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The representation of women in hamlet
Women's portrayal in hamlet
Women's portrayal in hamlet
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In the time `Hamlet' was performed, the Elizabethan audience would not have believed in equality for women, so the play seems far more sexist to us, the modern audience, than it ever would have to the Elizabethans. In our lifetimes women are viewed as equals to men, women can have a job and don't have to take orders from the men in their family. As Paul Thomas says in `Authority and Disorder in Tudor times', `It would seem that the least dignified, that of uncomplicated submission in a brutally male world, was a standard and sensible policy for most females for most of the time'. In Shakespearian times women were viewed only as one of two extremes, whores or virgins. Paul Thomas talks about a bishop in Elizabethan times named Aylmer, who said that one type of woman was `foolish, wanton, witless, without council, rash, proud, worse-minded', amongst other things, he also described a virtuous kind of woman and this emphasises how women were viewed as one of two extremes. Paul Thomas also quotes Patricia Crawford as saying, `When, in practice, women stepped outside the clearly defined boundaries which had been drawn, they challenged fundamental axioms of social life in ways which men found socially subversive and deeply threatening to their sexuality.' Queen Elizabeth even banned women from visiting universities, as she thought they would distract the students, who were of course mostly male. Queen Elizabeth admitted that she believed she was a man in a woman's body, because she was nothing like what the stereotypical female of that time was, frail and dependant. She was a strong-stomached woman, `I know I have the body of a weak and feeble woman, but I have the heart and body of a King'. Many modern critics claim th...
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...he female characters. He uses her and Ophelia to represent the warped view at that time of women as callous sexual predators, and also as innocent fragile beings who were dependant on men. Ophelia and Gertrude are both led by their male counterparts. However Ophelia seems to embody all that is good and complete pureness, she does not know anything of the harsh realities of life at the beginning of the play, unlike Gertrude who has experienced death of a loved one and is not seen to be pure at all. Through Ophelia we see Hamlet's evolution, into a man who believed all women are whores and corrupt, into an insane person, like herself. She has the potential to be a tragic heroine but instead she falls apart and goes mad. I feel that Ophelia exists very much in her own right, but she is repressed and controlled by her father and Hamlet, and this is her downfall.
Although steps have been made towards equality in the aspect of gender, plays such as Hamlet contain views of the past. Hamlet was written in the early 1600’s, which is known as the Renaissance period. In this time period, women were treated differently than they are now. During the
In The Tragedy of Hamlet, Shakespeare developed the story of prince Hamlet, and the murder of his father by the king's brother, Claudius. Hamlet reacted to this event with an internal battle that harmed everyone around him. Ophelia was the character most greatly impacted by Hamlet's feigned and real madness - she first lost her father, her sanity, and then her life. Ophelia, obedient, weak-willed, and no feminist role model, deserves the most pity of any character in the play.
Mostly, men are the ones included in the dialogue while rarely women were allowed to make their own decisions in this play. Hamlet by William Shakespeare shows that females are often looked down upon and mistreated, this is shown through the two female characters Ophelia and Gertrude. Often, women are looked at as objects; this happens to Ophelia when she returns love letters to Hamlet. In act three, Ophelia tries to give Hamlet his love letters that he had written for her back.
Shakespeare’s Hamlet is set in the late middle ages, in Denmark. A time in history when women were not respected and thought of as the inferior sex. There are two women characters in Hamlet; Gertrude, Hamlet’s mother, and Ophelia, Hamlet’s love interest. Magda Romanska the writer of “Ontology and Eroticism: Two Bodies Of Ophelia”, argues that Ophelia represents the typical idea of women in the nineteenth century. I agree with this, but argue that it is not the only aspect of Ophelia’s character. Ophelia becomes the bearer of Hamlet’s hatred toward the world, and is also the character of lowest status because she is an average women. Ophelia surrenders herself to the cruelty of those around her, and sacrifices her sanctity to please and conform
The men in the book use women to accomplish their plans and the women, who are continuously seeking the men’s approval, fall into their trap and obey the men. Claudius uses Gertrude to get his throne, which ends up leading to her death. As well as, Hamlet, in addition to killing her father, does not to tell Ophelia of his plan to act mad; which leds to her into thinking that he hates her. Hamlet’s mistreating of her combined with the loss of her father on whom she was very dependent leads to her suicide. Both of the men do not respect the women enough to not use them or to not play with their trust for their own
Hamlet is one of the most controversial characters from all of the Shakespeare’s play. His character is strong and complicated, but his jealousy is what conduces him to hate women. He sees them as weak, frail, and untrustworthy. He treats Ophelia, the women he loves, unfair and with cruelty. Similarly, he blames his mother for marrying her dead husband’s brother, who is now the King of Denmark. Hamlet’s treatment for women stems from his mother’s impulsive marriage to his uncle who he hates and Ophelia choosing her father’s advice over him.
In William Shakespeare’s Hamlet, women are oversexualized, and are given no role other than to be the item of a man’s desire. The promiscuity of the only two women in the play, Gertrude and Ophelia, detracts from their power and integrity, and allows Hamlet a certain amount of control over them. Gertrude’s sexual lifestyle is often mentioned by her son, Hamlet, and Hamlet uses his knowledge of Gertrude’s sexuality as a means to criticize her. Ophelia’s sexuality initially appears to be controlled by Laertes and Polonius, and Hamlet takes advantage of the naive image that she is required to keep. However, in her later madness, Ophelia taints this image by revealing that her innocence is feigned. By exposing the sexual natures of both Gertrude and Ophelia, Hamlet strips these women of any influence they may have had, and damages their once-honourable names.
