Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Musics relationship to society
Musics relationship to society
Musics relationship to society
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Rent. To most people it is associated with an apartment, house, or another object. This word rarely conjures pleasant memories, but more often annoyance and stress. However, when someone mentions rent to me, my mind races to some of the most memorable experiences in my life.
When I hear the word Rent, I immediately see an eclectic Broadway production, overflowing with talent, adventure, and magic. I picture scantly clad actresses, strutting across the stage. I envision stunning duets and thought-provoking lyrics. That single word transports me to a different time and place.
In order to adequately depict my feelings, I must start at the beginning. In the fall of 1996, I embarked on my maiden NYC voyage. Armed with a camera, city guide, and my little sister, I headed for New York to discover myself. As I began this adventure, I had no idea how it would end. When I landed at JFK I was a little girl, trying to have some fun, but by the time I boarded the plane to head home my world had changed.
We began with the typical touristy attractions; the Statue of Liberty, Ellis Island, Soho, Central Park, and shopping. We had been planning this trip for months and had poured over every detail. From the time the plane landed, we were living by a minute-to-minute schedule. This was a well organized trip and The Great White Way was not on the agenda. Or so we thought.
Our second to last day in New York started like all the others. Breakfast. Shopping. Sites. Back to the hotel. However, upon returning to our rooms, my stepmother (who was escorting us on this journey) handed me three tickets. Across the top of them, it read: The Nederlander Theatre presents Jonathan Larson’s RENT. I was completely stunned and my ey...
... middle of paper ...
... my sister and I returned to New York. Once again we made the trek to the Nederlander. We took our seats and relished the memories. While the cast was different, the affect was similar. It opened our eyes and renewed our appreciation for those that are different than us. I feel in love with it all over again. Even though I had seen the show in Indianapolis and Chicago, there was something about sitting in that theater that made it special.
RENT is only a musical. It was written by a man that was passionate for life. Jonathan Larson took his dream and made it a reality for everyone that sits in the audience. That passion is the reason it remains one of the most influential productions in Broadway history. If it weren’t for his dream and devotion, it would not be what it is today. That passion is what changed my life and the lives of thousands of others.
The choreography kept things interesting and the dances in a musical can make or break the performance. Overall, Cherie and Abby did an amazing job directing each person to have a place among a crowded stage. Last but not least, the costumes! This play was set in the 1890s, meaning it is very important to have correlating costumes so the audience can be aware of what time period they are in.
In Dialogue: Theatre of America, Harold Clurman said, “we make theatre out of life” (27), and it was precisely this view that motivated him to help create a uniquely American theatre. Clurman, considered one of the most influential directors of the modern American theatre, had a unique vision of what the American theatre could become. One of the founders of the quintessentially American troupe, the Group Theatre, Clurman was a contemporary of Elia Kazan and Lee Strasberg, and even married to Stella Adler for twenty years. At a ceremony honoring Clurman, Elia Kazan stated that Clurman’s “greatest achievement [was] himself” (Harold Clurman: A Life of Theatre). An important figure in our theatrical past, Clurman’s theories on theatre and directing require close attention. In this paper, I will first provide a brief biography of Clurman, second, examine his theories of theatre and directing, and lastly, I will explore his criticisms of the then-contemporary theatre, and draw conclusions to the current state of the Broadway theatre.
Composer-lyricist-librettist of RENT, a rock opera inspired by "La Bohème", Jonathan Larson was born in Mt. Vernon, New York, and raised in suburban White Plains, the second child of Allan and Nanette Larson. Both Jonathan's parents loved music and theatre, and show tunes and folk music were always playing in their home. Jon and his sister Julie took piano lessons during elementary school. He could play by ear, and his teacher encouraged him to experiment with rhythm, harmony, and setting words. By high school, he was called the "Piano Man" after the enormously popular song of that title by Billy Joel; he also played tuba in the school marching band. Active in school and community theatre, Jonathan had major roles in several musicals.
Block, Walter. "Rent Control." : The Concise Encyclopedia of Economics. N.p., n.d. Web. 10 Mar. 2014.
Motown the Musical, presented in a group effort by Kevin McCollum, Doug Morris, Berry Gordy, directed by Charles Randolph-Wright, derived from the autobiographical book written by Berry Gordy himself, To Be Loved: The Music, The Magic, The Memories of Motown. The musical depicts outstanding career of Berry Gordy and the rise of Motown Records. Motown the Musical left a lasting impression on me and all it encounters through the environments it is presented in, the outstanding acting, and the marvelous design elements.
