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Impacts of culture on society essay
Effects of culture on a society
Impacts of culture on society essay
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In Justin Pearson's memoir, From the Graveyard of the arousal Industry, he recounts the events that occured from his early years of adolesence to the latter years of his adulthood telling the story of his unforgiving and candid life. Set in the late 1970s "Punk" rock era, From the Graveyard of the Arousal Industry offers a valuable perspective about the role culture takes in our lives, how we interact with it and how it differs from ideology.
Explaining the relationship between Culture and Ideology in one of his propositions in Critical Practice, George Grinnell notes “Culture delivers an ideology that is dedicated to keeping the status quo more or less intact” (Grinnell 46). More than this, he goes on to advocate that cultural objects and practices do not necessarily have to be explicitly ideological, but that they may also "encode certain assumptions quite subtly" (46). Though I concede that culture can be ideological in the sense that it may inculcate certain principles’, is it accurate to say that culture and ideology are two in the same? In From the Graveyard of the Arousal Industry, culture is our everyday lives, whereas an ideology is a set of values held by a particular group with the intended purpose of influencing the behavior of others. More than this, culture is the way in which we express ourselves, and how we share it with the world around us. In this sense, culture is also different from ideology in that the values retained within a specific culture are left open to interpretation and exploration, rather than being urged to be accepted by others. Take Jehovah's Witnesses for example; if you have ever lived in a community where religious practices are common, you have probably had one come to you...
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... of America was, for the most part, still centralized around the image of a rugged, Mohawk, wife-beater wearing Junkie.
Works Cited
Haenfler, Ross. Straightedge. 2006. Web. March 9th, 2014. Pp. 35-45 http://muse.jhu.edu.ezproxy.library.ubc.ca/books/9780813539911/ Grinnell, George C. Critical Practice. Web. March 11th, 2014. Pp. 45-47 https://connect.ubc.ca/bbcswebdav/pid-1745829-dt-content-rid-6443642_1/courses/SIS.UBCO.ENGL.153.101.2013W2.25500/Critical%20Practice%202013.pdf Pearson, Justin. From the Graveyard of the Arousal Industry. Soft Skull Press, 2010.
Graff, Gerald; Birkenstein, Cathy. They say/I say. W.W. Norton & Company Inc, 2010.
Montgomery, James. Cramps Singer Lux interior. 2009. Web. March 11th, 2014 http://www.mtv.com/news/articles/1604336/cramps-singer-lux-interior-dead-at-62.jhtml Flexner, Stuart Berg. New Oxford American Dictionary. 2005.
The authors both making sweeping statements about the political nature of the United States, but Ames addresses a more concentrated demographic of American society than Hedges. The latter points the finger at the venal egotism of celebrity culture for entrancing the public into complacency, and at America’s political leaders for orchestrating the fact, but he also places substantial blame on the people at-large for allowing themselves to be captivated by the entertainment industry. Ames discusses an issue in which the Millennial generation stands as the focal point, but she speaks directly to the teachers of these adolescents due to their position of influence. Although today’s youth are proven to possess a spark of political energy through their own volition—displayed through their generation-wide interest in dystopian literature—an environment of learning and in-depth analysis provides the best opportunity for the novels’ underlying calls-to-action to strike a chord with their young
Rock n’ roll gave people the voice they did not have in the early years. As the genre of music became more wide spread, people actually began to speak out. Altschuler touches on the exploration of how the rock n' roll culture roughly integrated with replaced and conflicted with preceding cultural values. Many of these values were very touch topics. Besides black civil rights, sexuality were one of the most sensitive t...
Adolescents and young adults have been disregarding the rules of the older generation and sparking up arguments since time could tell. One of the forerunners for this teen-angst filled defiance was none other than the king of outcasts, Kurt Cobain, lead singer and songwriter for Nirvana. Cobain was a trailblazer ready to defy the Baby Boomers and all that the tired generation saw to be important; Cobain pushed against many traditional structures but few more relevant than sexism and the mainstream music industry. Cobain rallied his army of misfits, labeled Generation X, to also stand against the sexists and the money-grubbing music bosses. Although Cobain didn’t do so by leading rallies or picket-marches, he found his rebellious essence through writing strange, contentious, and confusing music. With this in mind, it’s easy to say that Kurt Cobain was a model for Generation X; however, he is most notable as a rebel writer that expressed his resistance to sexism and to the music industry through his unconventional writing, mixed-music styles, and controversial songs.
