Drugs and Rock and Roll
Beginning with the late 1960’s counterculture in San Francisco, music and drugs will forever be inter-linked. Hippie bands such as the Grateful Dead, the Allman Brothers, and Phish are associated with marijuana, mushrooms, and LSD. Modern electronic “rave” , or club music is associated with MDMA or Ecstasy. When one thinks of rock and roll, sex and drugs immediately come to mind. While the use of drugs is not essential for the creation or performance of all new music, it was certainly in important factor for the counterculture music of the late 1960’s. While some of the most important and influential music was made with the help of psychoactive drugs, it was often to the detriment of the artist. Janis Joplin, Jimi Hendrix, Jim Morrison, and countless other tremendously talented artists had their lives cut short due to drug use. Drugs were most often good for the music, but deadly for the music makers.
The general mindset of the 1960’s San Francisco scene is well summarized by Reebee Garafalo in his book Rockin’ Out: Popular Music in the USA when he states: “For the counterculture, the focus on mind-expanding drugs seemed to offer the possibility of greater self-awareness and consciousness, which would in turn lead to a world without war, competition, or regimentation.” The concept of expanding the mind in order to achieve a peaceful, utopian world naturally lends itself to the consumption of drugs. The image of half naked, marijuana smoking hippies dancing around in the park comes to mind when one thinks of the late 60’s Haight-Ashbury scene. Drugs help tremendously in creating an altered state, making one oblivious to the outside world. A great deal of the music was preaching peace, love,...
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...f her walking around on stage with a bottle of whisky, constantly taking swigs. Janis sums up the mindset of many in her song “Get it While You Can” when she sings, “...but then who cares, baby......cause we may not be here tomorrow.” It is a tragedy that she was taken from us so early in her career because of this mindset. Sadly this was to be the fate of many great musicians of the time. Drugs have and probably always will be connected in some way to the creation and consumption of music. While many musicians have paid the price of the use and/or abuse of drugs, the music that they have left behind is priceless.
Bibliography:
Bibliography
1. Garafalo, R. Rockin’ Out: Popular Music in the USA. Boston:
Allyn and Bacon, 1997. 217-237
2. Personal knowledge on the subject, and my collection of various
music from the time period.
The 1960’s was a radical decade filled with political tensions, social strife, and overall cultural intrigue. The beginning of the decade allowed for the transition from President Eisenhower to President Kennedy, the youngest President to take office, and the first Roman Catholic. The move represented a shift from a Republican to Democratic administration in the Oval Office. Kennedy became a symbol for the young vibrancy of the American populous, as he was quickly accepted by the grand majority. After Kennedy was assassinated and Lyndon B. Johnson took office, the nation was further engulfed in the war that would come to define America for years to come. The Republican Party regained office as Richard Nixon was elected in his second attempt to run as the decade came to a close. Activists such as Martin Luther King Jr. and Malcom X paved the way for the civil rights movement that swept the nation and captivated the spirit of not only black Americans, but white Americans as well. The race between the United States of America and The Union of Soviet Socialist Republics for domination of space escalated as Kennedy pushed for a man on the moon by the close of the decade, achieved in 1969. The possibility of nuclear war became all too real in 1962 as the launch of nuclear missiles became an abundantly clear possibility. The drug culture emerged in the 1960’s in large part due to the newfound accessibility of illegal drugs, such as marijuana and Lysergic Acid Diethylamide, or LSD. American society was entrenched in the chaotic desire for new, improved highs. The profound ascent of the drug culture was truly realized when the 3-day music festival, Woodstock, took place in 1969, as “sex, drugs and rock n’ roll” symbolized America’s...
The sound of music can fulfil someone's ears with the rhythm of the beat or the sweet tone of the melody. Some people enjoy music with a little more “experience.” Rock, rap, and heavy metal are examples of music genres that has a reputation of using drugs to enhance the experience of the music. One other common music genre that has a reputation of drugs is EDM. Electronic Dance Music. It is a type of music typically created by using electronic devices, like a laptop, generated by a person with some talent. This music genre is known for it’s “club drugs” like ecstasy, methanamine, or magic mushrooms. (“CRC Health”) Some people use drugs at raves to “enhance” the experience and also people have tried or are trying to push the usage of drugs at rave to a certain that you can take. Many people want more security checks at raves so they can reduce the injuries and deaths at raves.
... showed the world just how lonely it could be at the top. Many people loved the Sixties, but it would not be a surprise that those who don’t wish to remember it had the same feelings of loneliness as Joplin felt. Fighting for others meant forgetting about oneself; unfortunately for many, the way to “find” your true self was through the use of drugs. To many it was seen as the gateway to the soul, and to those performers like Joplin, Hendrix, and Morrison, it was also the gateway to death.
A drug subculture involving the use of marijuana and other hallucinogenic drugs began to emerge in mainstream American society in the late ?60s and was loosely associated with an overall atmosphere of political protest concerning the Vietnam War and civil rights. Drug use, including heroin use, was prevalent among soldiers during the Vietnam War and many of them returned addicted. Since that time, the recreational use of drugs, particularly marijuana, has been a constant aspect of youth culture in all social classes.
