The Bluest Eye is an intense and complex book filled with various themes and ideas. It is a novel which not only takes the reader on an emotional rollercoaster but describes the harsh and unforgiving society in the post-depression world.
This novel gives a developed delineation of the routes which disguised white magnificence/beauty principles and which disfigure the lives of African American women. These women, having figured out how to abhor the chocolate-like color of their own bodies, take this disdain out on their youngsters rather than expressing/ coping with these emotions in other ways. For instance, Mrs. Breedlove holds the opinion that Pecola is revolting, while Geraldine, one of Mrs. Breedlove’s colleagues, pays no heed toward her only son Louis Junior, but rather sends all her love toward her blue eyed cat. Furthermore, Louis's son torments and bullies Pecola while in school due to her
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There is one, however, who escaped the noise: Claudia. Despite the mindset forming around her, was able to avoid this obsession with whiteness and white beauty, envisioning Pecola's unborn infant as excellent in its “peculiarity” and “arcaneness.” Be that as it may, it is indicated that once Claudia achieves girlhood, the way in which she views herself will become morphed, in that she will despise herself. (Making it seem to the reader as though racial self-hatred was a vital piece of development in an African American child’s life.) The individual who experiences the largest obsession with white supremacy and beauty, however, is quite obviously Pecola. She interfaces appeal and therefore, white allure and splendor with being loved and cherished. Naturally, she also associates whiteness with having a fulfilling and joyous life. She
In the novel, The Bluest Eye, the author, Toni Morrison, tells the tragic story of Pecola Breedlove. Pecola longs for acceptance from the world. She is an innocent little girl, however, she is rejected practically by the whole world, and her own parents. Pecola endures physical and verbal abuse at home, and also at school. She is always the main character in the jokes that usually refer to her very dark skin. Her mother cherishes the white daughter of the family she works for and calls her own daughter a "rotten piece of apple. Her father Cholly is constantly drunk, and sexually molests her daughter more than once, eventually rapes and impregnates her.
Although society advocates believing in a ‘sameness’ between people who are black or white, individuals are still organized by race, class, gender and sexuality into social hierarchies. These hierarchies essentially formulate stigmas that suppress certain races and discriminate against them. Caucasia written by Danzy Senna is focused around a young mixed girl, Birdie, who encounters obstacles in her life that help her form her own perceptions about issues regarding class, race, and sexuality. These obstacles fundamentally shape her to have a unique outlook on society where she begins to question white privilege and also sympathize towards the mistreatment of black individuals. Senna explores the fundamental problems that are associated with race, and the struggles that a diasporic individual faces due to the restrictions set by society. Although Birdie is a mix of both black and white, she is overlooked as a “white” girl, which has its fair share of benefits as well as hardships.
Trends that can be noticed in these entries are the main focal point, which the authors all seem to cover, that is racism and the social-cultural problems created for young African American women. Many of the authors seemed to blame white culture, or the colourist culture for the problem of lost identity in black girls. They seemed to take the same direction in their articles, but many took different routes in explaining and proving their point. These ideas seemed to be arranged by the stating that Pecola Breedlove is a lost little black girl, who because of her idea that being white would solve all her family and life problems, loses her true self. The authors would then blame the white culture for this deficiency in the young mind of an African American girl.
As a child, Claudia seems to resent black exploitation from the past as she does not embody the longing for ‘white perfection’ as other characters do. After receiving a white doll with blue eyes as a present, Claudia resents it and states ‘I could not love it’ (p. 19). It could be argued that the doll symbolizes prejudice against black people and how the appearance of white skin and blue eyes is preferred. As Claudia does not favour the white stereotype, it seems as though she is not living in a state of self -hatred that seems to stem from the past and live on in the present for others. Claudia and Pecola Breedlove are in the same age group, yet it could be argued that she does not affiliate herself with the same longing that Pecola feels to be ‘saved’ from black injustice by the appearance of blue eyes. Furthermore, it is argued by a critic that ‘Claudia MacTeer is Morrison’s persona in the novel, her fictional “second self” . The Bluest Eye seems to reflect this, as Morrison wants to highlight black prejudice by opposing it in her novel. It could be suggested that Morrison uses Claudia in the novel to represent her own resentment and need to break away from the past, stopping it living on in her own present, as well as the present of society. Claudia seems to provide a sense of hopefulness for the future rather than a cycle of personal antagonism, represented in
This book touches on many different aspects of racial inequality by bringing together the works of many different African American authors, and discusses all of the major themes of “whiteness studies”. The author speaks of how whites attempt to maintain a neutral ground by focusing on extreme acts of white supremacy, which blinds the main steam to the problem of white dominance as a whole. They also discuss how there are differences in the wages between whites and blacks. One of the chapters discusses how there are whites who are committed to the equality of the races, and yet cannot empathize with the races they are trying to help. In another chapter they discuss how Pecola Breedlove undergoes racial deformation through biopower mechanisms occurring throughout the characters life. In another chapter an author discusses how racial excoriation cannot be the focus any longer if we wish to make progress in the realm of race. Instead he suggests we need to focus on the rehabilitation of racial whiteness. He argues that in order to accomplish this we must address the fears and greediness of whites.
