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Why is it important to have freedom
Why is it important to have freedom
Why is it important to have freedom
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As Madeleine L’Engle aptly said, “because to take away a man's freedom of choice, even his freedom to make the wrong choice, is to manipulate him as though he were a puppet and not a person,” taking away freedom of choice is equivalent to stripping off humanity. Mankind has evolved to have the ability to use the mind for reason and understanding, which separates humans from beasts and machines. It is this ability that allows man to analyze and formulate different choices, and have the freedom over them. Despite the knowledge that freedom of choice is fundamental in making humans human, social control has always been one of the leading reasons to justify the removal of that freedom. Through showing the need for the loss of freedom for social stability and the resulting problems, both The Unincorporated Man and A Clockwork Orange highlight the conflict between control and freedom.
The two works suggest that freedom of choice needs to be taken away for the greater good of society. In A Clockwork Orange, social safety and security are the driving forces behind removing freedom from the people, especially Alex, the main character. The start of the movie depicts the struggle of a violent youth that exercises free will in an oppressive but safe and stable society. Alex and his gang, termed droogs, symbolize free will as they attempt to liberate themselves from all government limitations. They indulge in vices shunned by the society such as rape and murder, and bring out the dark side of free will by expressing themselves against a society that encourages safety. Alex’s violent nature makes him a threat and in an attempt to impose order, the government forces Alex to be “transformed out of all recognition” (A Clockwork Orange, Kubrick). T...
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...tock. Not being able to live the life she wants to, Neela, as well as others in The Unincorporated Man, is essentially a tool for her major stockholders to use. The lack of freedom results in people becoming mere puppets and dehumanizes them.
For utilitarian purposes, such as social safety and security in A Clockwork Orange and economic stability in The Unincorporated Man, freedom has to be taken away from the people. However, the lack of freedom results in dehumanized people and a cold, inhumane society, which can eventually lead to chaos and the total opposite of what the governing bodies try to achieve in the first place. Both A Clockwork Orange and The Unincorporated Man show how in order to gain control, freedom has to be taken away, but yet freedom is needed to maintain that control, and hence the conflict between control and freedom is a never ending one.
to read. A Clockwork Orange is an interesting book, to say the least, about a young teenager, named Alex, who has lost his way, so to speak, and commits several serious crimes. These crimes that Alex and his “droogs” commit include: murdering, raping, beat downs, robbery, etc.
Christopher J. McCandless, the hero of Jon Krakauer’s Into the Wild, is an example of an individualist attempting to escape society. Whether he succeeded depends on how we classify his actions in relation to individualist and collectivist philosophies.
Earlier this year, I became the government. Everyday, for the next few days, I woke up before the sun rose and filled my hotel room with light. In business professional attire, I would walk down the halls of the California State Capitol and into the Assembly Chambers. I experienced firsthand how the administration of our society works. There came a day, a cloudy day with rain falling momentarily, in which a protest was gathered in the streets. A man spoke, asking for the government to remove its mask. I failed to understand. What did this man want? Deep in my gut, I knew a life of terror, a life a darkness, and a life of despair could only be the outcome of the absence of government. This ideal is explained by the classic novel, Lord of the Flies by William Golding, which explores the universal theme that civilization is significant, regarding its role in securing that man does not return to his primitive nature of savagery.
A Clockwork Orange, a novel written by Anthony Burgess in the 1960’s takes place in dystopian future in London, England. The novel is about a fifteen year old nadsat (teenager) named Alex who along with his droogs (friends) commit violent acts of crime and opts to be bad over good. In time, Alex finds himself to be in an experiment by the government, making him unable to choose between good and evil, thus losing his ability of free will, and being a mere clockwork orange. A “clockwork orange” is a metaphor for Alex being controlled by the government, which makes him artificial because he is unable to make the decision of good verses evil for himself and is a subject to what others believe is right. In A Clockwork Orange, Anthony Burgess utilizes contrast, symbolism, and the first person narrative point of view to illustrate and enhance the theme of free will, because a person who lack’s the ability to choose between good and evil, is not really a human being. Therefore, for the duration of Part One, Alex possesses the ability of free will yet decides to be evil by committing violent ...
A Clockwork Orange can be characterized as a dystopian novella as a result of the world that Burgess created throughout the book. Alex’s world provides a future rendition of London if it were to continue going down the path it was on after World War II, one of a violent youth culture. This especially comes from the fact that his wife was beaten by a few Americans stationed in England during the war. This particular event’s influence on the novella can be seen through the various scenes where Alex and his “droogs” are seen sexually assaulting women. Burgess was also influenced by Aldous Huxley’s Brave New World and George Orwell’s Nineteen Eighty-Four. A Clockwork Orange experiences the Pelagian-Augustinian phases of rule found in the aforementioned books, respectively (Morris ). The Pelagian phase can be seen in the beginning of the novel where Alex and his “droogs” are essent...