With a country in shambles as a result of the Vietnam War, thousands of young men and women took their stand through rallies, protests, and concerts. A large number of young Americans opposed the war; with a common feeling of anti-war, thousands of youths united as one. This new culture of opposition spread like wild fire with alternative lifestyles blossoming, people coming together and reviving their communal efforts, demonstrated in the Woodstock Art and Music festival. The use of drugs, mainly marijuana, became a staple in the community of anti-war youths. The countercultures’ radical views and actions caused American society to turn its head and look to the young. They set themselves out as a group and were going to stand up for their rights as well as the rights of mankind.
Heroin was originally synthesized in 1874 by a man named C.R Alder Wright. Created as a solution to opium, a drug that had plagued many American households. It was originally produced for medical purposes evidently becoming highly addictive. Heroin “... was originally marketed as a non-addictive substance” (“History of Addiction”) which inevitably increased its popularity. It became especially popular in places of poverty. Heroin became a solution to struggle. So common it was almost as if heroin was a prescribed medicine for hardship. Known as “[a] treatment of many illnesses and pain” (“A brief history of addiction”) but later revealed that it caused more harm than good. Being so easily accessible it became immensely common among musicians.
Rock ‘n’ roll and 20th Century Culture According to Philip Ennis, rock ‘n’ roll emerged from the convergence of social transformations which resulted from World War II (Ryan 927). Despite its pop culture origins, rock music is arguably one of the strongest cultural factors to develop in this century. Artists such as Lennon, McCartney and Dylan defined the emotions of a generation and, in the last decade, it as even been acknowledged by members of the establishment which it hoped to change as a major influence in the country. In order to understand how rock went from a sign of rebellion to a cultural icon, it is necessary to understand where it came from.
The United States, during the 1960’s was a very progressive time for our country; the way people lived there life changed dramatically and has not been the same since. The sixties counterculture is the leading role in this progressive time period; from a wide spread of drug use, to the British invasion of music, and very importantly, feminism. After the Korean War, the CIA came across information that prisoners were being brainwashed with a “truth serum.” They acted quickly and started during human research; the research was called MKULTRA. They gave LSD and other hallucinogens to their test subjects. After the research was finished, Ken Kesey and the Merry Pranksters, started doing testing of their own; this testing included close friends and family. The popularization came from their, acid tests, which included many more people. Following the new drug scene, it played an important role in music. The sixties changed the classical rock the new psychedelic rock. This new form of music came from the drug use and people wanting art music, versus the normal rock. The first large wave of feminism came from the flappers; in the sixties the second wave came and it was larger...
The ‘60s were the age of youth, as millions of children’s from post World War II became teenagers and rebelled against the conservative fifties. Denying civil rights to African-Americans and liberation to teenagers in previous decades and Vietnam War, created a vortexes which lead to massive rebellion against the status qua. Music of the 1960s was characteristic of the revolution that was going on during the decade. It was a time of rebellion and counter-culture in which the teenagers and college students were critical of government, business, religious institution and other various aspects of life. Era marked by civil rights movement, Vietnam War, environment of drug abuse and sexual freedom formed new music like: folk rock, soul and psychedelic rock. These genres starkly contrast the teen idol music of ‘50s pop mainstream. Writes John Covach; “World was exploding, and rock musicians were listening more closely than ever.”(Covach, 152) Such stark contrast in pop music directly relay to changing social culture in America, which further echo’s the relationship between music and culture.
It was 1920 when smoking began to catch on in the United States. Its recreational use was restricted to jazz musicians and people in show business. “Reefer songs” became the rage of the jazz world. Marijuana clubs, called tea pads, appeared in every major city across the country. Authorities tolerated these establishments because it was not illegal or considered a social threat. In the early 1930’s marijuana became stereotyped as a violent drug, and by 1936 was illegal in all states. Marijuana research was at a stand still and the thought of it being a violent drug faded and the idea that it was a gateway drug emerged in the late 1940’s early 1950’s. In the 1960’s marijuana became very popular among the young college crowd. This was looked at as a challenge to authority and the government.
“I’m a golden god,” Russell Hammond shouts from a roof top as he is about to jump off into a pool from a bad acid trip. The iconic rock-n-roll scene of inflated egos and strung out rock stars. However, this is a rare occurrence in Almost Famous. It is a story of a boy, William Miller (Patrick Fugit), becoming a man while learning about the rock-n-roll culture with his only true friend, his tape recorder. William, age fifteen, is traveling with the band Stillwater to interview them for a Rolling Stone article, along the way he has many interesting experiences. Some of these including letting all the groupies stay in his room, almost crashing on an airplane with the band, and falling in love with the illustrious Penny Lane.
Sisario, Ben and James C. McKinley. “Drugs Deaths Threaten Rising Business of Electronic Music Fests”. New York Times. 9 Sept 2013. Web. 1 Apr 2014.
This article demonstatres how important Kurt Cobain was both as a rock and roll icon and a philosopher. His songs which he recorded himself are still popular today, over 20 years after his death. The author argues how Cobain influences other young artists and his effect on the direction of the music industry.
Throughout America's music history, the use and abuse of illegal drugs has been widespread, and some great musicians' lives have been utterly devistated and ruined by drugs. Often times it seems as though, in studying their histories, many musicians are falsely led to believe that if they use certain drugs, their playing will improve, or become more creative. Many great musician's lives have been tragicly cut short because of their drug use, and God only knows where some of them would be today had they not fallen into the trap of believing a chemical substance can improve their musicianship. The tragic thing is that by the time they realize that the drugs are only hurting their performance, the addiction has already taken control of their lives and their music.
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