It is human nature to always want more. We are born with innate capacity to pursuit a better life. In order to meet this self-actualization drive, migrating from on place to another is the fastest way to meet this conscious desire for personal growth. During the early nineteen-hundreds the great migration to the northern United States brought hope to those who desired better life, a life full of new opportunities for African Americans, a life away from the racism and prejudice feelings that the south brought. Countee Cullen, Claude McKay, Langston Hughes, and Paul Laurence Dumbar, revealed in their poems such as Incident, America, Harlem, and We Wear the Mask the hardships that the Great Migration brought to their lives. Each of them examined “Harlem” by Hughes deciphers just that. He wonders what happens to a broken dream. “Does it dry up like a raisin in the sun? Or fester like a sore and then run.” Hughes does not engage in any way that a deferred dream is something to be taking lightly or that it is just postponed. “Or crust and sugar over like a syrupy sweet.” Broken dreams never go away, they just linger and sag. It is just one more thing that we have to carry through life’s journey. Is the burden too much to handle “Or does it explode.” Hughes lyrics brings out one of our deepest secrets. African Americans had dreams that had been set out with the birth of the great migration,but never accomplished. Is this for this reason that humans deceive and lie, to hide who we truly are and hoped for our They learned to cope with their emotions and flash a faultless smile. “With torn and bleeding hearts we smile” Dunbar portrays a culture of sturdy men and woman from the south. Life was constant struggle in the north. However, they did not show the emotions of a broken man. “Why should the world be overwise, in counting all our tears and sight? Nay, let them only see us, while we wear the mask” They did not wear a mask to deceive an lie, they wore the mask to insinuate to the world that they will not plunge under these prejudice times. “But let the world dream otherwise, we wear the mask.” Dunbar’s emphasis on the mask gives an ordinary object extraordinary
Dunbar, Paul Laurence. “We Wear the Mask.” The Norton Anthology of American Literature. Nina Baym. New York: W.W. Norton & Company, Inc., 2007. Print
Millions of people of all nationalities came to America during the twentieth century with the hope of finding a new and better life for themselves. These immigrants were lured by the thought of obtaining the American Dream--"life, Liberty and the Pursuit of Happiness" in the "land of opportunity." Unfortunately, few immigrants were actually successful in achieving the dream. Most were faced with hardship and discrimination, instead of the expected equality and freedom. The dire living conditions hampered their ability to pursue "happiness" and created what W.E.B. Dubois called "the veil," which refers to the fabric of racism that separates whites from other ethnicities and causes non-whites to see themselves under the distortion of a discriminative society. Thus, the idealized images of America were shattered by a grim reality. The harsh realities that these immigrants found are depicted in literary works such as The Autobiography of an Ex-Colored Man, America is in the Heart, and ...And the Earth Did Not Devour Him. Through the protagonist of the novels, the authors convey the dispiriting side of the America that the immigrants unknowingly fell into.
For fear of judgment based on appearance, any human being might cover up his sorrows as to not display any signs of weakness. Throughout Dunbar’s poem, the characters reflect upon their perception of the world and ironically accept the world the way it is. Revealing the true nature of the world, Dunbar states, “Why should the world be over-wise, /In counting all our tears and sighs?” (Dunbar 6). The poet insists that everyone need to be more comfortable and open to new ideas while embracing each others uniquenesses defined by strengths and weaknesses. The world was never “over-wise” because people dismiss the idea of helping others in fear of ruining their own reputation. Because of the utter nature of society, citizens have no other option but to wear a mask of apathy and cover up their insecurities. The narrator feels the need to conceal their feelings by “wear[ing] the mask that grins and lies” (Dunbar 1). They use “lies” to cover themselves, but at the same time question why no one seems to care. This contradiction complicates the battle between the world and the individual. Nevertheless, by changing their identities, they spread the idea of disguise, making everyone blind to the truth of human
The reason I say African American’s dreams is because the author published this poem in 1951, the time period where there was much racism and civil rights violations against African Americans. Another reason is that the author is an African American himself. Finally, the biggest reason is that the author named the poem “Harlem.” Harlem is a neighborhood in the New York City borough of Manhattan, long known as a major African-American cultural and business center. It was associated for much of the twentieth century with black culture, crime and poverty. It is the capital of African-American life in the United States. The author named this poem “Harlem” because he was addressing mainly the black community. Still, the poem’s message is very clear: if one postpones his/her dream(s) it can have a damaging affects.
This poem is written from the perspective of an African-American from a foreign country, who has come to America for the promise of equality, only to find out that at this time equality for blacks does not exist. It is written for fellow black men, in an effort to make them understand that the American dream is not something to abandon hope in, but something to fight for. The struggle of putting up with the racist mistreatment is evident even in the first four lines:
The history of African-American oppression began in the early 1600s as slaves arrived on America’s shores. For hundreds of years, African-Americans struggled against crippling segregation, terrorism, and racial enmity to no avail. As a result of extensive physical and psychological beatings, African-Americans became fearful and very reserved in expressing their emotions. Their suffering, however, fuelled a sense of courage in some, such as African-American poets, who found the strength to address uncertainties that others had against their racial identity. These brave men included George Horton, who wrote “Liberty and Slavery”, and Paul Dunbar, author of “We Wear a Mask”. Through their powerful race-protest poetry, Horton and Dunbar portray that African-Americans feel incessantly trapped, both physically and emotionally, resulting in a deep-rooted yearning for freedom.
