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Critical analysis of the stranger by albert camus
Isolation essay introduction
Critical analysis of the stranger by albert camus
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The Stranger, written by Albert Camus, tells the story of Meursault. It is about Meursault an indifferent young man living in France. It shows what leads up to Meursault committing murder, the murder, and the aftermath. Albert Camus writes the story in first person narrative. The Stranger being written in first person narrative shows us why and how Meursault is so isolated. This in turns shows us how extreme isolation leads to disinterest in society, and in this case, murder. Meursault is isolated from society. More emotionally than physically, although he does spend some days locked away in his apartment. He creates this isolation himself. Meursault has an inability to feel emotions and this leads to the majority of his isolation. The novel …show more content…
Meursault commits murder because he’s scared of feeling his emotions. This sounds contradictory, one would think murder would make you feel even more. During Maman’s funeral, Meursault has a strong reaction when asked if he wanted to see her body. Meursault declined then became embarrassed because he, “felt I shouldn’t have said that”(6). Seeing the body of a deceased loved one is hard to process emotionally and too much for Meursault to handle. Instead of letting his emotions out he refused to see Maman and instead became embarrassed by this fact. When Meursault kills the Arab he does this because he wants his emotions to stop. Earlier that day Meursault had been happy, playing with Raymond, Marie, and Raymond’s friends, “we moved in unison and were happy”(50). Meursault and Raymond also had a nasty encounter with some enemies of Raymond, “they took off running as fast as they could while we stood there motionless in the sun and Raymond clutched at his arm dripping with blood”(54). Meursault has already been experiencing lots of emotions in the day, happiness, fear, and anger are all strong emotions. Not to mention the sun was so hot that “I (Meursault) could feel my forehead swelling under the sun”(57). All of these were building in Meursault when he again confronted the Arab. When he again sees the Arab Meursault announces, “The sun was the same it had been on the day I’d buried Maman, and like then, my forehead was hurting me, all the veins in it throbbing unrt the skin. It was this burning, which I couldn’t stand anymore, that made me move forward(58-59). It was the intensity of his emotions that he could not handle that drove him to kill the Arab. He wanted them all to stop and in that moment he thought he knew how to make
In Part One of The Stranger, Albert Camus avoids religious confrontations with Meursault in order to subconsciously place blame on Christ for his criminal actions. Camus restricts Meursault’s relationships to further distance him from his mother. Meursault then alienates himself from the typical spiritual ceremonies and actions to demonstrate his distrust of religion. Simultaneously, Camus uses diction of clear and bright elements to characterize people in the novel, excluding Meursault. Camus associates dark colors with Meursault to depict a sadistic persona. To conclude, Camus places Meursault in recurring situations which result in him being distracted by “the light”. Camus uses these literary techniques in The Stranger to demonstrate man’s condemnation of God.
Albert Camus’ The Stranger offers one man’s incite into the justice of society. Monsieur Meursault, the main protagonist in the novel, believes that morals and the concept of right and wrong possess no importance. This idea influences him to act distinctively in situations that require emotion and just decision, including feeling sadness over his mother’s death, the abuse of a woman, and his killing of an innocent man. In these situations Meursault apathetically devoids himself of all emotion and abstains from dealing with the reality in front of him. When confronted by the court over his murder, he reiterates his habitual motto on life that nothing matters anyways, so why care? His uncaring response inflames the people working within the
Has there ever existed a person that has not judged someone else over their lifetime? Judging by reality as well as literature it seems that no person like that has ever existed. It appears that it is human nature to want to pronounce others as either purely good or evil. But does everyone fit into the mold of good or evil? In Albert Camus's The Stranger, Meursault is a morally ambiguous character, and this ethical indistinctness plays a major part in the novel as a whole and the theme that Camus is trying to portray.
Often one wonders what it would be like to completely close off all connections to society and live in exile. What it would be like if your thoughts were the only thing to keep you company. For most; the idea of being all alone with just your thoughts is enough to drive one crazy. However not for Meursault. Meursault is already so detached from society that his experience of exile is less of a punishment, and more so enriching. His time in captivity cuts him off from his “home” or better yet, his comfort zone of being an introvert and gives him a chance to create a different appearance in front society, apart from a stranger.
By the end of Meursault is imprisoned somewhere he has always mentally and emotionally been. Being isolated make him act as a stranger even more. The title describes a strange person.
