The Speaker's Role in Three Poems by Howard, Wyatt, and Raleigh
The speakers in "Farewell, False Love," by Sir Walter Raleigh and "My Lute, Awake!" by Sir Thomas Wyatt the Elder have similar motivations, although the poems have differing constructs. Each speaker seeks to unleash his venomous emotions at a woman who has scorned him, by humiliating her through complicated revenge fantasies and savage metaphors. Through this invective, he hopes to convince us of this woman's inward ugliness. Raleigh catalogues a long list of conceits for his false love: she is every horrid thing from a "siren song" to "an idle boy that sleeps in pleasure's lap".
The overtone of Henry Howard, Earl of Surrey's "Alas! So All Things Now Do Hold Their Peace!" bears more similarity to that of a soliloquy of lamentation than a libellous study. The speaker seems more preoccupied with his own woe than with shaming his absent love before us, his audience, of whom he seems only peripherally aware. He does not berate the object of his affections for not requiting his love, only regrets that she cannot be with him, drawing a contrast between his heavy inward emotional swings and the peaceful night which outwardly surrounds him.
Several centuries after these poets lived, John Stuart Mill would write an essay called "What is Poetry?" that codified a distinction between what he called "poetry" and "eloquence". He writes:
. . . when he [the poet] turns round, and addresses himself to another person; when the act of utterance is not itself the end, but a means to an end -- viz., by the feelings he himself expresses, to work upon the feelings, or upon the belief or the will of another; when the expression of his emotions, or of his thoughts tinged ...
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...women whom supposedly seduced them in their youthful naivete. The narrator of "My Lute, Awake!" takes a distinct pleasure in conjuring up a future where his lover, not he, lies "Plaining in vain unto the moon." Raleigh's vehement yet affected language are entirely out of keeping with the innocent-schoolboy image of himself he would have us believe. Surrey's speaker does not need to protest that he was beguiled, nor make any excuse for his misplaced emotion, because he is not aware of our listening, and therefore can feel no embarrassment at our knowing he was rejected.
These three poems, then, are written in the voice of the spurned lover. In two of them, this lover is cognizant of our presence and seeks to impress us with his impassivity; but in the third, he pours out his sorrow and minds not whether we think the less of him for his poor choice of women.
The Northrop Grumman B-2 Spirit requires a two man crew of a pilot and commander (co-pilot). They train for an additional six months after their regular pilot schooling. It is sixty nine feet long, has a wingspan of one hundred and seventy two feet, and is seventeen feet tall. Its maximum speed is Mach 0.95 (six hundred and thirty miles per hour) at an altitude of forty thousand feet. It needs refueling after six thousand nautical miles.
Rochette-Crawley, S. (2004) James T. Farrell. The Literary Encyclopedia. April 2, 2004. Retrieved on May 13, 2009 from http://www.litencyc.com/php/speople.php?rec=true&UID=1487
All people seem to want the same basic things out of life regardless of race or religion. Universally, people want a good job, a healthy family, and a chance for their children to have a better life than the one they have. Families that already possess these things, whether through their own hard work or merely by way of inheritance, rely on the existing power structures within society to ensure that their future happiness continues . But what do people who do not belong to existing power structures turn to in order to secure these things for their families and children?
Wonder Woman just wake up this morning , and learn from the news that a boat is sinking in the Odra. and 30 people are in life threatening. She is almost outside of the window ready to go to save some lives when she realizes that in the park next to her home some friends are doing a barbecue. As she really would like to go the barbecue she starts to have an internal struggle. What ought Wonder Woman do? Spend an hard day leading to the shore people and saving lives or enjoying the amazing sunny day while doing a barbecue in the park? Utilitarian ethic and philosophy can answer to Wonder Woman's struggle. But first let's see what Utilitarianism is.
Social media is a new phenomenon for most companies; it has also greatly affected the workplace. The influxes of technology combine with the availability of mobile devices have changed private moments and thoughts shared in the workplace. “Employees' workplace privacy is being invaded by increased use of social media, according to a survey published today by security software firm AVG technologies” Newcombe, T...
Genetics play a significant role in obesity, since they increase a persons risk of gaining weight or developing excessive eating habits. “In a study of 226 families by Plymouth's Peninsula Medical School, researchers found that obese mothers were 10 times more likely to have obese daughters and for fathers and sons, there was a six-fold rise” (Medindia, 2009). The obesi...
