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Project design
In the manifestation of our display, we used diverse medium to convey the message, which was the story we would like to express to the audience. Next, I will list out each approach we applied in the exhibition.
1. Object
2. Text board
3. Old photographs of triangular model
4. Poster
5. Situational layout
6. QR code
7. Online webpage (http://symingtoncorset.wordpress.com/ )
The relationship of the displayed material, audience, communication and educational impact plays an important role of exhibition and elements of this network are all connected to each other. The performance of display can be affected by the manners how we as curators encoding exhibited medium, while the decoding process of individuals from diverse background can be differed owing to this factor at the same time. Hence, the variety of leaning outcomes will be produced. This is the reason why our group members endeavor to supply as many options as possible for participants that they are able to obtain the message through preferable channels. As a result, the knowledge can be effectively transferred and people can acquire the joyful visiting experience. Only if we meet the expectation mentioned previously that the display can be referred to a successful project design and therefore we could say we have created a positive conversation forum between curators/transmitters and visitors/ receivers through multiple media.
As I mentioned in communication part, human absorb and learn information by ways of five senses. According to Hooper-Greenhill (1994C: 144-145), she generates that people’s memory are composed with 10 % of what we read, 20 % of what we hear, 30 % of what we see, 70 % of what we say, and 90% of what we say and do. Bas...
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Knez , E.I. and Wright, G. (1970) ‘The museum as a communication system: and assessment of Cameron’s viewpoint’, Curator 13(3): 204-12
Li, J.F. (2003) ‘A field domains, multiple mood - educational museum space’. Teachers world , 124: 40-51.(In Chinese)
MLA. (2001) ‘Using museum, archives and libraries to develop a learning community: Astrategic plan for action, draft for consultation’, London: Resource
Ruben, B.D. (1992) Communication and human behavior (3rd ed.). Englewood Cliffs, NJ: Prentice Hall.
Yoshimura, N. (1979) ‘Museum functions, the public want :Kurata articles, Museology Lecture 8 ‘, Museum of universal education, p.104-107. Tokyo: Glory Hill Court.
Liu, W.Z. (2000) Theories and Practices in Art Museum, Taipei: Nantian. (In Chinese)
Verhaar, Jan & Han Meeter, (1989) Project model exhibition, Amsterdamse: Hogeschool voor de Kunsten: p26
The Museum Effect turns things of lesser value or artistic appeal to the source culture than was originally intended and gives them a perhaps inflated level of importance as art in our estimation. It is described in the article as a way of seeing, or lens through which something is viewed (ex: art historically, culturally, socially, etc.). Alpers describes TME as such because nearly all items in museums were meant to be seen or used in some other manner and thus much of the original context has been removed and cannot be recreated. The inflation of importance of objects derived from the lack of contextual information and the museum’s tendency to present all things aesthetically are the driving forces causing TME. Alpers suggests that by acknowledging that TME exists, the museum community and visitors can help negate its harmful
There are two books The pursuit of Quality: The Kimbell Art Museum written by Harry Abrams, and The 1939 Building of the Museum of Modern Art: The Goodwin-Stone Collaboration, written by Dominic Ricciotti. These two books investigate the change in architectural feats, and the layouts in which architects like Louis I. Kahn and Goodwin and Stone used in the changing times in which they lived. These two books and the chapters within them, showcase the change in the architecture and layouts of museum buildings. Yet, these books also show the change in museum models worldwide to alter the way individuals look at architecture and artwork. Both books speak of the ever changing museum models which took places from the early 1930s until the 1960s. The following quotes and instances mentioned in the history of the New York Museum of Modern Art and the Kimbell Art Museum describe how these two museums changed the course of how architects and artists design and fill museums.
Pops, Martin. “Three Exhibitions.” Salmagundi Fall 2000/Winter 2001: 16-41. Wilson Select Full Text Plus. Melville Library, SUNY Stony Brook, Stony Brook, NY. 20 Feb. 2003 <http://www.sunysb.edu/library>.
In every museum, each exhibition represents a series of decisions that some individual or group undertook to compile a series of artifacts together in a display. Often times people fail to recognize the amount of time and several steps one took in order to assemble each arrangement. Source A, source B, and source C each mention different, crucial considerations one mast take into account when facing the responsibility of securing a new artifact for a museum.
As the tour of the museum began, it was easily noticed that all of the objects on display were placed behind thick glass cases. Many plaques inside of the case provide the visitor with information about the specific case that is being looked at. In most cases the plaques didn’t so much provide an elaboration on the pieces, but rather expand upon the historical context of the pieces. Also, the plaques shed light onto muc...
Baxandall, Michael. "Exhibiting intention: Some preconditions of the visual display of culturally purposeful objects." Exhibiting cultures: The poetics and politics of museum display (1991): 33-41.
