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Character development in Shakespeare
Characters And Characterization In Shakespeares Works
Character development in Shakespeare
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The Tragedy of Hamlet, Prince of Denmark, written by William Shakespeare, is considered to be one of his most perplexing plays. The tragedy follows the story of Prince Hamlet as he undergoes states of insanity, depression, and eventual death. Theories regarding Hamlet’s relationship with Ophelia are developed through subplots and leave the reader questioning as to whether Hamlet truly loved her. Arguments can be made that Hamlet and Ophelia love one another, but there are many obstacles that prevent them from rightly being together. The couple face a series of cascading problems, including the high expectations set forth by their friends and family. As the story develops, these problems cause major setbacks that become impossible to …show more content…
As Prince of Denmark, Hamlet had to live up to the expectations set upon him by his mother, uncle, and the society around him. According to CliffsNotes, Hamlet is “the consummate iconoclast, in self-imposed exile from Elsinore Society, while, at the same time, he is the adulated champion of Denmark — the people 's hero" (Hamlet). Because of these demands Hamlet is constantly moody, directs terse comments towards others, and often entertains thoughts of suicide. He feels he is not free to make his own choices about whom he should marry, as he must keep his interests within the state. Consequently, it puts a strain on Hamlet and Ophelia 's relationship, never allowing it to fully …show more content…
In order to sway everyone in Elsinore that Hamlet was insane, he first sells his insanity to Ophelia because he knows of her loyalty to her father. By convincing her, he would convince her father and the king. Despite his successful plan of "craziness", he severs many relationships with friends and family, especially with his believed-to-be lover. After verbally assaulting her in the castle, Ophelia takes his words "I loved you not" (3.1.117) and "...what monsters you make of them" (3.1.134-35) to heart and she feels betrayed and abandoned. Once again, the relationship is demolished. However, upon Ophelia 's death, Hamlet professes, "I loved Ophelia; forty-thousand brothers / could not match with all their quantity of love / make up my sum" (5.1.236-38). The readers learn in Act V that Hamlet 's love for Ophelia was indeed genuine despite his previous actions and words. The story of Hamlet, written by William Shakespeare, is considered to be a perplexing play as the many subplots twist, turn, and unfold. The relationship between Hamlet and Ophelia is conceivably the most widely discussed topic as countless theories are developed throughout the story. It is a tragedy, of many sorts, that Hamlet and Ophelia are not able to display their love for each other,
There are many topics deeply hidden in the works of William Shakespeare. One of his greatest pieces of works is the story of Hamlet, Prince of Denmark. Not only are the words of Shakespeare meaningful, but there are also many follow up pieces of literature that contain important interpretations of the events in this play. These works about Hamlet are extremely beneficial to the reader. I have found four of these works and will use them as sources throughout this essay. The first source is “The Case of Hamlet’s Conscience,” by Catherine Belsey, and it focuses on the topic of Hamlet’s revenge in the play. The second source is “’Never Doubt I Love’: Misreading Hamlet,” by Imtiaz Habib, and it explains a lot of information about Hamlet’s “love” for Ophelia. The third source is “Shakespeare’s Hamlet, III.i.56—88,” by Horst Breuer, and it talks in depth about the issue of suicide in Hamlet. The fourth and final source is “Shakespeare’s Hamlet 1.2.35-38,” by Kathryn Walls, and it describes the significance of the role the Ghost plays throughout Hamlet. There are many different confusing parts in Hamlet and the best way to fully understand the play is to understand all of these parts. By understanding every miniscule detail in the play, it creates a different outlook on the play for the reader. In this essay, I will explain these confusing topics, as well as explain why the sources are helpful and what insight they can bring. At the end is this essay, the reader will have a complete understanding and appreciation of the play Hamlet, Prince of Denmark.
Often overlooked in Shakespeare’s famous play Hamlet, Shawna Maki analyzes Ophelia’s restricting role as a woman in a patriarchal society and how it essentially leads to her death being the true tragedy of the play. Maki supports this argument by stating, “Whereas Hamlet has the power and potential to change his fate, Ophelia does not and her death is tragic because the only escape she sees from her oppression is madness and death.”. The comparison between Hamlet and Ophelia is a common parallel because both characters are inevitably labeled as tragic deaths due to the quick deterioration of their state of mind.
