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Huxley, brave new world, political interpretation
Huxley, brave new world, political interpretation
Huxley, brave new world, political interpretation
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In the novel, Brave New World (1932), Aldous Huxley creates a character by the name of Helmholtz Watson, who conforms to the mentality of the world externally yet, questions the meaning behind the lack of feelings internally. In a world that seems like the farthest thing from paradise, Huxley constructs an environment that seems significantly blinding and artificial. A drug that is heavily abused in Brave New World, is soma, a highly euphoric drug that allows the user to be happy, however, it distracts the user from understanding there is something wrong in society. Nevertheless, Helmholtz conforms to these values, but questions why humanity has no creativity and feelings other than happiness. Helmholtz’s questioning ultimately reflects how …show more content…
Helmholtz is conflicted to conform externally when faced in a social situation about writing with meaning. As Helmholtz notes “because it is idiotic. Writing when there is nothing to say” (221). Furthermore, the claims that Helmholtz makes are to appeal to the world leader’s views and advance his social image in a world. Externally he seems to oppose the concept of writing with meaning, however, internally tensions rise when deep down he questions the very morals of society and his abilities to produce meaningful literature. As Helmholtz ponders, he thinks to himself, “I feel I could do something much more important. Yes, and more intense, more violent. But what? … words can be like X-rays, if you use them properly- they’ll go through anything. You read and you’re pierced” (70). Moreover, Helmholtz internally contemplates his ability to produce meaningful literature and questions shortly after questions society's current state. Tragically, Helmholtz never finds out what is holding back from expressing himself artistically which is the over powerful dystopian government keeping society from thinking with soma pills. Thus, the struggles Helmholtz has externally and internally overall reflects how a dystopian government’s repressive regimes overpower the citizens of the World
In Aldous Huxley’s Brave New World, truth and happiness are falsely engineered to create a perfect society; the belief of the World Controllers that stability is the the key to a utopian society actually led to the creation of an anti-utopian society in which loose morals and artificial happiness exist. Huxley uses symbolism, metaphors, and imagery to satirize the possibiliy of an artificial society in the future as well as the “brave new world” itself.
...es of individuals can be used to explore a broader social wrong, in this case the injustice of a totalitarian government. Both authors use their protagonists to depict how a dictatorial state can destroy all sense of individuality, Orwell by presenting Winston in his fight against “The Party” and Niccol by depicting Vincent in his battle against society. Both authors also use individuals, who must isolate themselves in order to survive to expose how an unjust authoritative government can manufacture isolation. Orwell and Niccol also present conflicting views on the possibility of individual rebellion in an oppressive society, reflected by the success of Vincent and failure of Winston. In their prophetic dystopian texts both George Orwell and Andrew Niccol use the experiences of their protagonists to explore the broad social wrong of a totalitarian government.
As analyzed by social critic Neil Postman, Huxley's vision of the future, portrayed in the novel Brave New World, holds far more relevance to present day society than that of Orwell's classic 1984. Huxley's vision was simple: it was a vision of a trivial society, drowned in a sea of pleasure and ignorant of knowledge and pain, slightly resembling the world of today. In society today, knowledge is no longer appreciated as it has been in past cultures, in turn causing a deficiency in intelligence and will to learn. Also, as envisioned by Huxley, mind altering substances are becoming of greater availability and distribution as technology advances. These drugs allow society to escape from the problems of life instead of dealing with reality. With divorce rates higher than ever in the past few decades, it has become evident that lust has ruined the society's sexual covenants. People are indulging in their sexual motives; lust runs rampant, thus strong, long-lasting relationships are becoming a rarity.
To conclude, because the government was able to use censorship and promote ignorance, they were able control and manipulate their citizens. This novel also has resemblance to our world, this novel is a reminder of how powerful media can become if used the right way, society can be mislead into thinking false things. By promoting ignorance, the citizens started having very bland lives with no depth. People did not talk about ideas and feelings because they were obsessed and dependent on instant pleasure, they will start denying they own feelings because of this. Television and easy access to entertainment made books nonexistent.
Chemicals are excessively used to achieve youth and happiness in both Brave New World and in Canadian Society. The prime example being the use of drugs to achieve a euphoric feeling and to escape something versus dealing with it in both societies. In Brave New World, Soma, a hallucinogenic drug, is a pertinent part of life that is a necessity to keep their world in order. When a member of society is unhappy, it is a natural instinct to consume soma. When Lenina is upset John does not join her after their date, Lenina thinks, “One gramme, she decided, would not be enough; hers had been more than a one-gramme affliction” (Huxley 171). Lenina uses soma to prevent unacceptable unhappiness in the Brave New World, as many Canadians use antidepressants as a simple fix to their unhappiness. The utilization and prescription of pharmacotherapy for depression has increased from 3.2 to 14.5 million between 1981 and 2000 in Canada (University of Toronto Magazine). ...
It is fascinating to me to read the articles “Why I Write,” by George Orwell and Joan Didion. These authors touch on so many different topics for their reasons to writing. Their ideals are very much different, but their end results are the same, words on paper for people to read. Both authors made very descriptive points to how their minds wander on and off their writings while trying to write. They both often were writing about what they didn’t want to write about before they actually wrote what they wanted too. In George Orwell’s case, he wrote many things when he was young the he himself would laugh at today, or felt was unprofessional the but if he hadn’t done so he would not of been the writer he became. In Joan Didion’s case she would often be daydreaming about subjects that had nothing to do with what she intended on writing. Her style of writing in this article is actually more interesting because of this. Her mind wandering all over on many different subjects to how her writing came to her is very interesting for a person like me to read. My mind is also very restless on many different unneeded topics before I actually figure some sort of combined way to put words on to paper for people to read. Each author put down in their articles many ways of how there minds work while figuring out what they are going to write about. Both of the authors ended ...