I, Albert Camus, am a famous French author who wrote The Stranger in 1942. I was born in Algeria, and my experiences there have deeply influenced my thoughts, my work, and my philosophies. The Stranger strongly represents my philosophy of the absurd and existentialism. When I was twenty-five, I moved to France and joined the resistance movement during World War II. After the liberation from Nazi Germany, I became a political journalist and a columnist for Combat, a French newspaper.
As his writing career began to grow, Camus moved to France in 1938. Where in 1942 at the age of 29 Camus he wrote his famous book, The Stranger. Connections between the protagonist, Meursault, and Camus can be seen because of small, similar details between both of the main characters and authors. When Camus was one year old his father died in the Battle of Marne during World War I; a reflection of this is seen in the novel as Meursault's father is not mentioned.... ...
...immediately gives an impression of a lack of emotion towards the demise of his mother. This lack of emotion highlights the existentialist ideal that we all die, so it doesn't matter what life we have while we are alive. We simply exist, as did Meursault. It becomes apparent, as the novella unfolds, that Meursault has acquired an animal like indifference towards society. His interactions with his neighbour Raymond are an example of his indifferences. It never dawns upon Meursault that society does not condone his interactions with the pimp, avoided by his community. Meursault simply acts to fill his time. Being a single man, he has a lot of time to fill, and finds the weekends passing particularly slowly.
During the first half of the novel, we see many examples of Meursault’s freedom and how he exercises it. He does what he wants, when he wants to with no regard to how he affects the people around him. Meursault lives his life with no restrictions. He is his own boss. Relaxed and free.
In The Stranger, Albert Camus describes the life of the protagonist, Meursault, through life changing events. The passage chosen illustrates Meursault’s view during his time in prison for killing the Arab. In prison, one can see the shifts in Meursault’s character and the acceptance of this new lifestyle. Camus manipulates diction to indicate the changes in Meursault caused by time thinking of memories in prison and realization of his pointless life. Because Camus published this book at the beginning of World War II, people at this time period also questions life and death similar to how Meursault does.
In most novels, a shift in the protagonist's character is observed. The novel The Stranger by Albert Camus, in line with its themes of isolation from societal norms, chooses to forego this literary foundation during the near entirety of the narration. Throughout the novel, the protagonist Meursault shows little change in character until the end of his life when he is in prison and on death row.
Every character that revolves around Meursault seems to be in direct contrast to him. Meursault is an amoral person who does not seem to care passionately about anything. He acts in accordance with physical desires. In other words, Meursault is a sensualist person. At this particular time in his life, his path crosses with his neighbor, Raymond, who feels as though his girlfriend is cheating on him. He decides to take revenge with minor aid form Meursault. Meursault helps him only because he thinks he has nothing to lose if he does. As things lead into one another, the first major violent act of the book is committed.
Meursault looks at it as something physical that is convenient for him. He does not confide in Marie or try to get to know her on a personal level. Marie is interested in this part of the relationship, as evidenced by her question about love. Even in what is supposed to be a serious endeavor by human standards, Meursault is still isolated in his relationship with Marie. In addition to Meursault’s relationship with Marie, the idea of isolation is carried into his murder
Within the Stranger, Albert Camus brought up many questions and a few answers. He created an outsider to society and showed us how he lived, Meursault.
Camus writes in a simple, direct, and uncomplicated style. The choice of language serves well to convey the thoughts of Meursault. The story is told in the first person and traces the development of the narrator's attitude toward himself and the rest of the world. Through this sort of simple grammatical structure, Camus gives the reader the opportunity to become part of the awareness of Meursault. In Part I, what Meursault decides to mention are just concrete facts. He describes objects and people, but makes no attempt to analyze them. Since he makes no effort to analyze things around him, that job is given to the reader. The reader therefore creates his own meaning for Meursault's actions. When he is forced to confront his past and reflect on his experiences, he attempts to understand the reasons for existence. At first, Meursault makes references to his inability to understand what's happening around him, but often what he tells us seems the result of his own indifference or detachment. He is frequently inattentive to his surroundings. His mind wanders in the middle of conversations. Rarely does he make judgments or express opinions about what he or other characters are doing. Meursault walks through life largely unaware of the effect of his actions on others.