Ophelia, in William Shakespeare’s Hamlet, represents a self-confident and aware female character. She analyzes the world around her and recognizes the multitude of male figures attempting to control her life. Her actions display not only this awareness, but also maturity in her non-confrontational discussions. Though she is demeaned by Laertes, Polonius, and Hamlet, Ophelia exhibits intelligence and independence and ultimately resorts to suicide in order to free herself from the power of the men around her.
It is evident that Hamlet defines Ophelia by her sexuality. Hamlet does not value her as the woman she is. Instead, Hamlet views her as a mere object. Hamlet makes various sexual innuendos towards Ophelia. For example, this is apparent in 2.3, when Hamlet is speaking to Ophelia. Hamlet says, “It would cost you a groaning to take off mine edge” (3.2.250). Hamlet is making this regard to her in public and Ophelia lets him continue. Ophelia because of her gender continues to let Hamlet exploit and oppress her. Ophelia embodies a mutual assessment of femininity. Author Pragati Das writes, “Ophelia, it would seem, wholly at the mercy of the male figures throughout her life, is certainly a victim character” (Das 38). Ophelia does not have any alternative thoughts; she only responds with a simple sentence, “Still better and worse” (3.2.251). Ophelia is not standing up for herself, instead of she “…expresses acquiescence, uncertainty, and obeisance; she utters half lines” (Fischer 2). The power of Hamlet is manipulating Ophelia and it this shown through from her dull reaction of such crudities. Hamlet sums his vulgar and suggestive speech with, “For, oh, for, oh, the hobby-horse is forgot” (3.2.23–24). After Hamlet’s pressures of sexual suggestions, Ophelia is found to be under the absolute dominance of Hamlet’s demands, and as a result, her sanity diminishes. Ophelia’s song reflects on Hamlet, her father, and life
As Shakespeare wrote Hamlet, the fiction was set in the Renaissance era and therefore the persona of women was reflective of that period. The natural stereotype of that time viewed women as weak, fickle, and dependent of the men in their society and subject to the decisions that men make for them. It was an exceedingly common depiction and very rarely was it proven wrong to the men of that time. Women’s rights were nonexistent in this time period so it wasn’t unusual for the portrayal of women to be so negative and offensive. Given that women of that age had known nothing else they attempted to fit the stereotype to please the ‘natural order’.
In William Shakespeare’s Hamlet, Ophelia is the most static character in the play. Instead of changing through the course of the play, she remains suffering in the misfortunes perpetrated upon her. She falls into insanity and dies a tragic death. Ophelia has issues surviving without a male influence, and her downfall is when all the men in her life abandon her. Hamlet’s Ophelia, is a tragic, insane character that cannot exist on her own.
Since Hamlet is notoriously the worst to the female sex, we will start with the assault on his character. Hamlet said "Frailty, thy name is woman,“ thus Hamlet believes his men are the epitome of stability and strength, right? Not really, but Hamlet's attitude toward women is definitely sexist and biased, and his hate seems to emanate from his revulsion at his mother's marriage to Claudius, which he considers “unfaithfulness” to his dead father. His attitude is totally unjustified.
In Shakespeare’s dramatic works there is no room for the heroic or the strong woman, and therefore many of his plays can be perceived as being antifeminist. Often he portrays women as weak, mad, sexual, and as even witches. Hamlet is no exception. The only women in the play, Ophelia and Queen Gertrude, are given confined and limited roles. These roles are from a male-dominated viewpoint and only add focus to the male characters instead of incorporating the insight and the impact of the women as well.
William Shakespeare incorporates many themes and ideas into his play, Hamlet. Of the multiple important ideas, one potentially overlooked is the role of women. Only two of the characters in the play are female. Their lines are scarce, but hold huge importance in relation to the progression and plot of the play. Ophelia, the implied lover of Prince Hamlet, and Queen Gertrude, his mother, do not appear significant, but their actions and characters allow for other events to unfold. Gertrude and Ophelia are manipulated and belittled. In their weak will, they end up betraying Hamlet. Observing their manipulation by other people, Hamlet is able to justify and go through with his actions.
Another significant female character is Ophelia, Hamlet's love. Hamlet's quest for revenge interferes with his relationship with Ophelia. There is much evidence to show that Hamlet loved her a great deal, but his pretense of madness drove her to her death. Ophelia drowned not knowing what was happening to her. This can be deduced by the fact that she flowed down the river singing and happy when in truth she was heartbroken. Ophelia was very much afraid when she saw Hamlet "with his doublet all unbraced; No hat upon his head; his stockings foul'd, Ungarter'd, and down-gyved to his ancle" (Act #. Scene #. Line #). She described him as being "loosed out of hell" (Act #. Scene #. Line #). In addition to that he scared her when he left the room with his eyes still fixed on her. She is especially hurt when Hamlet tells her that he no longer loves her and that he is opposed to marriage. He advises her to go to a nunnery and avoid marriage if she can.