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Introduction about the hippie movement
The significance of the Hippie Movement
Introduction about the hippie movement
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“Turn on, tune in, drop out”: These six words can instantly transport a rush of nostalgia to anybody who grew up during the 1960s and 1970s. This iconic phrase came from no other than Timothy Leary. Leary was a psychologist and writer who advocated for the exploration and use of Lysergic acid diethylamide, better known as LSD. Among other popular hippie figures such as the band Grateful Dead, or singers Joan Baez and John Lennon, Timothy Leary stood out as a strong leader in the movement. Of all the important figures in the Hippie Movement, Timothy Leary had the greatest impact on hippie culture.
“Turn on, tune in, drop out” was an iconic catchphrase that defined the hippie counterculture of the 1960s and 1970s. “Turn on” meant to become sensitive to one’s levels of consciousness, “tune in” meant to “interact harmoniously with the world”, and “drop out” meant to discover one’s singularity and commit to “mobility, choice, and change” (Flashbacks). This phrase was first introduced at the Human Be-In. The
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In 1950, he received a PhD in psychology from the University of California, Berkeley. This degree gave him a greater platform to publish and spread his ideas. Leary wrote thirty four books, co-wrote six academic papers, and produced fifteen CDs. With these credentials, Leary went on to impress psychological theories that were later popularized by other writers and psychiatrists. Leary had an early influence on Game Theory applied to psychology (Flashbacks). He first introduced it to the International Association of Applied Psychology’s 1961 conference in Copenhagen. He also had an early influence on Transactional Analysis. His concept of the four Life Scripts was an influence on Transactional Analysis (Chaos & Cyberculture) that later became popularized by psychiatrist Eric Berne in Games People Play and writer Thomas Harris in I’m OK—You’re
The 1960’s was a radical decade filled with political tensions, social strife, and overall cultural intrigue. The beginning of the decade allowed for the transition from President Eisenhower to President Kennedy, the youngest President to take office, and the first Roman Catholic. The move represented a shift from a Republican to Democratic administration in the Oval Office. Kennedy became a symbol for the young vibrancy of the American populous, as he was quickly accepted by the grand majority. After Kennedy was assassinated and Lyndon B. Johnson took office, the nation was further engulfed in the war that would come to define America for years to come. The Republican Party regained office as Richard Nixon was elected in his second attempt to run as the decade came to a close. Activists such as Martin Luther King Jr. and Malcom X paved the way for the civil rights movement that swept the nation and captivated the spirit of not only black Americans, but white Americans as well. The race between the United States of America and The Union of Soviet Socialist Republics for domination of space escalated as Kennedy pushed for a man on the moon by the close of the decade, achieved in 1969. The possibility of nuclear war became all too real in 1962 as the launch of nuclear missiles became an abundantly clear possibility. The drug culture emerged in the 1960’s in large part due to the newfound accessibility of illegal drugs, such as marijuana and Lysergic Acid Diethylamide, or LSD. American society was entrenched in the chaotic desire for new, improved highs. The profound ascent of the drug culture was truly realized when the 3-day music festival, Woodstock, took place in 1969, as “sex, drugs and rock n’ roll” symbolized America’s...
In 1967 the Beatles were in Abbey Road Studios putting the finishing touches on their album Sgt. Pepper's Lonely Hearts Club Band. At one point Paul McCartney wandered down the corridor and heard what was then a new young band called Pink Floyd working on their hypnotic debut, The Piper at the Gates of Dawn. He listened for a moment, then came rushing back. "Hey guys," he reputedly said, "There's a new band in there and they're gonna steal our thunder." With their mix of blues, music hall influences, Lewis Carroll references, and dissonant experimentation, Pink Floyd was one of the key bands of the 1960s psychedelic revolution, a pop culture movement that emerged with American and British rock, before sweeping through film, literature, and the visual arts. The music was largely inspired by hallucinogens, or so-called "mind-expanding" drugs such as marijuana and LSD (lysergic acid diethylamide; "acid"), and attempted to recreate drug-induced states through the use of overdriven guitar, amplified feedback, and droning guitar motifs influenced by Eastern music. This psychedelic consciousness was seeded, in the United States, by countercultural gurus such as Dr. Timothy Leary, a Harvard University professor who began researching LSD as a tool of self-discovery from 1960, and writer Ken Kesey who with his Merry Pranksters staged Acid Tests--multimedia "happenings" set to the music of the Warlocks (later the Grateful Dead) and documented by novelist Tom Wolfe in the literary classic The Electric Kool-Aid Acid Test (1968)--and traversed the country during the mid-1960s on a kaleidoscope-colored school bus. "Everybody felt the '60s were a breakthrough. There was exploration of sexual freedom and [...
