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London william blake critical essay
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William Blake viewed English society as being bound with “mind-forg’d manacles” (London 2:4), the limits or social norms keeping us from being totally free, demonstrating Blake’s disapproval of England’s societal structure. In fact, Blake saw many problems within English society such as the power of the church, child labor, and monarchical structure. Moreover, Blake’s view was so profoundly negative that he looked at the French Revolution as the start of a new world. The French Revolution’s act of taking down the monarchical structure represented an apocalyptic event washing away those “mind-forg’d manacles”. Blake’s view of the French Revolution came from a belief that the structuralized religion of the Europe monarchical system took away …show more content…
For example, the innocence version of the poem “Holy Thursday” paints a good image, “innocence faces clean” (19:1), of poor kids being guided into St. Pauls’ Cathedral by older men, “grey headed beadles” (19:3). The horrible circumstances of their lives are conveyed through Blake making it an anomaly that their faces were clean. In doing so, Blake shows the church shielding the public from the reality of how miserable these kids’ lives are and will end up being. Therefore, the kids’ struggle is seen as being taking care by the church in a saint like fashion rather than seeing reality; these kids will continue living these horrible lives under the authority of the church. Moreover, the church isn’t helping these kids out of the goodness of their hearts; there helping out of obligation to the structure of the church. Blake conveys this in the last line, “Then cherish pity, lest you drive an angel from your door” (19:12) showing the reason the church’s helping these kids isn’t morality instead its an obligation to the religious structure of their society. After all, these kids could be “angels”. It’s not enough that their human to get help; the possibility of being mythological figures represented in their religion had to be there. The church views these kids as a group of subjects that can be exploited to progress further in England’s structured
While William Blake’s “Holy Thursday” from Songs of Innocence was written before the French Revolution and Blake’s “Holy Thursday” from Songs of Experience was written after, creating obvious differences in formal structure; these poems are also uniquely intertwined by telling the same story of children arriving to church on Holy Thursday. However, each gives a different perspective that plays off each other as well the idea of innocence and experience. The idea that innocence is simply a veil that we are not only aware of but use to mask the horrors of the world until we gain enough experience to know that it is better to see the world for simply what it is.
Adults with authority and experience are responsible for destroying innocence of childhood. Blake’s narrator is presumably from the world of experience, and has the ability to communicate the injustice taking place. “They think they have done me no injury/ And are gone to praise God and his priest and king/ Who make up a heaven of our misery” (10-12). Blake proves that those with power are committing hypocrisy. Religious doctrine does not save children from misery. Rather, religion is used to imprison and trap children into obedience. Once experience beings to awaken within, the child will realize that he has been wronged. Nevertheless, he will do nothing because of the rigorous conditioning carried out by hypocritical
The theme of authority is possibly the most important theme and the most popular theme concerning William Blake’s poetry. Blake explores authority in a variety of different ways particularly through religion, education and God. Blake was profoundly concerned with the concept of social justice. He was also profoundly a religious man. His dissenting background led him to view the power structures and legalism that surrounded religious establishments with distrust. He saw these as unwarranted controls over the freedom of the individual and contrary to the nature of a God of liberty. Figures such as the school master in the ‘schoolboy’, the parents in the ‘chimney sweeper’ poems, the guardians of the poor in the ‘Holy Thursday’, Ona’s father in ‘A Little girl lost’ and the priestly representatives of organised religion in many of the poems, are for Blake the embodiment of evil restriction.
His spiritual beliefs reached outside the boundaries of religious elites loyal to the monarchy. “He was inspired by dissident religious ideas rooted in the thinking of the most radical opponents of the monarchy during the English Civil War” (E. P. Thompson). Concern with war and the blighting effects of the industrial revolution were displayed in much of his work. One of Blake’s most famous works is The Songs of Innocence and The Songs of Experience. In this collection, Blake illuminates the naive hopes and fears that inform the lives of children and follow them into adulthood.... ...
Blake was angered by what he saw in his homeland as other countries started fighting for their independence and equality whilst his country stayed dormant, even though he felt that there was a serious need for serious action. Even though Blake wasn't a typical romantic writer, he too possessed the same. beliefs of fighting for what one believes in, and the urge to be. liberated from the oppression of society. So, by being a writer of the romantic period, watching a controlled and restricted society not showing an intent to break free and fight against the monarchy.
Bloom and Trilling 28-29. Print. The. Blake, William. The. “Songs of Innocence: Holy Thursday.”
...nity of all living things, including himself. The harsh reaction of organized religion to this idea is illustrated in the second "Little Boy Lost," in which the youth is actually burned for his rebellious thinking. The first set of poems tells of the boy's lack of success in a religious system in that did not seem to really care about the boy, and left him floundering. It then describes his introduction to God in the forest, who brought him back to his mother, the earth, which showed him proper reverence of God through nature, not priestly education. The second poem captures organized religion's harsh reaction to this unorthodox and rebellious thinking, and destroys the boy for trying to reach outside of the accepted normal teachings. Together, the poems show an evolution from Blake's dissatisfaction with organized religion to an outright indictment of its practices.
