Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Essay on techniques used in the pianist
Essay on techniques used in the pianist
Essays on a recent concert experience
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Essay on techniques used in the pianist
The stage was set up with a piano in the center of stage and a PowerPoint presentations was located on the right side of the stage. The recital begins with Victor Agudelo introducing himself as a composer and pianist .He talked about where his techniques originated from and began playing his first piece “Telaranos para pescar”, also known as “Fishing with Cobwebs”. This piece starts with the dynamic of pianissimo and it crescendo often throughout the piece. It has a duple meter as well as notes being played with accents. There is a wide pitch range and this piece has a polyphonic texture. There are parts of the piece that are played freely and with no rhythmic pulse. This piece have a lot of interesting parts that I did not get to hear during …show more content…
It was hard to follow and it did not sound pleasant. However, I listened to the full piece after the recital and I enjoyed it more than when I was actually there. I found it very unusual how he played the random notes on the piano and where the rests was located. I liked how he started the piece with suspense that made me wonder what he was going to do next, which surprised me. After he played this piece, he rushed through his PowerPoint, which presented the sheet music as well as information about the piece. I was displeased with this because I wanted to know more about the pieces he was performing for the audience. I could tell that others was dissatisfied as well because some people started to leave after ten minutes of the performance as well as people were on their cell phones. However, some of the audience members seemed really interested and payed close attention to the performer. Agudelo then proceeds to his next piece “Memorias Del alma” also known as “Memories of the soul”. The piece has a rubato tempo and begins in pianissimo. There is a wide pitch range played in this piece. The dynamics throughout the piece changes from pianissimo to fortissimo, therefore it gradually becomes louder until the end of the …show more content…
The audience clapped after this piece, so I assumed that they enjoyed this piece just as much as I did and was not too fond of the last one. He then went through the power point presentation rather quickly. One more piece that I would like to mention is “Un Café para El Sonambulo” also known as “A Coffee for the Sleepwalker”, which is my favorite piece composed by Agudelo. The piece has the genre of festival and starts with the dynamic pianissimo then immediately crescendos. It has a wide pitch range playing with a polyphonic texture. There are notes that are played with accents as well as syncopation . Also, the tempo changes throughout the songs as well as having an ABA form. I enjoyed how the piece was dramatic yet calm. The melody, which is “A”, caught my attention the most because he was using word painting. As the notes got higher, the volume did as well and the piece got more dramatic by playing the notes with accents. The audience clapped after this piece as well, however there were quite a few pieces that he played and the audience gave no feedback. During the recital, I looked over the sheet music and noticed that the score had music written for the right hand as well as for the left hand when playing the
Over all this piece was energetic and full of energy it brought both drama and diversity of melodies and harmonies. I really enjoyed the entire concert and I thought the music was well performed. I would however have liked there to be more compositions included in the concert covering a broader range of Mozart’s quartets and piano concertos. I think that more pieces being played would have allowed for more comparisons to be drawn between pieces and allowed for the listener to enjoy more of the great music that Mozart has to offer.
I have never heard a cello live before and I have to say it was a very amazing instrument to hear live. The sound of the cello was very divine and the cellist performed multiple vibratos on the cello which enhanced the overall quality of his music. A lot of his pieces had a natural harmonic to them. My favorite piece was “Simple Lines for eight cellos” because it was so relaxing to listen too. The texture of this piece was very homophonic because it was accompanied by another cellist via electronically. Then towards the end of the piece Pablo performed a cadenza on the cello which was simply astonishing. For the cadenza he speeded up the melody which sounded absolutely beautiful and I really enjoyed it. However my least favorite piece of this concert was “Gallery” because it had a very dissonant sound. Also there was a lot of syncopations
The concert I attended was the Liszt, Prokofiev, and Dvořák concert at the Chicago Symphony Center. Emmanuel Krivine is a French conductor who conducted the orchestra to play Liszt’s compositions Les Préludes, Symphonic Poem No. 3. Next was Prokofiev’s Piano Concerto No. 2 in G Minor, Op. 16 in the Andantino, Scherzo: Vivace, Moderato, Allegro tempestoso, the piano soloist was Russian pianist Denis Kozhukhin who was accompanied by The Chicago Symphony Orchestra. Lastly was Dvořák’s Symphony No. 8 in G Major, Op. 88 was performed by The Chicago Symphony Orchestra, the four movements played was, Allegro con Brio, Adagio, Allegretto grazioso, and Allegro MA non troppo.
In conclusion, it was a very unique experience for me to attend this concert. It was my first time listening to music in a church. The music was wonderful and played brilliantly. I now realize how talented some of the women composers were throughout the history of music. The experience of listening to such wonderful music firsthand was an honor. I hope to attend one in the near future.
...xcited to have this experience. Part of the drama of the concert at first is felt when the musicians come in and sit down and begin tuning up their instruments. I would not be able to comment on the performance of the orchestra. During the performance, I seen the audience were moving with the music, but I felt like that everyone seems knows more music than what I learned throughout this semester. After I went home and did some of the research on these music I finally understand why these people like to attend the orchestra concerto, it was because that every piece of music has a history behind it. The Los Angeles audience seemed to me to be people who know music and who will listen to something new in a respectful way. All the same, when the more familiar sounds of the last piece were heard, I could feel a little sense of relaxation and fun coming into the room.