The life of Hamlet is without a doubt very interesting, he suffers from unfortunate events in his time that are often major blows to his ego. His father dies while he’s away at college, Hamlet is next in line to be king until his “uncle-father” steals it from him; but it is to be known his “uncle-father” would not have stolen it if his “aunt-mother” hadn’t allowed it. It’s very apparent from the beginning of the play that he is very well obsessed with his mother and her doings. He harasses, humiliates, and abuses her because she has done such an unforgivable act by marrying Claudius. His thoughts and feelings towards his mother are very strong and well known, he even describes the odd pair as “little more than kin and less than kind.” That’s not all with Hamlet; his mother remarrying is just the tip of the iceberg so deeply rooted in the ocean of his emotions. His relationship with Ophelia is twisted, Hamlet goes through episodes of
In The Tragedy of Hamlet, Shakespeare developed the story of prince Hamlet, and the murder of his father by the king's brother, Claudius. Hamlet reacted to this event with an internal battle that harmed everyone around him. Ophelia was the character most greatly impacted by Hamlet's feigned and real madness - she first lost her father, her sanity, and then her life. Ophelia, obedient, weak-willed, and no feminist role model, deserves the most pity of any character in the play.
Ophelia in the fourth act of Hamlet is demonstrably insane, but the direct cause of her slipped sanity is something that remains debatable, Shakespeare uses the character Ophelia to demonstrate how women during this time were unable to break away from social norms. While it is evident that Ophelia is grieving over the death of her father, Polonius, as Horatio says of her “She speaks much of her father, says she hears / There’s tricks in the world, and hems, and beats her heart” (4.5.4-5), as lines from one of her many “songs” points towards grieving over an aged relative, “His beard as white as snow / All flaxen was his poll” with flaxen indicating a white or grayed head of hair (4.5.190-191).
While Hamlet may still be feeling depressed Hamlet moves into the stage of denial and isolation. Hamlet feels the effects of denial and isolation mostly due to his love, Ophelia. Both Hamlet’s grief and his task constrain him from realizing this love, but Ophelia’s own behavior clearly intensifies his frustration and anguish. By keeping the worldly and disbelieving advice of her brother and father as “watchmen” to her “heart” (I.iii.46), she denies the heart’s affection not only in Hamlet, but in herself; and both denials add immeasurably to Hamlet’s sense of loneliness and loss—and anger. Her rejection of him echoes his mother’s inconstancy and denies him the possibility even of imagining the experience of loving an...
Hamlet, Ophelia’s lover, accidentally kills her father and “confesses” he never loved her, Hamlet toys with Ophelia's emotions intentionally and unintentionally to solidify his madness. Even though she was the who initiated the “breakup”, her sorrows of the relationship are much more public than Hamlets. Hamlet’s madness scares Ophelia away which he used as a defense mechanism to not be hurt anymore. His madness looks as though he had been "loosed out of hell to speak of horrors" (2.1.83-84) and she "truly [did] fear it"(2.1. 86). His insanity and rudeness suffocated any love she had for him. She admits that their "their perfume [has been] lost" (3.1. 99). This helped Hamlet solidify his insanity by cutting ties with the ones he loves, and having them tell others he is mad. This comes with the cost of discontinuing his relationships: especially with Ophelia. Both have hinted around in the text of an intimate affair. This makes the emotions and breakup even more difficult for both of them. Their relationship was a love, not an innocent crush or courtship. Poor Ophelia initially thought she caused Hamlet's madness due to the abrupt ending of their affair. But because of her naivety, she lacks to see his other internal struggles. Ophelia’s trust in Hamlet left her heartbroken. Hamlet’s agenda of or getting justice for his father occupied his mind more than Ophelia did. Which left her feeling
In analyzing Hamlet, the Oedipus Complex is clearly apparent to the reader. As a child, Hamlet always expressed the warmest fondness and affection for his mother. This adoration contained elements of disguised erotic quality, especially seen in the bed chamber scene with his mother. The Queen's sensual nature and her passionate fondness of her son are two traits that show her relationship with Hamlet goes beyond the normal mother-sun relationship. Nonetheless though, Hamlet finds a love interest in Ophelia. His feelings for Ophelia are never discussed fully in the play, but it is evident to the reader that at one time he loved her because of the hurt he feels whe...
Throughout the play Hamlet by William Shakespeare, the constant question of whether or not the main character Hamlet truly loves his supposed interest Ophelia becomes apparent. Hamlet is the son of King Hamlet, the King of Denmark, when his father unexpectedly dies due to a murder performed by Hamlet’s uncle Claudius. In the midst of struggle and emotional turmoil, Hamlet’s “love” for Ophelia comes under fire, and the Prince of Denmark’s genuineness is questioned as he starts to show the public signs of madness. Though madness clouds some decisions and remarks, Hamlets love for Ophelia remains true and honest on the basis of telling her to go to a nunnery to protect her and professing his love while in her grave.