The title itself directs readers towards a sense of assimilation by wearing a mask. Wearing a mask indicates hiding an original identity in order to please the mainstream one. This is exactly the case in “We Wear the Mask”. In this case, blacks had to hide their humiliation and suffering from their white counterparts by wearing a mask that lies. When Dunbar wrote, “With torn and bleeding hearts we smile” (646), it is evident that African Americans were forced to hide their pain by showing a fake smile. They suffered emotionally on the inside but could not express it. In addition to showing a fake smile, African Americans did not care about their heritage. The third stanza reads, “But let the world dream otherwise, / We wear the mask!” (14-15). The lines do not celebrate cultural heritage because the slaves had to show pleasure while they are being tortured. Letting the world dream otherwise shows the slaves’ carelessness when it comes to expressing their identity.They are concealing their true self by hiding their pain. Hiding their pain also means hiding their cultural
Angelou and Dunbar speak of hiding their true identities in the face of the world and it's adversity. Both authors speak to a communal mask that all men and women wear. Angelou and Dunbar suffer in their lives, so they must wear a mask to hide themselves from the glaring public eye, for the public cannot help them. The mask forms their identity to the world, but they themselves have a personal identity that only those truly close to them know of. In a wider sense, everyone wears a mask; hiding themselves from everyone else.
...ss, representing the truth of the times. The majority of the problems influence only the one dreamer, however, the ending suggests that, when despair is everywhere, it may "explode" and cause social and political uprising. “Harlem” brings to light the anxiety between the need for Negro expression and the opposition to that need because of society’s subjugation of its black populace. His lines confront the racist and unjust attitude common in American society before the civil rights movement of the 1960s. it expresses the belief that black wishes and dreams were irrelevant should be ignored. His closing rhetorical question—“Or does [a dream deferred] explode?”—is aggressive, a testimony that the inhibition of black dreams might result in a revolution. It places the blame for this possible revolution on the domineering society that forces the deferment of the dream.
Paul Laurence Dunbar’s “We Wear the Mask” is a lyric poem in which the point of attraction, the mask, represents the oppression and sadness held by African Americans in the late 19th century, around the time of slavery. As the poem progresses, Dunbar reveals the façade of the mask, portrayed in the third stanza where the speaker states, “But let the dream be otherwise” (13). The unreal character of the mask has played a significant role in the lives of African Americans, who pretend to put on a smile when they feel sad internally. This occasion, according to Dunbar, is the “debt we pay to human guile," meaning that their sadness is related to them deceiving others. Unlike his other poems, with its prevalent use of black dialect, Dunbar’s “We Wear the Mask” acts as “an apologia (or justification) for the minstrel quality of some of his dialect poems” (Desmet, Hart, and Miller 466).
This image is the author’s perspective on the treatment of “his people” in not only his hometown of Harlem, but also in his own homeland, the country in which he lives. The author’s dream of racial equality is portrayed as a “raisin in the sun,” which “stinks like rotten meat” (Hughes 506). Because Hughes presents such a blatantly honest and dark point of view such as this, it is apparent that the author’s goal is to ensure that the reader is compelled to face the issues and tragedies that are occurring in their country, compelled enough to take action. This method may have been quite effective in exposing the plight of African-Americans to Caucasians. It can be easily seen that Hughes chooses a non-violent and, almost passive method of evoking a change. While Hughes appears to be much less than proud of his homeland, it is apparent that he hopes for a future when he may feel equal to his fellow citizens, which is the basis of the “dream” that has been
Dreams are aspirations that people hope to achieve in their lifetime. They are a motive that drives lives to accomplish goals. When trying to achieve these goals, people can do anything. However, what happens when a dream is deferred? A dream cast aside can frustrate a person in the deepest way.
Langston Hughes was an activist for the African-American community and made significant artistic contributions to the Harlem Renaissance throughout his career. In one of his most famous poems, “Harlem [Dream Deferred]”, he addresses the limitations and oppression of African Americans after the Great Depression. Many African Americans dreamed of equality, but often times that dream became neglected and pushed aside. In his poem, Hughes responds to a question about a deferred dream with a series of vivid similes, inquiring what happens to a constantly ignored dream.
"We Wear the Mask" by Paul Dunbar was published in the late 1800’s, a time when African-Americans, like Paul Dunbar, were treated very poorly and had access to very few rights. Many changes were occurring during this time, and individuals were having a difficult time coming to terms with them. African Americans in particular found themselves caught in a culture that was not suitable for them. Dunbar expresses these feelings in the tone, which is shown by misery, anger and unhappiness. He uses the metaphor of wearing a mask to express the overall oppression of African Americans in this time period. Dunbar uses a lot of figurative language throughout this poem. He uses the word "we" to speak for the entire African American population as well as his self. He does this because he is painfully aware of the status his own race is living in. Throughout this poem, Paul Dunbar illustrates the horrific injustices they had to undergo while "wearing the mask" to hide their true emotions behind a smile. I have chosen a few lines in the poem “We Wear the Mask” to break down and show what each line really means through this figurative language Dunbar uses. I chose to examine lines 1 through 11, and 14 and 15.
Langston Hughes’s poem “I Dream A World” grants a voice to any person, who has been exposed to a life in racial prejudice and inequality, including the writer. That voice belongs to any black person, who has lived the poorer than poor life. This life was full of consistent violation of basic human rights, full of frustration, and overflowing with hopelessness. Upon closer examination, the situation of the poem uncovers the painstakingly raw yearning for humanity and equality.