In several poems found in Songs of Experience and Innocence Blake presents the church, as well as religion, as corrupt and damaging to the innocence and purity of youth’s souls. The poe...
It condemns authoritative institutions including the military, royalty, new industries, and the Church. Blake's tone creates a feeling of informative bitterness, and is both angry and despondent at the suffering and increasing corruption of London's society. Blake's sophisticated use of notation like capitalization, his specific change in meter, and the point of view all clearly develop London.
In 1789, English poet William Blake first produced his famous poetry collection Songs of Innocence which “combines two distinct yet intimately related sequences of poems” (“Author’s Work” 1222). Throughout the years, Blake added more poems to his prominent Songs of Innocence until 1794, when he renamed it Songs of Innocence and Experience. The additional poems, called Songs of Experience, often have a direct counterpart in Blake’s original Songs of Innocence, producing pairs such as “The Lamb” and “The Tyger.” In Songs of Innocence and Experience, Blake uses musical devices, structure, and symbolism to develop the theme that experience brings both an awareness of potential evil and a tendency that allows it to become dominant over childhood
...tes the idea of social oppression because of the different connotative meanings the word "blackning" implies. Most powerful is the argument that the Church blackens and defames the idea of faith and goodness to promote the continuation of child labor, poverty, and suffering. Walter Minot brings to light the numerous interpretations of the phrase "Marriage hearse" and how they contribute to the idea of an unraveling society. Each denotation of hearse helped create the picture of an unraveling society where promiscuity and sexually transmitted diseases brought about the end of marriage, a very powerful form of faith and rebirth. In conclusion, the metaphors employed by Blake create and reinforce the image of a city that was not full of life and happiness but a city stricken by social oppression, psychological and physical imprisonment, and an unraveling moral society.
The imagery of nature and humanity intermingling presents Blake's opinion on the inborn, innate harmony between nature and man. The persona of the poem goes on to express the `gentle streams beneath our feet' where `innocence and virtue meet'. This is where innocence dwells: synchronization with nature, not synchronization with industry where `babes are reduced to misery, fed with a cold usurous hand' as in the experienced version of `Holy Thursday'. The concept of the need for the individual's faithfulness to the laws of nature and what is natural is further reiterated in `the marriage of heaven and hell' in plate 10 where Blake states `where man is not, nature is barren'. The most elevated form of nature is human nature and when man resists and consciously negates nature, `nature' becomes `barren'. Blake goes on to say `sooner murder an infant in its cradle than nurse unacted desires'. This harks back to `the Songs of Innocence' `A Cradle Song' where the `infants smiles are his own smiles'. The infant is free to act out its desires as it pleases. It is unbound, untainted. Blake's concern is for the pallid and repressed, subjugated future that awaits the children who must `nurse unacted desires' and emotions in this new world of industrialisation. Despairingly, this is restated again in `the mind-forg'd manacles' of `London'. The imagery of the lambs of the `Songs of Innocence' `Introduction' is developed in `the Chimney Sweeper' into the image of `Little Tom Dacre, who cried when his head, that curl'd like a lamb's back, was shav'd'.
Because of Blake’s support of Rousseau’s noble savage, his poetry is somewhat anti-Enlightenment, a characteristic of Romanticism. Another Romantic ideal was the beauty of the natural world, which opposed the Enlightened thinkers of the Industrial Revolution. Finally, Blake’s usage of a child, who is speaking to animals that are unable to respond, demonstrates the Romantic belief in the “importance of feelings and imagination over reason” (Romanticism 699). William Blake’s “The Lamb” and “The Tyger” are excellent examples of Romantic literature that supports Jean-Jacques Rousseau’s myth of the noble savage.
Historic poetry is unique in the respect that it gives readers an insight into a certain historic time period that textbooks cannot provide. Historic poetry not only gives a description of the time period but it allows the readers to connect to the emotions of the poet and to a point experience what it would have felt to live in that era. This is the case with William Blake’s poem London. London not only describes the horrid condition of England’s lower class during the industrial revolution but it also connects this description with a strong emotion response from the speaker. Blake’s stylistic and structure choices through out the poem paint a dark and morbid view of London but the emotion of the poem remains divide. The words of the poem’s speaker evokes both sympathy for the lower classes at the same time as he is chastising the people who have the power to change the situation.
Often considered by scholars as the greatest pioneer of the Romantic movement in English literature, Blake was crowned as a “glorious luminary” by the 19th century English writer William Rossetti. Blake's poetry consistently embraces the idea of rebellion against the abuse of class power. Blake encountered both the American and French revolutions and was heavily influenced by the sense of liberation in both revolutions. He was also concerned about the negative effects of the industrial revolution, which further polarized the income distribution among different classes. The British Marxist historian E.P. Thompson classified Blake as having many similar beliefs as ...