Anthony Burgess' A Clockwork Orange describes a horrific world in an apathetic society has allowed its youth to run wild. The novel describes the senseless violence perpetrated by teens, who rape women and terrorize the elderly. The second part of the novel describes how the protagonist, Alex, is "cured" by being drugged and then forced to watch movies of atrocities. The novel warns against both senseless violence and senseless goodness - of the danger of not being allowed to choose between good and evil.
In A Clockwork Orange, Alex is the main person responsible for most of the violence in his society. His crimes go from rapping to beatings, to murder. When introduced to the Ludovico treatment, later on in the story, events reveal that other members of his society are also capable of Alex’s similar behavior. People who were affected by Alex’s actions are the ones that give an understanding of how their society is. They get their vengeance later on in the story.
In Anthony Burgess’ 1962 dystopian novella, A Clockwork Orange, teenage gangs and hoodlums run rampid in a futuristic society, inflicting mayhem and brutality among its totalitarian governed state. Alex, our protagonist/anti-hero, is among the most infamous in this violent youth culture. A psychotic, yet devilishly intelligent boy of fifteen, our “humble narrator” beats up on old folk, rapes underaged girls, pillages, and leads his group of “droogs” (friends) on a chaotic path of “ultra-violence.” With this society of citizens completely oblivious to the acts of such culture, the government offers to step in with a solution. After being jailed for the most heinous crime of murder, Alex volunteers for a procedure - offered by the government - to condition his aggressive behavior. What he endures under the government’s treatment, essentially, strips him from any sense of choice or free-will, rendering him a helpless, mechanical slave to this society. This sense of free-will, an opportunity to make a choice between good and evil, is an essential part of humanity...but controlling the freedom of choice is the true key to this idea. So how does this affect and influence Alex’s character to change?
Concerning individuality, this citation explicitly states that conformity and loss of free-will lead to tyranny and chaos, as seen by what has happened to the population of Earth in Orwell’s dystopian
Clockwork Orange was an interesting movie to watch and it made the viewer think about the role our government plays in the judicial systems. The main character, Alex DeLarge, was a very violent and narcissistic guy. He and his gang of friends commit unruly acts through the streets of their city and commit all kinds of atrocities; such has gang raping the wife of a political dissident. Looking at the environment Alex was brought up in, it was not surprising that he ended up a violent ego-manic who cared only about himself and his needs, sexual ones at that. Because of this, the murder of a single woman by a phallus-shaped statue, led to Alex being incarcerated. We start to see the main theme while Alex is in prison.
Perspectives of an author being imposed through a text often influence the actions of readers, who extract these world views and place them in their own context in order to better understand what the author is superimposing in a text. Both George Orwell and Fritz Lang delve into the ideal of conformity and the consequences if it is not challenged, the most significant being a depleted sense of humanity. Both 1984 and Metropolis reveal the results of accepting totalitarian rule without questioning the state’s intrusion into individualism, family unity, and class & gender. Individual freedom, and the liberty to express one’s thoughts and opinions, is one important aspect which makes us human, and is being denied by complying with conformism. Through surveillance
Nothing in life is guaranteed, but the one thing that humans demand is freedom. Throughout history, there are countless cases where groups of people fought for their freedom. They fought their battles in strongly heated debates, protests, and at its worst, war. Under the assumption that the oppressors live in complete power, the oppressed continuously try to escape from their oppressors in order to claim what is rightfully theirs: the freedom of choice. In Emily Dickinson’s poems #280, #435, and #732 and Harriet Jacobs’s Incidents in the Life of a Slave Girl, freedom is represented by an individual’s ability to make their own decisions without the guidance, consultation, or outside opinion of others in order to find their true sense of self. Once an individual is physically and spiritually free, they can find their true sense of self.
Influenced by the dissension of protests in the 1960s as well as the Cold War, Anthony Burgess’s A Clockwork Orange presents a startling, gritty dystopian world. In this satire, Burgess emphasizes the duality of human nature and the notion of “free will” through the actions of his apathetic, cruel protagonist, Alex.
As teenagers deviate from the constraining grasp of their parents, they begin to establish their own identity through decisions; however, their development of self-identification is frequently hindered by manipulation of societal institutions such as: justice system, religion, and media. Anthony Burgess, author of A Clockwork Orange, establishes the idea of freewill and how it is suppressed when Alex, the main protagonist, undergoes the manipulative Ludovico's technique, religious lectures, and social norms influenced by media- used to instill pain when Alex's desires violence/music and finding salvation, which is similar to the treatment of criminals in our society; ultimately utilized to mitigate crime, but also suppresses freewill through repercussions, fear, police officials, indelible ads, and the law. Therefore, American citizens are not privileged with the power of choice because the hindering paradox that exists in society: possessing the ability to consciously establish identity is entwined with manipulation, subliminally.
the wisdom of the choice of freedom over the possibility of being victimized as described in lines