The first movement is in sonata form - Allegro ma non troppo, un poco maestoso. Strings and horns appear from the distance as if they had been already playing out of earshot. The music gradually intensifies in volume until the final explosion into the first subject. Then this whole process is repeated. The first movement shows a contrast of emotion that seems to return in the recapitulation befor...
The first song played was from a genre that I had previously taken a test on, Sonata. The musicians played the song by the book. There were three movements and polyphonic texture. It was even fast and jerky. Nonetheless, this is the part where my rollercoaster was going down. In my opinion it was boring. Although very well played, the song itself did not interest me. I did not like the roadrunner, coyote essence of the song. The piano accompaniment would sometimes play the melody and let the clarinet follow and then they would switch. This to me seemed force instead of like the Sonatas that I listened to in class. However, apart from the musical aspect of the first piece there was a certain intensity expressed by the performers. I had never seen a
There are two main rhythmic ideas that are present in this piece. The first is the regular rhythmic pulse in the pianos and mallet instruments
Each individual player in this orchestra is a soloist of sorts, playing a completely different piece than the musician seated directly next to them or across the stage. Rather than being written as a concerto, this piece, written in three movements, allows for each of the accomplished musicians to display their skill individually though each solo is not brought to the forefront of the piece, creating a what sounds like a disgruntled compilation of individual pieces that come together. This piece both begins ends with the Funeral March of Beethoven’s Eroica Symphony directly tied into the basses, at first it is quiet and difficult to recognize but as the third movement is introduced it becomes more pronounced and evident. Those who were present for this pieces introduction to society were able to see its emotional effect on its composer who had obvious emotional ties to the music. Strauss never showed up to see his work debut instead he attended the dress rehearsal, asked Sacher if he could conduct this work. Strauss was said to have given a beautiful reading of the score that many view as his most...
The next work of the program, Courtly Airs and Dances, is a multi-movement work composed by Ron Nelson. The piece is split into six movements: Intrada, Basse Danse, Pavane, Saltarello, Sarabande, and Allemande. Each of these present distinct characteristics that separate it from each other movement, yet all are united by being a style of dance. The first movement, Intrada, presents a fanfare-like opening to the multi-movement work. The trumpets and brass section as a whole lead this, as they create a sense of nobility. The key is major and the tempo is one that could be described as allegretto—it is not a fast tempo, yet more brisk than an andante pace. The texture is homophonic, as there are different parts being performed by different
3 is the second movement of the piece. It lasts around five minutes of the total 22 minutes of the whole Orchestral Suite. Air is written for Trumpet, timpani, oboe, violin, viola and continuo. It is written in major key. The meter is duple, and I would dare to say that it is quadruple. The texture is polyphonic. It has a slow tempo and there is no presence of accelerando nor ritardando. The harmony is consonant. Melody is conjunct and peaceful. Has a lot of repetition. The melody is consistent. The string instruments are prodminant whereas the timpani and oboe just go along with the melody. Esta es una pieza sencilla binaria; claramente no hay devolución del material melódico apertura en la segunda parte del
...re was very interesting transitions between the variation, for example, string section plays the variation from low to high, when they reach the highest note, the brass family takes over and continue with the scale and make it more higher. Tremolo style was used in this piece, which is a quick ups and downs stroke mode. The music were very soothing and attracted the audience. Lastly, they end the piece with the same variations that was played at the beginning.
...htly syncopated, again with ornamental notes by the flute. There is a crescendo, which contrasts long notes and staccato notes, creating an unusual rhythm. The crescendo builds up to a perfect cadence with the timpani crashing.
...chestral introduction with an imperfect cadence. A strong rhythmic ¾ allegro passage, with sequences and descending scales is played by the orchestra, with timpani and cymbals. The music modulates, and a short, quiet woodwind passage is then alternated with an orchestral passage with dotted rhythms, creating a `terraced dynamics' effect. Part B begins with a major clarinet melody accompanied by pizzicato strings. A minor flute sequence follows, and is followed by a repetition of the oboe melody. A string sequence is then played, imitated by the oboe. There is a crescendo, then the rhythmic orchestral melody returns, alternated with a short flute passage. There are suspensions, descending scales and a crescendo, followed by a strong rhythmic passage with the timpani playing on the beat. Imperfect cadences are played, before the piece finishes with a perfect cadence.
... then plays allegro passages of semi quavers, accompanied by timpani and descending scales in the woodwind. The clarinet, takes over the main melody whilst the cello accompanies with sequences. The French horn takes over the melody, accompanied by the strings. The flute briefly plays the melody before the cello plays octaves, accompanying the woodwind as they play a reprise of the DSCH theme and the timpani crashes. Repeating the themes in the first movement, the cello plays the DSCH motif followed by the "tate ta, tate ta" rhythm in the strings. The horn then plays the theme in augmentation, whilst the cello plays passages of ascending and descending scales, and the theme is heard again in the strings. The movement builds up with the motif appearing increasingly often in the woodwind and strings and climaxes with octaves by the soloist and a boom from the timpani.