Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Research on theater of the absurd
The theatre of the absurd essay
The theatre of the Absurd Examples
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Research on theater of the absurd
World War Two spanned six years and claimed countless lives. Some died from gunshot wounds, others from the famine that the war left them, while hundreds of thousands more were eviscerated by atomic fire. The total casualties of the war are estimated to be well over 60 million, which at the time was about 2.5% of the Earth’s population. Many forms of protest arose from the ashes of histories bloodiest conflict, but few were more unusual than the Theatre of the Absurd. I have completed extensive research on this art form and am more than qualified to discuss the history of the aforementioned theatre style. During my research, I have found enticing information in regards to how this art form has evolved over the years, and how it still plays a role in modern society. However, if I may backtrack a little, I would like to start with how this theatre style originated.
It is believed that the Theatre of the Absurd was a reaction to the brutal devastation caused by the modern warfare used in the Second World War. Most of the plots involved in the productions of this theatre style don’t have any connection to the war itself, but rather strive to capture the same feeling that the war caused; hopelessness, emptiness, and the precariousness of life. The Absurdist movement began as an experimental theatre style in Paris. As a result, most of the early Absurdist productions were written entirely in French, even after the theatre style was adopted by other countries. The first wide scale absurdist production was “The Maids” written by Jean Genet in 1947. This play is absurdity at its finest, and follows two maids that are trapped inside a 1940’s mansion while their employer is out of town. “When their employer, only referred to as M...
... middle of paper ...
...y that it used to have, there is no question that it did have an impact on the modern day theatre.
Through my research I was able to explain the origin of the Theatre of the Absurd, how it evolved over the years, and how it has had an impact on modern day theatre. While interesting, this art form was incredibly difficult to research because there is a vast number of conflicting opinions about the purpose or the true meaning of this theatre genre. That’s when I realized that the question is more important than the answer. To anyone who has ever seen an absurdist play, they are often perplexed and unsure of what they have just saw. However, history will show that confusion such as this is often the start of timeless conversation and debate. You see, no matter how unusual something may seem, there is always meaning behind it. You just have to look hard enough.
This is reminiscent of French Neoclassical comedy of manners which displayed portions of society with horrible manners and all around bad behavior. This is seen in the performance through the actions of the lovers towards one another. In one scene, one of the women hikes up her dress and chases the other around the stage in a ridiculous fashion. This is disgraceful decorum, another satirical element of French Neoclassical comedy.
The 19th century changed people’s perspectives on theater. Theaters grew in size, plays became more professional, and costumes became more extravagant. Theater in the 19th century was influenced by the advanced changes, technology and society. Theater had a big impact on how people viewed things.
Anger can be partly physiological, cognitive, and psychological, and it is also pointedly ideological. Factors such as race, class, gender, sexuality, ethnicity, nation, and religion arouse anger (Kim1). Goldhor-lerner stated that:
Early political plays worked in creating an emotional engagement with their audience. This was achieved by many political theatre movement to stage their performances in unconventional stages. The ‘stages’ were from streets to rallies, often portable and flexible to endure the circumstances. Political theatre impacted specific audiences that shared, “a radical re-visioning of the relationship between the individual and the society in which they live (Deeney & Gale 327).” Specifically, this genre of theatre engaged the audience by issues of government as well as influences of party politics. In this paper, I will talk about three movements that impacted the early twentieth century. Suffragette theatre involved women’s rights in plays that were
Kernodle, George R. "The Theater Of Exaltation: Modern Tragedy And Poetic Drama." Kernodle, George R. Invitation to the Theatre. New Yory: Harcourt, Brace & World, Inc., 1967. 217-223.
“Although works of the theater of the absurd, particularly Beckett’s, are often comical, their underlying premises are wholly serious: the epistemological principle of uncertainty and the inability in the modern age to find a coherent system of meaning, order, or purpose by which to understand our existence and by which to live” (Hutchings 28).
In the introduction to The Theatre of the Absurd, Martin Esslin provides a comprehensive explanation of "Absurdist" theater. He quotes Albert Camus' jThe Myth of Sisyphus:
Comedy unites – It helps society relate to one another and adds to the interwoven-ness that invisibly threads us all together as a society. Comedies help underscore the sadness’ of life and enables playwrights to address problem in society and propose a solution. This problem solution construction is reoccurring in comedies. Comedies have endured the test of time as they continue to educate, influence, entertain and motivate humanity. Comedic works have been characterized as ending in all being right in the world. This notion is supported by the plays, Lysistrata by Aristophanes and The Importance of Being Earnest, A Trivial Comedy for Serious People by Oscar Wilde through their unique plot style, usage of literary and plot devices.
In this paper, I will be focusing briefly on my knowledge and understanding of the concept of Applied theatre and one of its theatre form, which is Theatre in Education. The term Applied Theatre is a broad range of dramatic activity carried out by a crowd of diverse bodies and groups.
are still in place in today's society. The play is a comedy but to a
Theatre as we know it now was born more than two thousand years ago and has gone through many streams until it reached the current modernity. Among these streams is the avant-garde theatre. This theatre achieved a break in the traditional theatre and became the forefront of a new experimental theatre. Therefore it is necessary to ask how this theatre started, what impact it had on society and if this type of theatre is still common in our modern era.
Stoppard's absurd comedy, Rosencrantz and Guildenstern Are Dead is a transformation of the Shakespeare's revenge tragedy Hamlet. They both contain common characters and events but are separated by their historical, social and literary contexts. The plays are also different in language, theatrical style, values, character and themes.
The survival of theatre lies in the very nature of humankind: its inner voyeuristic drive. The desire to watch other people dealing with their conflicts and fates challenges as well as reinforces values and the morality of society. The theatre provides an exciting opportunity to watch stories and situations as if they were real life, showing us the truth of our nature.
For thousands of years, people have been arguing that theatre is a dying art form. Many people think theatre is all just cheesy singing and dancing or just boring old Shakespeare, but there is much more to theatre than those two extremes. Theatre is important to our society because it teaches us more about real life than recorded media. Theatre has been around for thousands of years and began as a religious ceremony that evolved into an art form that teaches about the true essence of life. Theatre can incorporate profound, and provocative, observations of the human condition that can transcend time; lessons found in Greek plays can still be relevant to the modern world. People argue that the very essence of theatre is being snuffed out by modern