The story of Hamlet is a morbid tale of tragedy, commitment, and manipulation; this is especially evident within the character of Ophelia. Throughout the play, Ophelia is torn between obeying and following the different commitments that she has to men in her life. She is constantly torn between the choice of obeying the decisions and wishes of her family or that of Hamlet. She is a constant subject of manipulation and brain washing from both her father and brother. Ophelia is not only subject to the torture of others using her for their intentions but she is also susceptible to abuse from Hamlet. Both her father and her brother believe that Hamlet is using her to achieve his own personal goals.
The reader is left guessing on Hamlet’s true feelings for Ophelia through his various insults, sexual innuendos, and admitted desire. Hamlet’s claim, “God hath given you one face, and you / Make yourselves another.” (3.1.155-156) is laced with irony and hypocrisy given Hamlet’s own deception regarding true feelings. This proclamation comes at the end of a lengthy tirade against Ophelia and womankind in general for their conniving deceit leading men astray. The fact that Hamlet cannot see this duplicity in his very own actions shows the double standard he holds for females. Ophelia’s immediate reaction is one of shock and defense due to the aggressive nature of Hamlet’s attack. She calls out “O, woe is me!” (3.1.174) in distress to the ferocity of Hamlet and is unable to form a particularly coherent response akin to the ones seen against Laertes and Polonius. She does show her intelligence and rebellion from this assumption of power by Hamlet in her songs while Hamlet is gone. While many attribute her madness to the death of her father, a large portion of her instability should be attributed to Hamlet and his earlier actions. In her first introduction as insane she sings, “And I a maid at your window, / To be your Valentine. / Then up he rose and donned his clothes / And dropped the chamber door, / Let in the maid, that out a maid / Never departed more.” (4.5.55-60). Due to her references to sexuality and deceit the
Ophelia’s brother Laertes always wants the best for her. So he suggests that she should no longer pursue the relationship with Hamlet because she doesn’t belong in the royal family. Laertes obviously loves her but also wants that power of controlling her so he advises Ophelia to stay away from Hamlet. All men during this time would act like this towards a woman. Ophelia’s relationship with her father is very normal, they loved each other and Ophelia cared for him greatly. After Laertes told Ophelia that she should stay away from Hamlet, Ophelia tells her father that Hamlet loves her. Polonius Ophelia’s father, finds it strange that Hamlet would profess his love towards her so he quickly mirrors what Laertes said earlier and he tells her to no longer be affiliated with Hamlet. Ophelia promises to obey her father's commands. Her relationship with Hamlet is anything but normal, some might call it a type of “rejected love.” Ophelia still loves Hamlet but he no longer feels the same way towards her. Both Hamlet and Ophelia share this mutual love for one another until their worlds begin to fall apart. For Ophelia, her life begins to unravel when Hamlet admits that his love
When reading Shakespeare's Hamlet, one becomes involved with a number of relationships involving Hamlet (the tragic protagonist) and the main characters supporting the play. The characters involved include, but are not limited to, Hamlet (the ghost), former King of Denmark and deceased father to the protagonist; Horatio, friend to Hamlet; Gertrude, Queen of Denmark and mother to Hamlet; and Ophelia, daughter of Polonius and romantic interest to Hamlet. Although all of the relationships are complex, encompassing a wide range of varying emotions as the plot advances, there is a recurring theme of love threaded throughout the play. This theme of love takes on a number of faces which we may observe through the relationships Hamlet experiences during the production. We see Hamlet's filial love for his mother, Gertrude, and romantic love for Ophelia, daughter of Polonius. However, it is Hamlet's platonic bond with Horatio, his best friend, that proves to be the strongest tie of all and commands the most attention as it relates to the theme of love. While emotions, relationships and loyalties are constantly changing, it is the platonic love of friendship and loyalty, shared by Hamlet and Horatio, that remains unchanged and unchallenged.
Hamlet is without any reservations, one of Shakespeare's most mystifying plays. Although the play has a concise story, it is filled with many uncertainties relating to different issues behind the plot. The reader is left with many uncertainties about the true feelings of prince Hamlet. One question in particular is, did Hamlet really love Ophelia? This dispute can be reinforced either way, however I believe Hamlet was truly in love with Ophelia. Support for my decision comes from Hamlet's treatment towards Ophelia as shown throughout the play, but especially in Act 3, Scene 2, and at Ophelia?s grave in Scene 1 of Act 5.
Two of Ophelia’s difficulties arise from her father and brother. They believe that Hamlet is using her to take her virginity and throw it away because Ophelia will never be his wife. Her heart believes that Hamlet loves her although he promises he never has (“Hamlet” 1). Hamlet: “Ay, truly, for the power of beauty will sooner transform honesty from what it is to a bawd than the force of honesty can translate beauty into his likeness. This was sometime a paradox, but not the time gives it proof. I did love you once.” Ophelia: “Indeed, my lord, you made me believe so.” Hamlet: “You should not have believed me, for virtue cannot so inoculate our old stock ...