, this change did not happen overnight, it took years to happen. The patriarchal society ruled in every household in earlier times and I believe had a major effect on the wives of the families. “The Story of an Hour”, “The Yellow Wallpaper”, and Trifles all show how women felt obligated to stay with their husbands despite the fact they were unhappy with them
Gilman, Charlotte Perkins. “The Yellow Wallpaper.” The Yellow Wallpaper and Other Stories. Mineola: Dover, 1997. Print.
In conclusion, the yellow wallpaper is a brilliant work literature of which depicts a woman as a permissive and controlled by her dominant husband. While women now enjoyed freedom and peace in a liberal nation like America, we must not forget in the impoverish states like Afghanistan or Pakistan, women are still being enclosed behind the bars of the "Yellow Wallpaper." They, just like in the past, have no right in their society and have no idea that women can actually enjoy the kind of freedom like their male counterparts. "The Yellow Wallpaper" does not only serve as a witness of what has happened in the past, it has also served the purpose of a reminder of what we must be doing in the future to bring freedom and rights to women all over the world.
Gilman, Charlotte P. "The Yellow Wallpaper." The story and its writer: An introduction to short fiction. Ed. Ann Charters. Compact 8th ed. Boston: Bedford/St. Martins, 2011. 340-351.