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construction of st. peter's basilica
analysis of Architecture of early christian
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Many modern day Christian beliefs and practices were taken from early pagan practices. In fact, the sacred Greek Temple Of Apollo, Didyma (modern day Turkey) and the Christian Old Saint Peter’s Basilica on Vatican Hill, Rome were similar in history, religion, and intended function as a place of worship. The structural aspects of the two have few similarities, however, that is not to say that the pagan influence on the church building was nonexistent.
The Temple of Apollo at Didyma was designed by two Greek architects, Paionios of Ephesos, and Dafhnis of Miletos. Construction was started in 313 B.C. and was worked on sporadically over the next 500 years. The temple was never completed, mostly because of size and cost. The original Plan was to include 120 columns of over 64 feet in hight (which would have made it the tallest Greek temple) and a base circumference of 6 feet. Surviving records tell us that each column cost 40,000 drachmas (a Greek currency). The average worker made 2 drachmas a day. If the builders had the financial backing of an empire, the temple probably would have been completed.
Constantine Did have the financial backing of a rich empire, as he was Emperor of Rome. Soon after he outlawed the imprisonment and killing of christians he ordered a grand church to be built. Old Saint Peter’s Basilica was built between 320 and 333 A.D. It was immediately recognized as a place of high religious importance (and still is today).
Constantine chose an unusual and controversial location for his church. It was built on Vatican Hill over a pagan Cemetery. This was highly controversial because the defacement of a grave was a serious criminal offense in rome, often carrying death as the punishment. But Constantine was Emper...
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...ed view of the altar) and in part the desire to separate the new religion from the old pagan ones. A major structural difference of the Basilica was the entrance to the worship space. The entrance to the Temple was an open passage on the side that led into the main isle. The entrance to the Basilica was though a narthex, or vestibule. This led into the nave, main room, with a length of 300 feet. At the far end was the altar located in the apse and under the chancel arch which separated the apse from the transept.
In conclusion, the construction of Saint Peter’s Basilica was designed to be a visual separation from pagan temples and thus the old pagan religion. However, the architects could not erase the influence paganism already had on Christianity. Paganism melded with Christianity, forming a religion where the new was held as sacred and the old was dismissed.
St Peter’s basilica which is built based on rational form of architecture is a Late Renaissance church located within Vatican City, designed by Donato Bramante. Its significant history is that according to the Catholic tradition this was the place that Saint Peter was buried. Not so far away...
From 300-600 CE The Roman Empire allowed new religions to be formed and universalized. The Religion that was associated with The Roman empire was Christianity. Christianity became the religion of Rome because of a man named Constantine who allowed Christianity to spread and flow throughout the empire create a harmony throughout the people. Constantine allowed for the Roman officials to adopt Christianity and this led to the building of the Constantinople. Christianity had basilicas which were opulent churches that were open to all which meant any person could go there allowing Christianity to be very universal. Christianity was also very appealing because the worshiped deity walked on land with the people. Christianity split and became the Roman Catholic church which consisted
During the Romanesque era, pilgrims were the most noticeable characteristic of public religious devotion, proclaiming their faith in the power of saints (Gardner 335). Pilgrims traveled all over Europe to reach the major shrines located in Jerusalem. The large quantity of pilgrims whom wished to visit the saints effected the Romanesque churches architecturally (Gardner 335). Changes in design and structure we being made in order to accommodate the growing crowds of pilgrims. Changes such as longer and wider naves and aisles, transepts and ambulatories with additional chapels and even second-story galleries (Gardner 335). The increase of the pilgrimage routes which allowed more pilgrims to travel in order to visit their saints, established many changes in architectural styles as well as the dissemination of the faith in saints.
Within the third chapter, Conversion, Nees offers the idea that the use of multiple religion 's iconography was not a method to induce conversion, rather it was a result of environment. Nees explains “Greek and Roman temples were recognizable by such features as pediments and colonnades, but Christians used any convenient structure” (p. 47). With this assumption in mind, we look to the Baptistry of the Christian meeting-house of Dura (p. 40) where we are presented traces of Greek and Roman architecture. The section of the room that is dedicated to the actual act of baptism is marked by columns and a curved ceiling that resembles a triumphal arch. Future depictions of the ancient architecture can be seen in the Gospel of St Augustine where St Luke is flanked by corinthian columns, while an arch like design sits above him (p. 154). Nees acknowledges this alternative approach to his thesis, but unfortunately does not go into as extensive detail as he did with his main
There is a lot of historical context that is involved with this topic which describes the struggles in Britain in converting the people into Christianity. Anglo-Saxons that came into Britain were originally pagan which consisted of them worshipping gods of nature and trees and rocks. They would pray to these gods for materialistic things such as a good harvest or to win an upcoming battle. The native people were Christian and because of the speed in which this conversion happened it is understandable that the Pope Gregory wanted all paganism out. This was a lengthy process that took many years to actually be accomplished. The process began in 597 when Pope Gregory sent St. Augustine in this mission which was a conversion into Christian ideas that was harsh and rapid. The Pagan churches were stripped from the gods they worshiped into places for Christianity to be worshipped. The entire conversion did not begin with the people but with the king himself first which was why the changes shoved into the pagan worshipers. After the last Pagan kin...
"Constantine the Great." The Catholic Encyclopedie, Volume IV. 2003. New Advent. 7 Dec 2006 .