The culture of a community invariably determines the social structures and the formation of a society. Developed over time, culture is the collection of beliefs and values that a group of people maintain together. Culture is never constant, and thought to be continually renewed over years as new ideas and concepts become mainstream. It ranges from how people live, day to day topics for conversations, religion, and even entertainment. It is analogous to guidelines, or the rulebook of the said group of people. Society, on the other hand, emanates from the social structure of the community. It is the very institutions to which create a regulated and acceptable form of interaction between peoples. Indeed, culture and society are so perversely intertwined in a
In the memoir From the Graveyard of the Arousal Industry, Justin Pearson sheds light on how society functions according to gender inequalities. In simple words, men are superior to women in a patriarchal society. This means that men possess more authority and power in comparison to women. The memoir explores a punk subculture, and pays particular attention to the ways in which it reinforces ideas of societal norms of male superiority. Moreover, it addresses these societal norms by highlighting the actions of woman in a punk society as references. Although many are eager to achieve equality in society through the ideology of feminism, they prevent themselves from speaking up, further emphasizing inequality between the genders. Feminism “examines
Culture has been defined numerous ways throughout history. Throughout chapter three of, You May Ask Yourself, by Dalton Conley, the term “culture” is defined and supported numerous times by various groups of people. One may say that culture can be defined as a set of beliefs (excluding instinctual ones), traditions, and practices; however not all groups of people believe culture has the same set of values.
In Don DeLillo's satirical novel White Noise, we become acquainted with what we might call a "postmodern family" - a group of people loosely bound together by birth, marriage, and common residence. But as we observe this family, we notice that the bonds between them are strained at best, and that their lives have been taken over by some insidious new force. This force is popular culture. For better or worse, pop culture has infiltrated the lives of our fictional family just as it has the lives of real human beings. DeLillo's purpose in the book is best illuminated by Heinrich's comment after the airborne toxic event: "The real issue is the kind of radiation that surrounds us every day." In other words, DeLillo states that popular culture is ruining - or, perhaps, has ruined - us all.
The earth is populated by an estimated 7.3 billion people, all of varying ethnicities, genders, creeds, races, economic and social backgrounds, cultures, and lifestyles. Many of these people who inhabit earth have lifestyles that are considered “normal”, but some choose lifestyles that others would consider “abnormal”. Sociologists call these “abnormal” lifestyles, subcultures. One such subculture is the punk subculture. No one knows where exactly the punk subculture began, but what is known is that the subculture grew out of a new genre of music that began in the United States in the mid-1960s called garage rock.
The arousal theory contains two components: intrinsically motivated and extrinsically motivated. The arousal theory basically defines a motivator in the body. Intrinsic motivators typically do something for the enjoyment or if they find something interesting whereas extrinsic motivators do something for rewards, not necessarily not enjoying what they are doing, but at the same time avoid negative consequences.
On an individual basis, popular culture helps establish and mold the subjective self. It influences the way individuals think, act and respond, and this becomes part of how people develop their personalities, preferences, beliefs, and their overall identity. For example, most people idolize certain fashion statements or fads which determines their preference of clothing. This process of self-formation coincides with both elements of personal choice and the responses and attitudes of others. Furthermore, the identity that an individual asserts is influenced by and helps determine the development of social relationships; it influences the communities and groups to which an individual will identify with and how that identification is processed. In the establishment of communal bonding, mass culture helps with, as Leavis describes, a “leveling down of society” (35). The lines of class distinction have been blurred which, to Leavis is not a good thing, but it unites us nonetheless. Popular culture also promotes unity in that it “blurs age lines” (29). As stated earlier, the products of popular culture are targeted towards a variety of audiences; adults read comic books, children watch adult films, etc. (Macdonald 29). Similarly, teenagers and young adults are brought together through night clubs, fashion, and music; college students come together to enjoy campus events; book fans wait in line hours for new releases, etc. Each of these instances produce feelings of belonging, acceptance and connection with members of society over a common
Emotional Arousal is defined as the arousal of strong emotions and emotions behavior. It is a physiological state that is entered during anytime of arousal, whether it be negative or positive. Arousal is a heightened sensation in our body and mind to make us more alert. Becoming aroused can come from stimulation which is more commonly found as emotions such as fear and anxiety or sexual and relaxation. Arousal starts in the brain, where the Reticular Activation system connects the primitive brain stem and the cortex and affects sleeping-waking transitions.
