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West Side Story The Musical
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West Side Story is one of the most influential musicals of all time. It's integration of dance and song into the plot was very innovative, because even though it had been done before, it had never been done this well.
Jerome Robbins had thought of an adaptation of Romeo and Juliet to a Broadway musical in 1949. He began discussions with librettist Arthur Laurents and composer Leonard Bernstein of a musical called East Side Story, with a plot concentrating on a Catholic girl and a Jewish boy. Other projects forced the work aside for six years, and when they returned to it, times had changed. Their idea became West Side Story, (another early title was Gangway!) and the Montague-Capulet story was translated into gang warfare between white and Puetro Rican teenage gangs, basen on then-current fighting for the turf of Manhattan's West Side, also known as Hell's Kitchen.
This new translation was important because the tensions of these groups could be well represented by dance numbers. Robbins found the teenager's natural slouch, vi...
The play West Side Story, by Arthur Laurents, is based upon the play Romeo and Juliet, by William Shakespeare. Despite a few differences, both works, in essence, have the same plot. The source of violence in Romeo and Juliet and West Side Story is the ever-present hatred between families and between gangs, although, because of the "star-cross’d lovers" motif in Romeo and Juliet, the hatred plays a larger role in producing the ending of West Side Story than it does the ending of Romeo and Juliet.
West Side Story suffered a doubtful early history before it made its first Broadway appearance in 1957. The musical was not appealing to potential investors because it was considered too dark and ugly to be commercially viable; its gritty realism and tragic ending seemed too serious to become mainstream. West Side Story dealt with serious subjects—bigotry, race, rape, murder, and death—in a more direct way than Broadway had seen before. Although it did not initially seem possible, West Side Story successfully synthesizes the large tradition of Broadway with the relevancy of Hispanic immigration and juvenile delinquency of the 1950s.
In this musical, it uses several types of narratives, for example, after the fight between the Jets and Puerto Ricans, after the police leave, they enter the ally and the girl is begging to join the gang saying how much she wants to fight is a part of narrative sexuality (B 34). The girl is more of a tom boy who wants to be like one of the guys.
The West Side Story portrays the lives of two different gangs living in America, as well as their beliefs and examples of living a good life. The expectations of what people consider the good life to be may vary on a person’s morals and their dreams of what life is truly about. In this movie, whether or not these characters were good people, lived a good life, or lived in a good society is a very controversial topic.
The 2010 black comedy musical, Heathers, was written by Laurence O’Keefe and Kevin Murphy and was an adaptation of the 1988 film by Daniel Waters. The musical follows Veronica Sawyer as she navigates through Westerberg High School while dealing with being on the bottom of the social hierarchy and attempting to gain an in to the most popular clique: The Heathers. The musical deals with the social issues of navigating through social acceptance, teen suicide, as well as gun violence.
Jerome Robbins and Robert Wise’s West Side Story (USA, 1961), a classic American film, and Mira Nair’s The Namesake (USA, 2006), a more contemporary film, both tell the story of young adults seeking out the American Dream. In both West Side Story and The Namesake, we see young people taking chances at love, while living out their lives and the American Dream. We experience the challenges that come with interracial relationships and the cultural influences that sadly put an end to the relationships. Both movies capture the lives of two different ethnic groups, Puerto Ricans and Bengalis, shining a light on issues of diversity such as race, interracial relationships, and cultural assimilation. While telling the stories of American immigrants, West Side Story and The Namesake touch upon the most pressing issues affecting immigrant groups at two very different times in American history. From the highflying musical numbers of West Side Story to the heartfelt moments in The Namesake, each film has a unique way of canvasing the issues of diversity immigrants face on their quest for the American Dream.
Rent. To most people it is associated with an apartment, house, or another object. This word rarely conjures pleasant memories, but more often annoyance and stress. However, when someone mentions rent to me, my mind races to some of the most memorable experiences in my life.
In Romeo and Juliet the setting takes place on Juliet’s balcony after she has just come home from the Capulet ball and has met fair Romeo. She is speaking aloud to herself when Romeo hears her and interrupts. This scene contains so much tension because Romeo has snuck into her garden and if he were to be caught, he would be killed. In Westside Story, however, the fear is of Bernardo coming home and seeing them together creates a different kind of tension.
West Side Story tells the tale of a battle between two street gangs in New York, both competing to be the best, while also incorporating the impossible love between two people destined to hate each other, which ends in tragedy. The streets of New York are ran by an American gang
Love is a beautiful thing, it always works out in the end. Everyone is always happy and no problems occur. West Side Story, a musical by Leonard Bornstein based on Shakespeare 's Romeo and Juliet parallels a love story of two star-crossed lovers. The play takes place in 1961 in New York City. This musical displays importance because it shows that nothing can overcome the power of love. This play is based on a love story between the main characters of Maria and Tony. Theses two are from different gangs that trouble to get along. They are from different gangs that do not get along at all. Roughly two hundred blocks make up Manhattan’s West Side, which stretches from Central Park West to the Hudson River. For the most part, the street youths
Arthur Laurents was born to a middle-class Jewish family on July 14, 1917 in Brooklyn, New York. He wrote a history of leftist, gender and gay politics after World War 2. He was famous for the musicals and plays he wrote, including Anastasia, Gypsy and his most famous West Side Story. West Side story is a musical about two gangs in the city of Manhattan, The Sharks (a group of recently immigrated Puerto Ricans, lead by Bernardo) and The Jets (lead by Riff), who are constantly fighting for turf and running into trouble with the police who undoubtedly favor The Jets. But problems arise when a former member of The Jets falls in love with a sister of the leader from the opposing gang. The musical starts when The Jets challenge The Sharks to a
The play West Side Story takes place in a suburb on the West Side of
West Side Story The drama/musical, which parodies the story of Romeo & Juliet, takes place in a city in New York, probably in the early 50’s or late 40’s. It is a tale of two rival gangs, who despise the other in a vicious circle of hate. Riff leader of the Jets; a group mainly of Polish origin and the Sharks of Spanish origin with their leader Bernardo. It seems as though the two rivals have been at their quarrels since before the story took place.
West Side Story came out in 1961 as a melodramatic musical that took place in New York. It takes the same theme as Shakespeare's, Romeo and Juliet, in that it is about two lovers whose relationship is not accepted by others because of conflicting backgrounds.
In particular, contemporary dance history dwells on the element if codes of seduction denunciation. The dance’s choreography explores various internal struggles experienced by humanity. These are the relationship between two forms that is almost always marked with violence, power and fear. In addition, the relations existing between two forms where a third creatures present is viewed in the dance, where the third form is portrayed as human. This is a rationality that presents the manner in which Bausch denounce the common codes of seduction by coming up with inter-relationally where fear is also a factor. However, the dancers overcomes their fear as the enormous rock in the stage suggests a shoreline, yet they climb over the rock in a dangerous manner of dancing. The melancholic choreography addresses the relationship between the male and female genders. The use of female dancers brings out the pain