Women In The Lovesong Of J Alfred Prufrock

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T.S. Eliot's "The Love Song of J. Alfred Prufrock", revolves around the persona of a man named Prufrock. Prufrock, at first glance, has a cool composure. He leads his reader down an intricate evening path and begins stalling his apparent "overwhelming question" (16). As the poem progresses, however, Prufrock's facade fades away. Instead, he is immensley insecure with himself and lives a depressing lonely life. His relationship with women is apprehensive, and causes him to be withdrawn from society as a whole.

Prufrock almost angrily implies women's superficial nature by repeating the lines,
"In the room the women come and go/Talking of Michelangelo." (19-20) Given he is a reknown artist, it is easy to sound knowledgeable on the subject. …show more content…

He describes the feeling of being judged as being "pinned and wriggling on the wall" (64). Prufrock is uncomfortable under the eye of anyone, making it diffucult for him to pursue relationships.

Despite "grow[ing] old" (126), however, Prufrock is determined he still has time to face the music, time "for a hundred indecisions, / And for a hundred visions and revisions" (38-39).
Prufrock consistently avoids the direct subject of not being able to socially interact with a woman. He is a desolated soul and eventually expresses feelings of estrangement from society all together. So mentally collapsed, he even admits he “should have been a pair of ragged claws
/Scuttling across the floors of silent seas” (79-80).

Prufrock does not relate well to people, women especially. His constant self scrutiny and unhappiness with society makes him believe he is identified closer with mermaids than humans. He refers to the mythological creatures as "we", suggesting Prufrock's wishes to escape humanity and be alone somewhere desolated such as the sea. He ends the poem with the final thought that until he is dead, he will never fully be content with

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