On a Wednesday night I saw Texas State Theatre and Dance Department's performance of A Chorus Line. The main plot of the musical entails the audition of 17 dancers for several Broadway roles on the chorus line. However, during their auditions the director Zach asks for personal stories of each dancer's life. Though the plot of this musical is seemingly simple in its twist on the traditional audition, it explores themes that reveal the human experience, the search for individuality, and the sense of self.
Block, W. (n.d.). Rent Control: The Concise Encyclopedia of Economics | Library of Economics and Liberty. Retrieved February 24, 2014, from Web site: http://www.econlib.org/library/Enc/RentControl.html
Following the steps of the Dutch who first came to Lower Manhattan, we embarked on the Staten Island Ferry on Sunday, Nov. 10, and we could see one of the world’s most famous figures: The Statue of Liberty, a gift from the French to the U.S. that was put in such a strategic and historic place. The view of the green icon from the boat that was transporting passengers from Staten Island to Lower Manhattan, with the skyline of New Jersey in the background, and New York to our right, was a delightful experience. Not one person on the ferry was like the other, one could see people from all over the world, joined together and representing New York’s diversity, trying to relive the same experience that the Dutch had centuries ago. Some people take this ride every day for work; others were simply tourists or inhabitants of the New York metropolitan area.
Wills, Chuck, Destination America: The People and Cultures That Created a Nation. New York: DK Publishing, 2005. Print.
Being an artist was a large struggle being that those jobs weren’t as easy to follow and make a living off of and the price for living in the city is a difficult one even with a steady job. This musical has drug addicts, homeosexuals, the poor, artists just trying to make a living, and just people who have AIDS/HIV, covering all of the major people found in the time of the actual epidemic. The Musical is also based off of Puccini's opera, La Boheme but Larson just took a twist and set it in modern day with different issues. In December 1995 Larson wrote a one-sentence summary of the show: "Rent is about a community celebrating life, in the face of death and AIDS, at the turn of the century." Rent was a huge breakthrough in musical theatre with the music and bring such an amazing and new relatable story to the young and struggling of the
...ch also connects to Clay’s life. In the novel, Clay and his friends engage in sexual activities with both men and woman equally. Clay would be able to relate to the movie Rent and would maybe see it as a new perspective and chance to fix his own life like the characters in the movie struggled to but eventually began to on the road to recovery and sobriety.
Musical theatre is a type of theatrical performance combining music, dance, acting and spoken dialogue. Written by Leonard Bernstein and Stephen Sondheim, ‘West Side Story’ is a classic American musical based on William Shakespeare’s ‘Romeo and Juliet’. The through-composed score and lyrics are used to portray different characters and their cultures, the rivalry between the Jets and Sharks, and the emotions felt as the story progresses. This essay will be exploring the music and how effective the score is in realising the world and characters of the musical. Furthermore, it will discuss how Bernstein and Sondheim relate characters’ diverse ethnicities to particular musical ideas and motifs.
As an actor, I venerate authentic storytelling. I love being transported completely into the world of a show, emerging at the end with an understanding of the characters and the events to which I feel personally connected. One time when I felt this way after seeing a show was seeing the musical Here Lies Love at the ACT Theatre in Seattle. It’s strange for me to refer to this production as a musical, though it is almost entirely sung-through, because it felt more like an experience.
For my written analysis of art, I chose the musical RENT. RENT is a rock musical relatively based on Giacomo Puccini's opera La Bohème. It tells the story of a group of friends in the early 1990s who are struggling artists that are struggling to survive in a society that is surrounded by the harsh reality of the AIDS/HIV epidemic and the struggle with the societal belief on sexuality, gender, and power dynamics. In this musical, the main characters Mimi, Rodger, Mark, Maureen, Angel Dumott Schunard, Tom Collins, Joanne, and Benny each come from a different lifestyle but all embody the struggles of sexuality, gender and power dynamics in some way or form. Thus, documenting the fear that people in this era lived in.
On November 7th, our class had the opportunity to see The Accidental Death of an Anarchist at Stockton’s Experimental Theatre. Overall, I was very impressed with the show. I thought the acting was superb for a college-level production, and I found the scenery to be satisfactory in complimenting the actions of the show.