“It was a large, beautiful room, rich and picturesque in the soft, dim light which the maid had turned low. She went and stood at an open window and looked out upon the deep tangle of the garden below. All the mystery and witchery of the night seemed to have gathered there amid the perfumes and the dusky and tortuous outlines of flowers and foliage. She was seeking herself and finding herself in just such sweet half-darkness which met her moods. But the voices were not soothing that came to her from the darkness and the sky above and the stars. They jeered and sounded mourning notes without promise, devoid even of hope. She turned back into the room and began to walk to and fro, down its whole length, without stopping, without resting. She carried in her hands a thin handkerchief, which she tore into ribbons, rolled into a ball, and flung from her. Once she stopped, and taking off her wedding ring, flung it upon the carpet. When she saw it lying there she stamped her heel upon it, striving to crush it. But her small boot heel did not make an indenture, not a mark upon the glittering circlet.
On the other side, “Love Poem” is very different from the previous poem. This seven stanza poem is based on a man describing the imperfections of his lover. In this, the speaker uses stylistic devices, such as alliteration and personification to impact more on reader, for example as the speaker shows “your lipstick ginning on our coat,”(17) ...
Shakespeare’s story, Love Labour’s Lost, focuses the story on the endearing lust of men. Women are a powerful force, so in order to persuade them men will try to use a variety of different resources in order to attract the opposite sex. Men will often use their primal instincts like a mating call, which could equivocate today to whistling at a woman as she walks by. With the use of lies to tell a girl what she wants to hear, the musk cologne in order to make you appear more sensual, or the cliché use of the love poem, men strive to appeal to women with the intent to see his way into her heart. William Shakespeare is a man, who based on some of his other works, has a pretty good understand and is full of passion for the opposite sex. Nonetheless, whether it had been honest love or perverse lust, Shakespeare, along with most men, aimed to try to charm women. With keeping this understanding of Shakespeare in mind, his weapon of choice, to find his portal way into a woman’s heart, was his power of writing.
The Norton Anthology of English Literature. Sixth Edition Volume1. Ed. M.H.Abrams. New York: W.W.Norton and Company, Inc., 1993.
The speaker uses metaphors to describe his mistress’ eyes to being like the sun; her lips being red as coral; cheeks like roses; breast white as snow; and her voices sounding like music. In the first few lines of the sonnet, the speaker view and tells of his mistress as being ugly, as if he was not attracted to her. He give...
Christopher Marlowe and Sir Walter Raleigh both create speakers who disagree about the nature of romantic love. The titles of the twin poems, “The Passionate Shepherd to His Love,” by Marlowe, and “The Nymph’s Reply to the Shepherd,” by Raleigh, show that they are two sides of a rhetorical exchange. The poems’ structures are identical; each of the shepherd’s optimistic requests has a corresponding refusal from the nymph. Although the word choice and meters are similar in the two poems, the shepherd uses an optimistic tone while the nymph uses a pessimistic one. While both speakers are addressing the concept of love, their distinct uses of diction and imagery underscore how the shepherd’s optimism conflicts with the nymph’s skepticism.
In “Sonnet XVII,” the text begins by expressing the ways in which the narrator does not love, superficially. The narrator is captivated by his object of affection, and her inner beauty is of the upmost significance. The poem shows the narrator’s utter helplessness and vulnerability because it is characterized by raw emotions rather than logic. It then sculpts the image that the love created is so personal that the narrator is alone in his enchantment. Therefore, he is ultimately isolated because no one can fathom the love he is encountering. The narrator unveils his private thoughts, leaving him exposed and susceptible to ridicule and speculation. However, as the sonnet advances toward an end, it displays the true heartfelt description of love and finally shows how two people unite as one in an overwhelming intimacy.
time period, social and political conditions, and other critiques just to name a few. All of these facts can be research and then applied to the artwork critique. This prior information can be used to help clarify certain aspects and create a deeper understanding of the artwork.
He revolves around her cheeks and mouth, as he has not “seen roses damasked, red and white, / but no such see I in her cheeks” (Shakespeare 5-6). The picture the speaker is painting is one of his mistress having a dull complexion with an undesirable texture. His vivid use of imagery further aids in his satirical mocking of the conventional sonnets falsely comparing women to grand things, which in this case to a soft red rose. In the second quatrain, the speakers tone starts to change as the langue he uses to describe his mistress differs. His language in the second and third quatrain’s is more euphonious when he describes his mistress, indicating that he feels for her, and the flaws that he lists are only skin deep. Following the depiction of her cheeks the speaker goes on listing her flaws, one after the other; he comments how the “breath” (Shakespeare 8) of his “mistress reeks,” (Shakespeare 8) to her her “dun” (Shakespeare 3) breast and her displeasing “damasked” (Shakespeare 5) skin. It seems that the speaker is doing the exact opposite of a conventional love poem as he’s not placing the beauty of a mistress on a pedestal, rather he lowers her in beauty in the eye of reader by describing, in detail, her lack of beauty, aiding in his ridiculing of the conventional love