The Stranger is a novel by Albert Camus. Albert Camus, a French, Noble prize winning author, journalist and philosopher, was born on the seventh of November 1913. He died on the fourth of January 1960. He was instrumental in bringing the philosophical views of absurdism to public attention. The Stranger was published in 1942 and is an example of the outlook and themes of Camus’s philosophy of the absurd.
Albert Camus’ The Stranger offers one man’s incite into the justice of society. Monsieur Meursault, the main protagonist in the novel, believes that morals and the concept of right and wrong possess no importance. This idea influences him to act distinctively in situations that require emotion and just decision, including feeling sadness over his mother’s death, the abuse of a woman, and his killing of an innocent man. In these situations Meursault apathetically devoids himself of all emotion and abstains from dealing with the reality in front of him. When confronted by the court over his murder, he reiterates his habitual motto on life that nothing matters anyways, so why care? His uncaring response inflames the people working within the
The Stranger, published by Albert Camus in 1942, originally was written in French but soon got translated into English. Absurdism is a philosophy closely looked at in the novel and the readers can greatly explore this philosophy through evaluating the actions of the narrator, Meursault. Albert Camus writes in specific focus to this philosophy in The Myth of Sisyphus, which consists of a story about a man named Sisyphus who was sentenced to push a rock uphill again and again only to watch it roll down again. He writes his novel purely subjective to the narrator’s point of view. This is important because we the readers are able to see his reasons for his actions and opinions on situations. In The Stranger, Albert Camus cleverly shapes Meursault’s character so that he portrays the philosophy of the Absurd and also shows how a more rational society might view his choices and actions.
The Connection between Existentialism and Meursault
An existentialist represents their choices throughs their actions, opposed to with their words (Corbett). Therefore, someone who expresses the ideals of existentialism may be a threat to society because of their differences in morality compared to others. In The Stranger, by Albert Camus, Meursault was always looking to find meaning in his life because of everything that was happening to him at the time; and that is a key characteristic of someone embracing the ideals of existentialism. Sadly, through Meursault’s search for his inner meaning, he ended up taking the life of another man with very little realization of what he had done.
Albert Camus is a widely renowned author and existentialist philosopher from the 1950s. He believed in a concept called “The Absurd” which he described as the notion that our universe is completely irrational, yet people continue to try and give order and meaning to it. For most normal human beings, this is an extremely difficult concept to accept, including the main character from the novel “The Stranger”, Meursault. Meursault does not express and ignores his emotions, even though it is evident in the book that he does experience them. However, once Meursault falls into a blind rage with the chaplain, the universe begins to make more sense to him. In order to come to an acceptance of the indifference of the universe, one must have an emotional breakthrough, which Camus shows through differences in sentence structure and elemental imagery between parts one and two.
In The Stranger by Albert Camus, the main character, Meursault, is an absurdist who lives in the moment and refuses to be distracted by societal norms. He views the world as random and is indifferent to it. But to many French people living in Algeria, religion, social order and character are intertwined and are imperative to human life. Camus uses the crucifix and the courtroom to convey the idea that religion is man’s desperate attempt to create meaning in life where there is none.
Opposed to this, Camus uses Meursault as a construct to demonstrate his philosophy of absurdism. Absurdism is the belief that one cannot give rational sense or purpose to life, a belief based on the inevitability of death. Because people have difficulty accepting this notion, they constantly attempt to create rational structure and meaning in their lives. The term ‘absurdity’ describes humanity’s futile attempt to find rational order where none exists. Only at Meursalt’s epiphanic revelation before death does he realize this as his comes to know the absurd world.
The Stranger written by Albert Camus was originally published in 1942 and was written in french. The book is separated into two parts, Meursault’s thoughts before and after the murder. It discusses Camus views on existentialism. The main character is Meursault, he is a man who is forth-right with his self expression. He expresses himself with no bother towards other peoples impressions of him. Although he lacks genuine emotion and real connection with other people. Mersault is the un-ideal representation of man according to Camus. He is a metaphor for wasting life. Meursault has no emotion, his actions are consistent. He eats at the same place everyday for lunch and then sits on his porch for dinner. He has no excitement, no difference between
The Stranger written by Albert Camus is an absurdist novel revolving around the protagonist, Meursault. A major motif in the novel is violence. There are various places where violence takes place and they lead to the major violent act, which relates directly to the theme of the book. The major violent act of killing an Arab committed by Meursault leads to the complete metamorphosis of his character and he realizes the absurdity of life.
The Stranger by Albert Camus is a story of a sequence of events in one man's life that cause him to question the nature of the universe and his position in it. The book is written in two parts and each part seems to reflect in large degree the actions occurring in the other. There are curious parallels throughout the two parts that seem to indicate the emotional state of Meursault, the protagonist, and his view of the world.