Sofia’s encounter with Millie is a daily occurrence in nations worldwide. Her “Hell no” is a justified response to the subservience white people have forced upon African Americans and the constant struggle against black women have against abuse and sexism. Millie is an example of the everyday white woman whose class and social standing prompt her unawareness about social problems and her own racist misgivings. Alice Walker’s novel explores this deep-rooted racism intertwined with social class and sexism. Walker’s writes from the events that have marked her life, other’s lives, and the cruelty that has scarred the black community for years. Hence, the softened racism in the form of stereotypical comments, white superiority complexes, and the sexism towards women of color that fills the
Toni Morrison's The Bluest Eye. Toni Morrison’s novel The Bluest Eye provides social commentary on a lesser known portion of black society in America. The protagonist Pecola is a young black girl who desperately wants to feel beautiful and gain the “bluest eyes” as the title references.
The early 1900s was a very challenging time for Negroes especially young women who developed issues in regards to their identities. Their concerns stemmed from their skin colors. Either they were fair skinned due mixed heritage or just dark skinned. Young African American women experienced issues with racial identity which caused them to be in a constant struggle that prohibits them from loving themselves and the skin they are in. The purpose of this paper is to examine those issues in the context of selected creative literature. I will be discussing the various aspects of them and to aid in my analysis, I will be utilizing the works of Nella Larsen from The Norton Anthology of African American Literature, Jessie Bennett Redmond Fauset, and Wallace Brown.
A paradigm as defined in the dictionary is an example serving as a model. In his book, 7 habits of highly effective teens , Sean Covey compares paradigms to glasses and says that if the paradigm, or perception, is incomplete it is like wearing the wrong prescription. One example Covey gave is:
Toni Morrison's novel, The Bluest Eye contributes to the study of the American novel by bringing to light an unflattering side of American history. The story of a young black girl named Pecola, growing up in Lorain, Ohio in 1941 clearly illustrates the fact that the "American Dream" was not available to everyone. The world that Pecola inhabits adores blonde haired blue eyed girls and boys. Black children are invisible in this world, not special, less than nothing. The idea that the color of your skin somehow made you lesser was cultivated by both whites and blacks. White skin meant beauty and privilege and that idea was not questioned at this time in history. The idea that the color of your skin somehow made you less of a person contaminated black people's lives in many different ways. The taunts of schoolboys directed at Pecola clearly illustrate this fact; "It was their contempt for their own blackness that gave the first insult its teeth" (65). This self hatred also possessed an undercurrent of anger and injustice that eventually led to the civil rights movement.
In Toni Morrison's The Bluest Eye, published in 1970, the struggle begins in childhood. Two young black girls -- Claudia and Pecola -- illuminate the combined power of externally imposed gender and racial definitions where the black female must not only deal with the black male's female but must contend with the white male's and the white female's black female, a double gender and racial bind. All the male definitions that applied to the white male's female apply, in intensified form, to the black male's, white male's and white female's black female. In addition, where the white male and female are represented as beautiful, the black female is the inverse -- ugly.
The most damaging interracial confrontation related to color involves Pecola and an adult, Geraldine (Samuels 12). When Pecola enters Geraldine's home at the invitation of her son, Geraldine forces her to leave with words that hurt deeply, saying "Get out... You nasty little black bitch. Get out of my house" (92).
In the novel, there is one character who truly suffers more than the others, her name is Pecola. The perfect child is white with blue eyes and blonde hair. Pecola is an African-American girl who clearly does not fit the description of the “perfect” American gi...
Morrison provides the reader with a light-skinned black character whose racist attitudes affect the poorer, darker blacks in the community, especially the main characters, Claudia MacTeer and Pecola Breedlove. Maureen Peal comes from a rich black family and triggers admiration along with envy in every child at school, including Claudia. Although Maureen is light-skinned, she embodies everything that is considered "white," at least by Claudia's standards: "Patent leather shoes with buckles...fluffy sweaters the color of lemon drops tucked into skirts with pleats... brightly colored knee socks with white borders, a brown ...
An unexpected twist, that Pecola’s bright, blue eyes would be the source of her blindness. Nothing pummeled at her mind more than her inexorable yearning for a physical trait exclusive to white culture. The porcelain-skinned children of storybooks taught her that beautiful, sparkling blue eyes were the golden key to beauty, and she retained this information well. She wasn’t the only one. Girls of colored skin have been pressured for years to strip themselves of their culture—mentally, emotionally, even physically—and not much has changed. Toni Morrison forces us to confront the formidable oppression pressed onto people of color by people void of it in her novel, The Bluest Eye.