Psychedelic drugs were an icon of the 1960s, its role embedded within the rising counterculture in response to the economic, social, and political turmoil throughout the United States. As a means to impose a central power and control social order, federal authorities were quick to ban the recreational and medical use of psychedelic drugs without consideration of its potential benefits. The recent state laws on the legalization of marijuana in Oregon and Colorado with others soon to follow, is a sure sign of an eventual collective shift in the perceptions of psychedelic drugs. Not only does Daniel Pinchbeck document his reflections on the personal consumption of psychedelic drugs in his unconventional novel Breaking Open the Head, he also advances several assertions on modern Western society in his exploration of polarized attitudes on this controversial topic.
In Justin Pearson's memoir, From the Graveyard of the arousal Industry, he recounts the events that occured from his early years of adolesence to the latter years of his adulthood telling the story of his unforgiving and candid life. Set in the late 1970s "Punk" rock era, From the Graveyard of the Arousal Industry offers a valuable perspective about the role culture takes in our lives, how we interact with it and how it differs from ideology.
Despite the negative portrayal in mainstream 1960s media, justifications expressed by counterculture activists for further investigation, education and experimentation under government control of LSD were rational and valid arguments. Sex, drugs, protests, war, political upheaval, cultural chaos, and social rebellion; the many comforts TV dinner eating, republican voting, church going, suburbia conformists tried to escape through conservative ideals, town meetings, and The Andy Williams Family Hour. National consciousness in 1960s United States was alive, but existed differently in every mind it dwelled, and stirred uninterrupted in every life to which it was introduced. A dream of money, success, and a house with a white picket fence still existed within the pandemonium of the nation and many still relished in the idea of “Americanism.” Television was a base for a magnitude of world news and national information. Television situation comedies created ideal families and contenting distractions from unsettling national realities. Mainstream media, both fact and fiction, influenced the nation’s minds resulting in the effect of political change and further media influence over the government. The new decade, along with the effects of the Vietnam War and the strong influence of television, began to leak from the cracks of the nation a new counterculture of rebellious teenagers, unfamiliar narcotics, and a wave of promiscuity. Among the many issues and events molding our nation into a new decade, came the question of government and mind control. For some it was the next step into human evolution, a potential tool for mind control, a liberator of human kind, but for most LSD helped define 1960s counterculture, in which it was deeply rooted.
American society and culture experienced an awakening during the 1960s as a result of the diverse civil rights, economic, and political issues it was faced with. At the center of this revolution was the American hippie, the most peculiar and highly influential figure of the time period. Hippies were vital to the American counterculture, fueling a movement to expand awareness and stretch accepted values. The hippies’ solutions to the problems of institutionalized American society were to either participate in mass protests with their alternative lifestyles and radical beliefs or drop out of society completely.
...hanged dramatically since the dawn of the 1960s, granting a sort of semi-legitimacy to drug-influenced art that grows stronger and less self-conscious every year. This pervasiveness of drug imagery in our culture today is no accident-it represents the outgrowth of these artists' introduction of drugs into the popular consciousness. The lingering effects of their efforts to publicize and poetize their altered states of mind can be readily seen in the mainstream culture of America today, which possesses both an awareness of and begrudging respect for the drug experience.
There were leaders such as Timothy Leary, Harvard Professor, who was helped spread the hippies drug use. He recommended the use of LSD and used his famous slogan, “tune in, ten on, and drop out”, to inspire the American youth. Later during his career, he was fired for being unreliable to showing up to his classes. Leary had a belief that LSD showed improvements for therapy, that the human mind would expand and there would be personal truth. During the hippie movement he was constantly arrested and was known as “-in the words of president Richard Nixon - “the most dangerous man in America”” (Bliss Jim, “The death of Timothy Leary, ‘The most dangerous man in America’”). Later in 1995, Leary was diagnosed with inoperable prostate cancer. And then in 1996, he died lying in bed with his
With a country in shambles as a result of the Vietnam War, thousands of young men and women took their stand through rallies, protests, and concerts. A large number of young Americans opposed the war; with a common feeling of anti-war, thousands of youths united as one. This new culture of opposition spread like wild fire with alternative lifestyles blossoming, people coming together and reviving their communal efforts, demonstrated in the Woodstock Art and Music festival. The use of drugs, mainly marijuana, became a staple in the community of anti-war youths. The countercultures’ radical views and actions caused American society to turn its head and look to the young. They set themselves out as a group and were going to stand up for their rights as well as the rights of mankind.