Ziggy Marley once said, “God is like the sun. When the sun shines, it shines for everyone. God is for everyone.” In the same way, Abbot Suger built the Basilica of St. Denis so that sunlight would flood throughout the building and symbolize the power of God inviting visitors into the cathedral. The Basilica of St. Denis was an artistic response to the rise of the Catholic Church’s power for it was modeled to be a physical representation of heaven, which the church heavily preached upon. (Thesis) As the basilica represented the shift from Romanesque architecture to Gothic, Abbot Suger introduced new techniques that transformed cathedrals to look more spacious and “heavenly”. (Map Statement #1-Art History) By allowing sunlight to come through the large windows, Abbot Suger instilled the Neo-Platonic idea that the sun was the physical representation of God. (Map Statement #2 –Philosophy) Also, at that time, the church was rising in power, so the new structural style of the basilica brought more converts and eventually more power to the church. (Map Statement #3 –Social Institutions) [Insert Literature Map Statement] The Basilica of St. Denis was built so that worshippers would be in awe of the “heaven-like” setting, which would cause more people to declare their faith to God and to the church.
...ic one was viewed as a crossroads, the art of late antiquity is no less Roman. As our text states, “The Jewish and Christian sculptures, paintings and buildings, are Roman in style and technique, but they differ in subject and function from a contemporaneous Roman secular and religious art and architecture” (Kleiner Fred S, pg 209). The use of images from Classical Rome will be a continuing issue in the history of Christianity.
The church external appearance was quite different than other churches that I have seen. It was basically a big white stucco block with a gold dome on top and four decorated spikes on each corner of the building that surrounded the dome. The people of course were all Greek and were very well dressed. Most of the men and boys all wore suits, and If not they had some kind of vest on. I don’t know if this was some kind of rule or tradition, but it mostly seemed as a respect to God. The women all wore the basic dresses, and all the skirts fell down below the knee. Everybody was proper and ordered. As I walked in the church I entered a lobby of some kind. What I saw hear was something like social hour. Everybody was in there. They were all speaking Greek, and I felt as if I was in a family reunion party. The children were all together; the adults talked together and the young adults all were together. The way they all socialize is when someone comes up to say hello, they give each other a kiss on the cheek and a hug. These people are all very close to each other. It seems as if the church is the center of their lives. I admire that trait as well. To enter the auditorium you must enter this little room, which has a piece of garment from St. Constantine and St. Helen. Also there were candles lit. As they walked through this little room they lit a candle and knelt down for a moment to pray, and then touched each garment and made a cross over their chest.
Constantine lived from 280-337 CE, and in 312 CE moved his army in on Rome and began his powerful uprising in the Mediterranean. Constantine looked to God in all his battles and it was said that he once saw an emblem and was told to put the symbol on his shield i...
Construction spanning one hundred and eight years, the final result is magnificent. Having had many different architects working on the project, changing after either the leading Pope would die or the architect, it is a wonder the plans for the basilica came together and that the building has lasted so long. The original basilica, built by Emperor Constantine in the fourth century is the foundation to this building. To those of the christian faith, this building is the epitome of belief. St Peter’s Basilica is from where the catholic faith
Christ was crucified at but it is also believed that it was where he was buried and then resurrected. Because of this belief, the church has become the foremost pilgrimage site for the Christian religion. The church that stands today is a reconstruction of the original church because the church was damaged throughout the years by fire, invasion, and earthquakes. The original church was rebuilt during the middle ages when an agreement was reached between the Fatimids and the Byzantine Empire. The tomb itself is empty of course but millions come to the church to pay their respects to the religious figurehead.
As the greatest empire in the western world began to crumble one city at a time, the leader of the Roman Empire, Constantine, under pressure from external and internal sources moved the capital of Rome to Constantinople around 330 AD. The movement of the capital was after his conversion to Christianity in 312 AD, a growing religion throughout the empire despite being officially illegal. Constantine was not the devote saint that the church may speak of today, “from 312-320 Constantine was tolerant of paganism, keeping pagan gods on coins and retaining his pagan high priest title "Pontifex Maximus" in order to maintain popularity with his subjects, possibly indicating that he never understood the theology of Christianity” (Ferguson & Grupp, 1998). The first Christian Emperor claimed to have converted after a victorious battle with his brother and there are many that corroborate this story it appears highly suspicious to only promote Christian ideals and worship. Constantine was not even the Emperor that made Christianity the religion of the Roman people, but simply permitted religiou...
During the Hellenistic period, you find the first monument built to celebrate someone who was not a general, god, or ruler. The Monument to Iysicrates is located in Athens, and is the first time a Corthinian column is used on the exterior. There was not a lot of money to spend on new temples but they still managed to build the Temple of Zeus Olympius. There is not much left of it today but it was huge. This temple was decastyle, meaning ten columns across, and the columns were sixty-five feet tall.
St. Peter’s Basilica has witnessed a turbulent history. The first basilica was built on the place where the tomb of St. Peter rested in the year 324 by Constantine the Great. However, this church was dilapidated towards the end of the middle ages. It was in the year 1506 when Pope Julius II tasked Bramante with the task of rebuilding the church. There were a number of other artists such as Michelangelo, Raphael, Sangallo and Peruzzi who were involved in the designs and constructions. St. Peter’s Basilica is now known to be the largest Christian church in the world and it is by far the most impressive one as well. Some of the main attractions of the church are Bernini’s Baldacchinno, Cathedra Petri, Chapel of the Pieta, the statue of Virgin Mary holding the dead body of Christ and a large esplanade that has been designed by Gian Lorenzo Bernini