Duncan’s (1991) analysis of western museums is defined through the theme of “durable objects” as a criterion to judge the heritage of American and European art as a ritual of the modern state. In this manner western art museums are built like “temples” as a symbolic and figurative representation of greatness of western culture throughout the world: “[They] are more like the traditional ceremonial monuments that museum buildings often emulate—classical temples” (Duncan 90). This interpretation of American/European museums defines a dominant source of cultural heritage that ritualizes
The Metropolitan Museum of Art came about as an idea from Jon Jay in Paris, France in 1866 with the idea of “national institution gallery of art” within the United States. Once this idea was proposed, it was immediately moved forward with his return to the United States. With the help of the Union League Club in NY they began to acquire civic leaders, businessmen, artists, and collectors who aided in the creation of the museum. For over 140 years, the visitors who go here have received everything the mission of the institution states.
Human memory is flexible and prone to suggestion. “Human memory, while remarkable in many ways, does not operate like a video camera” (Walker, 2013). In fact, human memory is quite the opposite of a video camera; it can be greatly influenced and even often distorted by interactions with its surroundings (Walker, 2013). Memory is separated into three different phases. The first phase is acquisition, which is when information is first entered into memory or the perception of an event (Samaha, 2011). The next phase is retention. Retention is the process of storing information during the period of time between the event and the recollection of a piece of information from that event (Samaha, 2011). The last stage is retrieval. Retrieval is recalling stored information about an event with the purpose of making an identification of a person in that event (Samaha, 2011).
When we asked the question of how we remember, forget, and learn has been the topic of lots of discussions. Examining how importantly the successes and fails of our memory skills affect our lives, this interest seems exceedingly justified. We count on our memories for lots of what we do like whenever we do identifying, appreciating, and responding right according to the objects and persons we interact in our environment and to the actions in which we take part in writing, speaking, reading, or else communicating in thinking, reasoning, and problem solving, and also to recall the past about our experiences. That is our memory, which holds, and allows us to use, the knowledge we have get about ourselves and the life and that catches the ways in which we have configured to the world so as to better cope with it. There is so much we de...
Items displayed in museums hold historical significance and are representative of society’s culture. Preserving valuable collections for education and enjoyment is a primary role of museums. While fulfilling this role, the architecture of the museum is also an important factor. Historical buildings are converted into museums and architects must consider the use of the space and the museum’s purpose during their initial design. Other museums are built with a clear purpose in mind. As museums are designed, many characteristics are determined. Display and storage spaces as well as visitor services impacts museum’s functionality. Based on the function of a museum, architectural requirements are different.
Individuals do not learn in a void; instead they build upon the knowledge and experience that they have developed over their lives. They use their identities to shape how they learn and view the world and themselves. If the identity of the learner is not accepted and allowed to influence learning, the desired outcomes may not be accomplished. The cultivation of identities is especially important in museums and other cultural institutions and they must adapt their techniques to accomplish this. These issues of identity and learning are complex so this paper will focus on issues of representation in regard to ethnicity and gender. Furthermore, solutions to proper exhibition display and facilitation will be theorized through the lens of critical
Atkinson, R.C. & Shiffrin, R.M. (1968). Human memory: A proposed system and its control process.
A curator needs to be able to negotiate and be willing to compromise, as it is often the task at hand to borrow from museums or other locations. Teamwork and flexibility are also valued, as the job isn’t completely independent. Museums are designed for public enjoyment, so good communication a...
Museum defines as an institution housing collections of objects of artistic, historic, or scientific interest conserved and displayed for the educational and enjoyment of the public. Museums are places of memory that provides the link of distant past to the present generation which also help the society to know the path their forebears trod. The main purpose of museum is neither to educate nor entertain but rather creates a memory bank would remind us of the past. No wonder most societies in different parts of the world traced their origin through the works of arts history. There are many types of museum includes museum of Antiquities-in which are housed ancient pieces of furniture or objects of art such as sculptures, paintings, ceramics, textiles and other crafts. Public record office museum serving as collection centre for famous documents, War museum containing relics of national wars, Maritime museum for maritime history, museum for architecture, with types, structures and styles of building, etc., Museum for Local/Indigenous Technologies, Science Museum, with objects depicting history of science and engineering and Natural History Museum. However, all types of these have their own roles of information institutions in national development. The main roles are to identify, acquire, preserve, and exhibit unique, collectible, or representative objects. The role of museum in the life of a nation involves conducting research into the vast natural history heritage and biodiversity of the country, serving as a repository, of natural objects, source materials and taxonomists in that country, creating scientific awareness, on natural history resources of the nation through annotated exhibitions for public enlightenment in display ga...