The animated film “Mulan” came out in 1998 and is based on a Chinese legend of the same name. It tells the story of Mulan, who disguises herself as a man and takes her father’s place in the army (IMDB.com). The main theme of the movie is that girls can do anything boys can do, demonstrated through Mulan holding her own while training with men and going head to head with the Villain, Shan Yu, multiple times. However, while the movie breaks down gender roles and stereotypes for women, it leans heavily on toxic masculinity.
Toxic masculinity is defined as “masculinity based on simplified norms and understandings of traditionally masculine characteristics such as violence, physical strength, suppression of emotion and devaluation of women” (Elliot 18). It is often pushed onto young boys and men so they conform to the male gender stereotype. For this paper, I will be focusing on several key scenes, including when Mulan enters the training camp, “The Dark Side of the Moon” sequence, and
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The behaviors shown in this scene fall under toxic masculinity, boiling men down to being gross and violent in a way that inevitably gets them into trouble. The scene itself ends with a brawl between all the soldiers, getting them in trouble with Captain Shang. However, as demonstrated by Chein Po when he attempts to calm Yao, these stereotypes are socially and culturally constructed according to Simone de Beauvoir (Butler 12). Being that these are fictional characters created by Disney, their behaviors are literally socially constructed. Wittig suggests that this compulsory gendered behavior is used to reinforce the gender binary (Bulter 26). In everyday life, pushing masculinity onto men is a way to reinforce gender roles and the gender binary, in “Mulan” it is used to show how Mulan is different from the men. However, as the movie goes on, we learn that she really
Whether this be through morals, choices, beliefs, or personality. Holloway argues that it is through toxic/abrupt masculinity that boys are constantly caught in the crossfires between fight or flight. Masculinity becomes toxic when it becomes obsessive and disruptive. When society gets to the point where they cannot even focus or be themselves because of the fact that the only thing they care about is being the perfect man. The idea of striving to become this perfect man is an example of flight in society. Men are being forced to attempt to fit into these ideals and “prove, and re prove that they are men” in order to avoid the feeling of not fitting in with the rest of the group (Holloway). Holloway continues to discuss how throughout their lives men are constantly seen as emotionally tougher which causes them to grow up believing that if they show emotions they are weaker and are not allowed to be a part of the pack. Therefore instead of fighting this ideal and deciding to stand up for who they are, it is easier to conform and attempt to fit in because if they show discontent then they are shown as weak and unable to handle the “social constructions of masculinity” forcing them to become a social pariah and damage their spiritual
In the classical Western and Noir films, narrative is driven by the action of a male protagonist towards a clearly defined, relatable goal. Any lack of motivation or action on the part of the protagonist problematizes the classical association between masculinity and action. Due to inherent genre expectations, this crisis of action is equivalent to a crisis of masculinity. Because these genres are structured around male action, the crises of action and masculinity impose a crisis of genre. In the absence of traditional narrative elements and character tropes, these films can only identify as members of their genres through saturation with otherwise empty genre symbols. The equivalency between the crises of genre and masculinity frames this symbol saturation as a sort of compensatory masculine posturing.
Set in the Northern Wei dynasty of China, the gender roles of China were simple as depicted through song in Mulan. “We all must serve our Emperor… a man by bearing arms, a girl by bearing sons.” Mulan’s one and only role in life is to marry a man, who she is deemed fit for and to bear many sons and tend to the home. She is to live a life of homely domesticity. This is perhaps one of the most obvious motifs that don’t shine a nice pretty light on Mulan. Mulan has to go to a beauty salon in order to meet the matchmaker and “bring honor” to her family. At the salon, Mulan is mercilessly soaked in a freezing bath, has her hair tied up neatly, her waist laced up, and is overloaded with excessive make-up and jewels. The potential brides, Mulan included, are thus made to look like “cultured pearls, each a perfect porcelain doll.” According to the beauty specialists, “A girl can bring her family great honor in one way, by striking a good match.” They preach that “Men want girls with good taste, calm, obedient, who work fast-paced, with good breeding and a tiny waist.” This demonstrates heg...
Despite the tremendous steps that have been taken towards reaching gender equality, mainstream media contradicts these accomplishments with stereotypes of women present in Walt Disney movies. These unrealistic stereotypes may be detrimental to children because they grow up with a distorted view of how men and women interact. Disney animated films assign gender roles to characters, and young children should not be exposed to inequality between genders because its effect on their view of what is right and wrong in society is harmful to their future. According to Disney films, it is important for women to achieve the stereotypical characteristics of a woman, such as maintaining their beauty to capture a man, and being weak and less educated than male characters. The women in Disney movies are always beautiful, which helps them to find a man.
War has been a mainstay of human civilization since its inception thousands of years ago, and throughout this long and colorful history, warriors have almost exclusively been male. By repeatedly taking on the fundamentally aggressive and violent role of soldier, Man has slowly come to define Himself through these violent experiences. Although modern American society regulates the experiences associated with engaging in warfare to a select group of individuals, leaving the majority of the American public emotionally and personally distant from war, mainstream American masculinity still draws heavily upon the characteristically male experience of going to war. In modern American society, masculinity is still defined and expressed through analogy with the behavior and experiences of men at war; however, such a simplistic masculinity cannot account for the depth of human experience embraced by a modern man.
