While William Blake’s “Holy Thursday” from Songs of Innocence was written before the French Revolution and Blake’s “Holy Thursday” from Songs of Experience was written after, creating obvious differences in formal structure; these poems are also uniquely intertwined by telling the same story of children arriving to church on Holy Thursday. However, each gives a different perspective that plays off each other as well the idea of innocence and experience. The idea that innocence is simply a veil that we are not only aware of but use to mask the horrors of the world until we gain enough experience to know that it is better to see the world for simply what it is. “Holy Thursday” from Songs of Innocence first published in 1789 takes the time to describe the innocence of the children. Even in the first line of the first stanza the speaker makes it known that the children have innocent faces as they walk into the church. However there is an underlying tone to the poem that implies that the innocence is forced. “Grey headed beadles walkd before with wands as white as snow,” (3). The children are being lead into the church by church officials who are holding wands, manmade objects, that are white or the color associated with purity. The idea of the innocence having been created or forced to exist is lost as the poem focuses on the children and how innocent they are. This stands out particularly in the second stanza which uses end rhyme and repetition to underline just how many children seemed to be going into the church. It is also in that same stanza that the children are referred to as lambs, which is a common symbol for innocence. It is not simply the multitudes of children, but the multitudes of the innocent that have been gathered. ... ... middle of paper ... ...ing that there may just be something truly holy out in the world under the guise of a common sight. Just as “Holy Thursday” from Songs of Experience is not just brutal honesty and looking at the world without a veil, there is still a message of hope in the last stanza. Where the speaker declares that some where there is a place where the sun shines, rain falls, and poverty does not exist. That type of hope only comes from experience, where one has seen enough to openly speak on what is truly happening and knows that there is always some place better. In conclusion, both poems are clear on the perspectives of innocence and the perspectives of experience and while experience lifts the veil of innocence it does not erase the raw belief that there is some place or someone who may just be better or may just be holy in a harsh world that is covered by manmade innocence.
Blake's poems of innocence and experience are a reflection of Heaven and Hell. The innocence in Blake's earlier poems represents the people who will get into Heaven. They do not feel the emotions of anger and jealousy Satan wants humans to feel to lure them to Hell. The poems of experience reflect those feelings. This is illustrated by comparing and contrasting A Divine Image to a portion of The Divine Image.
Abstract: William Blake's Songs of Innocence contains a group of poetic works that the artist conceptualized as entering into a dialogue with each other and with the works in his companion work, Songs of Experience. He also saw each of the poems in Innocence as operating as part of an artistic whole creation that was encompassed by the poems and images on the plates he used to print these works. While Blake exercised a fanatical degree of control over his publications during his lifetime, after his death his poems became popular and were encountered without the contextual material that he intended to accompany them.
The fact that they feel they can sit about the knee of their mother, in this stereotypical image of a happy family doesn’t suggest that the children in this poem are oppressed... ... middle of paper ... ... y has a negative view of the childish desire for play which clearly has an effect on the children. The fact that they the are whispering shows that they are afraid of the nurse, and that they cannot express their true thoughts and desires freely, which is why they whisper, and therefore shows that Blake feels that children are oppressed. I feel that the two poems from innocence which are ‘The Echoing Green,’ and ‘The Nurses Song,’ display Blake’s ideological view of country life which I referred to in my introduction, and show his desire for childhood to be enjoyed.
In the Journal entry titled Innocence and childhood the writer begins by comparing children to lambs. “ The lamb, then, being so generally recognized as the emblem of innocence, while it is also the universally accepted attribute of childhood, it is not at all wondered at the Rubens, in the allegorical picture which we engrave, should have typified the innocence and purity of childhood by a group of children at play to whom the genius of innocence presents the lambs.” (Pg.35, Reade). The article states that the lamb is considered one of the most innocent creates known to man. Back in olden times lambs were often used as a sacrifice because they were considered to be pure and innocent. People used to think that the sacrifice of something pure would lead...
Childhood is a time in one’s life where innocence and experience are seemingly two separate worlds. Only when one becomes an adult, and has been thoroughly marked by experience, one realizes that innocence and experience resides in the same world. Innocence and experience are equivalent to the flipsides of a single coin. William Blake’s Songs of Innocence and Songs of Experience demonstrate that religious doctrine and experience are responsible for destroying and understanding innocence in childhood.
The theme of authority is possibly the most important theme and the most popular theme concerning William Blake’s poetry. Blake explores authority in a variety of different ways particularly through religion, education and God. Blake was profoundly concerned with the concept of social justice. He was also profoundly a religious man. His dissenting background led him to view the power structures and legalism that surrounded religious establishments with distrust. He saw these as unwarranted controls over the freedom of the individual and contrary to the nature of a God of liberty. Figures such as the school master in the ‘schoolboy’, the parents in the ‘chimney sweeper’ poems, the guardians of the poor in the ‘Holy Thursday’, Ona’s father in ‘A Little girl lost’ and the priestly representatives of organised religion in many of the poems, are for Blake the embodiment of evil restriction.