Beginning with the late 1960’s counterculture in San Francisco, music and drugs will forever be inter-linked. Hippie bands such as the Grateful Dead, the Allman Brothers, and Phish are associated with marijuana, mushrooms, and LSD. Modern electronic “rave” , or club music is associated with MDMA or Ecstasy. When one thinks of rock and roll, sex and drugs immediately come to mind. While the use of drugs is not essential for the creation or performance of all new music, it was certainly in important factor for the counterculture music of the late 1960’s. While some of the most important and influential music was made with the help of psychoactive drugs, it was often to the detriment of the artist. Janis Joplin, Jimi Hendrix, Jim Morrison, and countless other tremendously talented artists had their lives cut short due to drug use. Drugs were most often good for the music, but deadly for the music makers.
In 1960 professor Timothy Leary urged people to try the drug LSD. Leary thought that it could help people therapeutically and he saw many benefits in the usage of the drug. LSD was first available in tablet form but when it became illegal people began to use it in other forms such as liquid acid which was taken orally, through the eyes or mucous membrane or mixed with other drugs such as marijuana.
Wesson, Donald R. "Psychedelic Drugs, Hippie Counterculture, Speed And Phenobarbital Treatment Of Sedative-Hypnotic Dependence: A Journey To The Haight Ashbury In The Sixties." Journal Of Psychoactive Drugs 2 (2011): 153. Academic OneFile. Web. 23 Mar. 2014.
Unlike the society before this movement, the hippie did not try to change America through violence, the hippie tried to change things through peace and love. The Hippie Movement was a moment during the mid 1960s through the early 1070s where sex, drugs and Rock-n-Roll, was at the forefront of mainstream society. No one really knows the true definition of a Hippie, but a formal definition describes the hippie as one who does not conform to social standards, advocating a liberal attitude and lifestyle. Phoebe Thompson wrote, “Being a hippie is a choice of philosophy. Hippies are generally antithetical to structured hierarchies, such as church, government, and social castes. The ultimate goal of the hippie movement is peace, attainable only through love and toleration of the earth and each other. Finally, a hippie needs freedom, both physical freedom to experience life and mental freeness to remain open-minded” (Thompson12-13). Many questions are asked when trying to figure out how this movement reached so many of America’s youth, and what qualities defined a hippie as a hippie?
When people hear the term hippie, they think of men and woman in loose clothing with flowers weaved in their hair. Although these men and women did in fact wear these things, they left a significant impact on society. Hippies were a part of the Counterculture movement, which basic ideals were to reject the ideas of mainstream society. The movement itself began with the protesting of the Vietnam War. Eventually, the movement was more than just protesting the war. Hippies promoted the use of recreational drugs, religious tolerance; they also changed society’s views and attitudes about lifestyle and social behavior. The Counterculture movement was the most influential era in the 20th century because the people of this time changed society’s outlook, and broached the topics of drugs, fashion, and sexual freedom.
The sixties was a decade of liberation and revolution, a time of great change and exciting exploration for the generations to come. It was a time of anti-war protests, free love, sit-ins, naked hippie chicks and mind-altering drugs. In big cities such as San Francisco, Los Angeles, New York and Paris, there was a passionate exchange of ideas, fiery protests against the Vietnam War, and a time for love, peace and equality. The coming together of like-minded people from around the world was spontaneous and unstoppable. This group of people, which included writers, musicians, thinkers and tokers, came to be known as the popular counterculture, better known as hippies. The dawning of the Age of Aquarius in the late sixties was more than just a musical orgy. It was a time of spiritual missions to fight for change and everything they believed in. Freedom, love, justice, equality and peace were at the very forefront of this movement (West, 2008). Some wore beads. Some had long hair. Some wore tie-dye and others wore turtle-neck sweaters. The Hippie generation was a wild bunch, to say the least, that opened the cookie jar of possibilities politically, sexually, spiritually and socially to forever be known as one of the most memorable social movements of all time (Hippie Generation, 2003).