Much of what society dictates can affect children’s perceptions of the ideal gender standards, and can lead to abuse and violence. Media has a huge role in perpetuating these dangerous gender stereotypes. Numerous male images are used in advertising and television, representing themes such as "heroic masculinity" and "might is right". These portrayals of violent behavior associated with masculinity target young men and convince them that in order to live up to society’s standards, they must resort to aggressive and dominant behavior, the use of assertion, and physical violence. Males are saturated with images of glorified aggression through movies such as Lethal Weapon, sports programs, and "macho" celebrities, like Bruce Willis and Arnold Shwartzenager. Female stereotypes span the opposite extreme. Innumerable young women perceive "ladylike" expectations to be neatness, passivity, politeness, and struggle to meet them, hence they appear nurturing and feminine. Women in the media who challenge these stereotypical behaviors and display assertiveness tend to be slotted into the role of "tomboy" or "dyke". These impositions contribute to the breeding of young men who act in an abusive manner, and are terribly restricting towards boys who covet deep emotion. The antagonist of Lord of the Flies, Jack Merridew, perceives himself to...
Early feminist studies of gender often depicted the expression of masculinity as solely meant to subordinate women. Upon further research and understanding of gender and its role in society, gender theorists have realized that masculinity is not only a patriarchal regulation against women, but that it also has negative effects against men. Masculinity has different characteristics in different cultures, but masculinity in general presents a hierarchy of traits, with femininity as the lowest, least desirable trait. In American culture, masculinity is defined within multiple structures, such as race, class, and sexuality, where a man’s masculinity can be lessened by his traits as well as these identities. Often, normative expressions of masculinity
If a man possesses the masculinity that society claims he should have, he may still experience many emotional issues within himself. After a man has been taught that domination is the key, they may develop a sense of aggression. Aggression may also follow the fact they men hold all of their feelings into to protect themselves from the schemas. Men have been seen to use violence in their past to solve their issues. In the documentary, one of the prisoners in the group session spoke about how he was in jail because all of his emotions that had been bottled up become uncontrollable in one instance. If a boy or a man does not contain the masculinity expected, he may become bullied and out-casted. The continuation of discrimination toward a boy may cause suicidal thoughts. On top of being bullied for not being a powerful man, he may still be trying to hold in his emotions to prove that he
Socialization is the process by which individuals internalize elements of the social structure, making those elements part of their own personality. In the first half of the movie, we can find a lot of socialization 's phenomena. Before Mulan met matchmaker, she needed to have a bath and wear beautiful dresses. She also needed to dress up for the meeting. Her behavior and appearance is a manifestation of the gender socialization. Moreover, the film also appears three children. Two boys played with the toy sword. It reflects their future roles are the macho soldiers. Their behavior reflects their future ideal of defending the homeland. Compare with boys, the Girl played with dolls. It means that in her future her task is to run the family. Children 's behavior reflects the social expectations for their gender. In this movie, Mulan disguised as a man to go to war. Her behavior tells people, even if their biological sex cannot change, each person has the right to freely choose their own social gender
The point of many films is to convey a message to its viewers, such as morals and ethics. Consequently, films intended for adults convey messages suitable for adults; while children’s films do likewise for their target age groups, as one might expect. These children’s films, directed towards particularly younger audiences, prove useful when they contain beneficial maxims. Although at times, these films elicit less than healthy social views. Disney’s Aladdin is a prime example of a children’s film that immerses the audience in unhealthy views towards women. This film is an irresponsible in its portrayal of women - it sexually objectifies the female protagonist and enforces sexist ideologies, which directly affects the female characters within the story’s patriarchal system. The idea of sexism towards women is rampant throughout the movie Aladdin by making the following three claims: a woman’s worth is defined by men, women are incapable of making their own choices, and that women are inadequate and thus require saving by a man.
...nist ideas. They suggest that women are good for only household chores and that they are not very intelligent. In fact, Mulan herself refutes these stereotypes through her quick thinking and advanced battle techniques, yet they still insist on carrying though.
The Disney movie, Mulan, is a fantastic movie that depicts gender-stereotyped roles, socialization of gender roles, and consequences of over stepping one’s gender role. Both males and females have a specific role in the Chinese society that one must follow. Mulan made a brave choice pretending to be a man and going to war against the Huns in place of her father, risking serious consequences if she were to get caught. She broke the socialization of gender roles and could have been faced with very serious consequences of her actions. The Chinese society in Mulan exemplifies the typical gender roles of males and females, the consequences of displaying the opposite gender role, and showed what the society expected in males and females in characteristics and attitudes.
"How Fight Club Relates to Men's Struggles with Masculinity and Violence in Contemporary Culture." HubPages. Web. 22 Feb. 2011. .
The classic Disney movie, Mulan, is often praised as a film involving feminist empowerment, but upon closer look just the opposite appears to be true. The classic storyline includes Mulan, a young Chinese woman, taking over her fragile father’s place in the Chinese army, disguised as a man named Ping. She trains among the other soldiers, becoming one of the very best with her accompanying guardian dragon, Mushu and a cricket her grandmother gave her for luck for the matchmakers by her side. She ends up saving all of China by revealing that the Huns are back and invading the country, and is honored as a hero. This movie breaks away from the typical damsel in distress princess story by having a single woman save all of China. However, on Mulan’s journey she faced extreme female shaming, and experienced stereotypes attempting to belittle her; all
Mulan reinforces the traditional ideas of masculinity in the song, “I’ll Make a Man Out of You” (Mulan 1998). The lyrics, “Let’s get down to business, to defeat the Huns. Did they send me daughters, when I asked for sons?”(Mulan, 1998) portrays the traditional gender roles of men; it claims that male is the only sex that is able to fight. The goal of this scene is to “make a man” out of the new recruits. The movie Mulan asserts that being feminine is detrimental to the war effort. Instead, the docile, feminine recruits have to be transformed into men. This song in Mulan argues that one should strive towards being a "man";