In Songs of Innocence and Experience (1789 and 1794), William Blake arouses readers' minds and leads them into a path of finding their own answers and conclusions to his poems. He sets up his poems in the first book, Songs of Innocence, with a few questions as if they were asked from a child's perspective since children are considered the closest representation of innocence in life. However, in the second book, Songs of Experience, Blake's continues to write his poems about thought-provoking concepts except the concepts happen to be a little bit more complex and relevant to experience and time than Songs of Innocence.
This poem was in his collection entitled, Songs of Innocence. ""today his most popular volume, he revealed glimpses of life as it appears to innocent childhood, full of charm and joy, and trust"(William Blake Dark 77 or 79 blu)." This is what Blake adapted as his style; his poems were simple, direct, and clear enough for a child to understand. One of Blake's other more popular poems is, "The Lamb." This poem like many others is written in his idiosyncratic view of Christianity, th...
Interestingly enough, William Blake's poems from Songs of Innocence and Songs of Experience usually provide common topics but opposite perspectives; each perspective accomplished my means of unique writing techniques. "The Shepherd" from Songs of Innocence and "The Garden of Love" from Songs of Experience have in common the experiences of a shepherd but "The Shepherd" creates a joyful and friendly mood through the word choice of Blake while "The Garden of Love" creates a sorrowful mood by means of imagery.
The idea of the child’s innocence is shown through their interactions with others and their descriptions in both of these writers’ poems. For example, in the introduction to “Songs of Innocence” the interaction between the child and the narrator depicts the amount of innocence he has for laughing and enjoying life up in a tree while telling the narrator to write about merry cheer and the Lamb. This example shows innocence because innocent children are usually the happiest for they do not know as many of the horrors of life yet. The child being in a tree relates to Wordsworth’s religious view of being one with nature and how children are delightful and free. Another example of childhood innocence, is in William Blake’s poem “Holy Thursday” he refers to the children as innocent looking and having clean faces. When the children are described as being clean or having something of the color white that usually means purity and innocence. Since Blake wrote many of his passages on religion, the color white also has to do with the purity of the soul and being free from sin. Another example of this would be in “The Chimney Sweeper” when the little boy lost his white hair, this refers to the child losing his innocence or
Upon reading William Blake’s Songs of Innocence and Songs of Experience, a certain parallel is easily discerned between them and Lewis Carroll’s Alice’s Adventures in Wonderland. Blake, considered a radical thinker in his time, is today thought to be an important and seminal figure in the literature of the Romantic period. Being such a figure he has no doubt helped to influence many great thinkers throughout history, one of whom I believe is Carroll. There are many instances throughout Carroll’s story where comparable concepts of innocence and adulthood are evident. Through its themes of romanticism, Carroll crafts a story that is anti-didactic by its very nature.
In 1789, English poet William Blake first produced his famous poetry collection Songs of Innocence which “combines two distinct yet intimately related sequences of poems” (“Author’s Work” 1222). Throughout the years, Blake added more poems to his prominent Songs of Innocence until 1794, when he renamed it Songs of Innocence and Experience. The additional poems, called Songs of Experience, often have a direct counterpart in Blake’s original Songs of Innocence, producing pairs such as “The Lamb” and “The Tyger.” In Songs of Innocence and Experience, Blake uses musical devices, structure, and symbolism to develop the theme that experience brings both an awareness of potential evil and a tendency that allows it to become dominant over childhood
The Song of Innocence and Experience is a collection of poems written by William Blake. “Innocence” and “Experience” are two definitions of consciousness that rethink John Milton’s existential-mythic states of “Paradise” and the “Fall”, this coincides with the romantic notion that adolescence is a state of protected innocence instead of original sin and yet is still not immune to the fallen world and its institutions.
When reading the two poems the reader can easily see that as a child the speaker was carefree, innocent, and oblivious to the outside world. As an adult the speaker realizes that the world is a different place. The speaker carefree innocence has now been corrupted. William Blake uses imagery, tone, and diction to validate his theme of man being born innocent and is corrupted through
In the William Blake’s Songs of Innocence and of Experience, the vision of children and adults are placed in opposition of one another. Blake portrays childhood as a time of optimism and positivity, of heightened connection with the natural world, and where joy is the overpowering emotion. This joyful nature is shown in Infant Joy, where the speaker, a newborn baby, states “’I happy am,/ Joy is my name.’” (Line 4-5) The speaker in this poem is portrayed as being immediately joyful, which represents Blake’s larger view of childhood as a state of joy that is untouched by humanity, and is untarnished by the experience of the real world. In contrast, Blake’s portrayal of adulthood is one of negativity and pessimism. Blake’s child saw the most cheerful aspects of the natural wo...