The impracticality of the utopian ideal is explored in Orwell’s Nineteen Eighty-Four and Huxley’s Brave New World. Both authors suggest that a lack of familial bonds, the repression of human individuality, and the repression of artistic and creative endeavors in order to attain a stable environment renders the achievement of a perfect state unrealistic. The lack of familial bonds, in both novels, contributes to the development of a dystopian society. This lack of familial bonds is evident through genetic engineering, the use of names, and a commonly used drug, soma.
Through this sympathetic faculty, a writer is able to give flesh, authenticity and a genuine perspective to the imagined. It is only in this manner that the goal of creating living beings may be realized. Anything short of this becomes an exercise in image and in Kundera’s words, produces an immoral novel (3). The antithesis of liv... ...
Ironically, Helmholtz begins his process of overcoming his conditioning while creating propaganda. He created a poem about solitude that contains major conflicting thoughts with the World State. Moreover, Helmholtz is different than the majority of people within the World State because he finds taking soma pills and other materialistic routines to be boring. Therefore, he focuses his time on something he finds interesting, which is poetry. However, he feels that he has “got something important to say and the power to say it - only [he] [doesn’t] know what it is.”
"'God isn't compatible with machinery and scientific medicine and universal happiness.'" So says Mustapha Mond, the World Controller for Western Europe in Aldous Huxley's novel Brave New World. In doing so, he highlights a major theme in this story of a Utopian society. Although the people in this modernized world enjoy no disease, effects of old age, war, poverty, social unrest, or any other infirmities or discomforts, Huxley asks 'is the price they pay really worth the benefits?' This novel shows that when you must give up religion, high art, true science, and other foundations of modern life in place of a sort of unending happiness, it is not worth the sacrifice.
Huxley effectively uses distortion in Brave New World in his depiction of Soma as a replacement for religion. Soma is a rationed narcotic that is emphasized by the government to help the people escape from their problems. The people of Utopia have become dependent on the drug to keep them in a constant state of pleasure. In their "perfect" society there is no escape from happiness. The primary example of the degrading effects of Soma is Linda. Brought back from the Savage Reservation after being left behind pregnant, Linda faced many moral and ethical dilemmas she chose to avoid. Her addiction to Soma, which is looked upon as a good thing by everyone except John, brings about the terrible end to her life in which she was in a state of constant delusion. Soma, as Mustapha Mond puts it, is "Christianity without tears" (244). Soma, in effect, is the key to social stability in Utopia. Soma prevents uprisings, saves revolutions and suppresses emotions. Although Huxley's distortion of religion is powerful, there are other strong arguments in the book.
Aldous Huxley’s Brave New World illustrates a colorful, fantastic universe of sex and emotion, programming and fascism that has a powerful draw in a happy handicap. This reality pause button is called “Soma”. “Take a holiday from reality whenever you like, and come back without so much as a headache or a mythology.” ( Huxley 54 ).
In Aldous Huxley’s novel, “Brave New World,” published in 1932, two idiosyncratic, female characters, Lenina and Linda, are revealed. Both personalities, presented in a Freudian relationship (Linda being John’s mother and Lenina being his soon to be lover), depict one another in different stages of life and divulge ‘a character foil’. Lenina and Linda are both ‘Betas,’ who hold a strong relationship with the men in their lives, especially John. It can be stated that John may partially feel attracted towards Lenina, because she is a miniature version of Linda, in her youth. They both support the term of ‘conditioning,’ yet also question it in their own circumstances. Nonetheless, they both are still sexually overactive and criticized for such immoral decisions. Linda espouses it from her heart, while Lenina supports the process partially due to peer pressure and society’s expectations. Both female characters visit the Reservation with Alpha – Plus males, and both find a common feeling of revulsion towards it. Linda and Lenina are similar in many ways, yet they hold their diverse views on the different aspects of life.
For years, authors and philosophers have satirized the “perfect” society to incite change. In Brave New World, Aldous Huxley describes a so-called utopian society in which everyone is happy. This society is a “controlled environment where technology has essentially [expunged] suffering” (“Brave New World”). A member of this society never needs to be inconvenienced by emotion, “And if anything should go wrong, there's soma” (Huxley 220). Citizens spend their lives sleeping with as many people as they please, taking soma to dull any unpleasant thoughts that arise, and happily working in the jobs they were conditioned to want. They are genetically altered and conditioned to be averse to socially destructive things, like nature and families. They are trained to enjoy things that are socially beneficial: “'That is the secret of happiness and virtue – liking what you've got to do. All conditioning aims at that: making people like their inescapable social destiny'” (Huxley 16). Citizens operate more like machinery, and less like humans. Humanity is defined as “the quality of being human” (“Humanity”). To some, humanity refers to the aspects that define a human: love, compassion and emotions. Huxley satirizes humanity by dehumanizing the citizens in the Brave New World society.
In most countries in our world, society has experienced technological advances to the point of being able to accomplish what Huxley envisioned. In contrast to Huxley’s vision, the moral standards of most nations allow all humans to enjoy basic human rights that embrace family, personal relationships, and individualism. Today’s society is able to comprehend how with the technological advances Huxley’s world could be a reality, but with the privilege of a democratic society, civilization would not allow the medical intervention for reproduction, the conditioning for happiness and consumerism. Work Cited "Brave New World by Aldous Huxley : Barron's Notes" Brave New World by Aldous Huxley: Barron's Notes. N.p., n.d. Web.