In this essay I ultimately want to address the musical episode of Buffy the Vampire Slayer, "Once More with Feeling" (season 6, episode 7). However, I do not want to look at this episode in isolation from the remainder of the Buffy franchise but rather argue that it exemplifies a certain entertainment strategy that courses through the Buffyverse. Now it seems to me that entertainment is either too often denigrated as a specific ideological formation that produces negative effects of audience passivity as against more overtly challenging texts, or, alternatively, entertainment is celebrated within a postmodern theoretical framework that views the multiplicity of pleasures afforded as inherently productive and even oppositional. Alternatively I want to concentrate on entertainment for entertainment's sake which is to say as a dialectical operation that in Fredric Jameson's terms intermingles wish fulfilment and repression by arousing radical fantasies in order to contain them (Jameson, 1990: 25).
By studying cultures and religions other than my own in Turkey, Morocco, Egypt and Greece it became clear to me that religion plays a huge part in shaping ones cultural identity. Bringing this "cultural identity" viewpoint to its fullest extent one could effectively be a Muslim or a Christian without really even believing the fundamental precepts of the faith. Of course this is not always or even usually the case. The point is, religion as a determinant of culture identity goes far beyond the agreed upon truths of the faith.
wake up! wake up! did you hear me say WAKE THE FUCK UP!? serene sunlight gleaming in my eyes i slowly rise with a crooked-face expression, eyebrows half way off my face, the taste of that overnight blunt stapled to the tip of my tongue and shopping through my taste buds. i take a deep breath, inhaling life into my lungs and salute the new day as a blessing. i see a pen resting. it's pleading me to pick it up and filter my being. gotta have it, so i grab it. feel the fragile but fluent flow of the pen conceiving thoughts held deep within. the ink oozing through its sides being penetrated by my flow. aqueous strokes assuaging my soul. hands clasp fast, manually massaging my mating mechanism. trying hard to find control and express realism. lost in a solitude of thought, i start to dwell on a time when freedom expelled and i fell into a hell i called my conventional cell, a little 8X8 room adorned with adolescent arrogance and innocent ignorance. aqua net bottles being trampled by nike sponsored 100% cotton pillow cases. spit swallowed blunts chillin behind the endless stock of hot cheeto bags. role models consisted of the ones with the gats and the weed sacks, a newly-dawning seed, i became part of a media-spawning breed, thought monetary accomplishment was the way you could succeed it was all about the benjamin's right? $80 jeans just to fit in and be tight. another $80 to experience the 'vintage' look @ GAP. saw the degradation of my generation in its obsession with immediate gratification. a teenage soul lost in a premature matured reality, unknown space caused the escape of my individuality, responsibility became nothing but a formality. began exploring the untamed and constantly apparent realm of sexuality. falling through the cracks of the gang banging mentality. 19th and mission, another fatality. i began my journey of questioning morality living in a society that teaches sex education in 3rd grade. so much violence on TV, my sensitivity starts to fade. i see sheep being led off a cliff, not knowing the black sheep was being paid. thoughts of family begin to scatter as a barrage of TV becomes my espionage of what a family should be. time to switch channels.
...bout the “real” real world.” Psychology of Popular Media Culture, Vol 2(4). Oct 2013. 237-250. PsychARTICLES. 29 Nov 2013